Ken Follett - Eye Of The Needle

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Eye Of The Needle: краткое содержание, описание и аннотация

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"Sheer suspense." – The Washington Post
His weapon is the stiletto, his codename: "The Needle". He is Henry Faber, Germany's most feared agent in Britain. His task is to discover the Allies' plans for D-Day, and get them to Germany at all costs. A task that he ruthlessly carries through, until Storm Island and a woman called Lucy.
Nazi forces dominate Europe, and the Allies in England are using an elaborate subterfuge to convince Germany of a massive invasion, purposely creating confusion as to its location. A German operative named Die Nadel, The Needle, calculating and ruthless, is entrusted by Hitler himself to find out the truth. Fans of old-time radio drama will particularly enjoy this full-cast version. Narrator Eric Lincoln proceeds smoothly, until the action starts cooking, and his urgency turns up the heat. The small ensemble creates a wide range of lead and supporting characters. There are flaws-actors occasionally sound as if theyre too far from the microphone, and there are both melodrama and stereotypes-but the storys compelling suspense hurtles listeners to the riveting conclusion. M.S.W.

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Bloggs shook his head to clear the last remains of sleep. "Who?"

"We don't know. There was just the one signal, not repeated, and they don't seem to be receiving at all."

"Still, there's not much doubt now."

"No. Everything ready up there?"

"All except the weather."

"Good luck."

"Thanks."

Bloggs hung up and returned to the young pilot who was till reading War and Peace. "Good news," he told him. "The bastard's definitely on the island."

"Jolly good show," said the pilot.

Faber closed the door of the jeep and began walking quite slowly toward the house. He was wearing David's hacking jacket again. There was mud all over his trousers where he had fallen and his hair was plastered wetly against his skull. He was limping slightly on his right foot. Lucy backed away from the window and ran out of the bedroom and down the stairs. The shotgun was on the floor in the hall where she had dropped it. She picked it up. Suddenly it felt very heavy. She had never actually fired a gun, and she had no idea how to check whether this one was loaded. She could figure it out, given time, but there was no time.

She took a deep breath and opened the front door. "Stop!" she shouted. Her voice was pitched higher than she had intended, and it sounded shrill and hysterical. Faber smiled pleasantly and kept on walking.

Lucy pointed the gun at him, holding the barrel with her left hand and the breech with her right. Her finger was on the trigger. "I'll kill you!" she yelled.

"Don't be silly, Lucy," he said mildly. "How could you hurt me after all the things we've done together? Haven't we loved each other, a little?"

It was true. She had told herself she could not fall in love with him, and that was true too; but she had felt something for him, and if it was not love, it was something very like it.

"You knew about me this afternoon," he said, and now he was thirty yards away, "but it made no difference to you then, did it?"

That was partly true. For a moment she saw in her mind's eye a vivid picture of herself sitting astride him, holding his sensitive hands to her breasts, and then she realised what he was doing.

"Lucy, we can work it out, we can still have each other-"

And she pulled the trigger.

There was an ear-splitting crash, and the weapon jumped in her hands, its butt bruising her hip with the recoil. She almost dropped it. She had never imagined that firing a gun would feel like that. She was quite deaf for a moment.

The shot went high over Faber's head but all the same he ducked, turned, and ran zigzagging back to the jeep. Lucy was tempted to fire again but she stopped herself just in time realising that if he knew both barrels had been emptied there would be nothing to stop him turning and coming back.

He flung open the door of the jeep, jumped in and shot off down the hill. Lucy knew he would be back.

But suddenly she felt happy, almost gay. She had won the first round: she had driven him off… But he would be back.

Still, she had the upper hand. She was indoors, and she had the gun. And she had time to prepare.

Prepare. She must be ready for him. Next time he would be more subtle. He would surely try to surprise her somehow.

She hoped he would wait until dark, that would give her time… First she had to reload the gun.

She went into the kitchen. Tom kept everything in his kitchen- food, coal, tools, stores-and he had a gun like David's. She knew the two firearms were the same because David had examined Tom's, then sent away for one exactly like it. The two men had enjoyed long discussions about weapons.

She found Tom's gun and a box of ammunition. She put the two guns and the box on the kitchen table.

Machines were simple, she was convinced; it was apprehension not stupidity that made women fumble when faced with a piece of engineering. She fiddled with David's gun, keeping the barrel pointed away from herself, until it came open at the breech. Then she figured out what she had done to open it, and practiced doing it again a couple of times. It was surprisingly simple.

She loaded both guns. Then, to make sure she had done everything correctly, she pointed Tom's gun at the kitchen wall and pulled the trigger. There was a shower of plaster, Bob barked like he'd gone mad, and she bruised her hip and deafened herself again. But she was armed. She must remember to pull the triggers gently so as not to jerk the gun and spoil her aim. Men probably got taught that kind of thing in the army.

What to do next? She should make it difficult for Henry to get into the house.

Neither of the doors had locks, of course; if a house was burgled on this island, one would know that the culprit lived in the other house. Lucy rummaged in Tom's tool box and found a shiny, sharp-bladed axe. She stood on the stairs and began to hack away at the bannister.

The work made her arms ache, but in five minutes she had six short lengths of stout, seasoned oak. She found a hammer and some nails and fixed the oak bars across the front and back doors, three bars to each door, four nails to each bar. When it was done her wrists were in agony and the hammer felt as heavy as lead, but she was still not finished.

She got another handful of the shiny four-inch nails and went around to every window in the house, nailing them shut. She realised, with a sense of discovery, why men always put nails in their mouths: it was because you needed both hands for the work and if you put them in your pocket they stuck into your skin.

By the time she had finished it was dark. She left the lights off.

He could still get into the house, of course, but at least he could not get in quietly… He would have to break something and thereby alert her and then she would be ready with the guns.

She went upstairs, carrying both guns, to check on Jo. He was still asleep, wrapped in his blanket, on Tom's bed. Lucy struck a match to look at his face. The sleeping pill must have really knocked him out, but he was an average sort of colour, his temperature seemed normal, and he was breathing easily. "Just stay that way, little boy," Lucy whispered. The sudden access of tenderness left her feeling more savage toward Henry.

She restlessly patrolled the house, peering through the windows into the darkness, the dog following her everywhere. She took to carrying just one of the guns, leaving the other at the head of the stairs; but she hooked the axe into the belt of her trousers.

She remembered the radio, and tapped out her S.O.S. several more times. She had no idea whether anybody was listening, or even whether the radio was working. She knew no more Morse, so she could not broadcast anything else.

It occurred to her that Tom probably did not know Morse code. Surely he must have a book somewhere? If only she could tell someone what was happening here… She searched the house, using dozens of matches, feeling terrified every time she lit one within sight of a downstairs window. She found nothing.

All right, perhaps he did know Morse.

On the other hand, why should he need it? He only had to tell the mainland that there were enemy aircraft approaching, and there was no reason why that information shouldn't go over the air… what was the phrase David had used?… au clair.

She went back to the bedroom and looked again at the wireless set. To one side of the main cabinet, hidden from her previous cursory glance, was a microphone. If she could talk to them, they could talk to her.

The sound of another human voice-a normal, sane, mainland voice -suddenly seemed the most desirable prospect in the world.

She picked up the microphone and began to experiment with the switches. Bob growled softly.

She put the mike down and reached out her hand toward the dog in the darkness. "What is it, Bob?"

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