Lisa Gardner - Hide

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In bestseller Gardner 's first-rate follow-up to Alone (2005), Bobby Dodge, once a sniper for the Massachusetts State Police and now a police detective, gets called to a horrific crime scene in the middle of the night by fellow detective and ex-lover D.D. Warren. An underground chamber has been discovered on the property of a former Boston mental hospital containing six small naked mummified female bodies in clear garbage bags. A silver locket with one of the corpses, which may be decades old, bears the name Annabelle Granger. Later, a woman shows up at the Boston Homicide offices claiming to be Annabelle Granger. Her resemblance to Catherine Gagnon (whose life Bobby saved in Alone) helps stoke a romance between her and Bobby both subtle and sizzling. The suspense builds as the police uncover links between patients at the hospital and long-ago criminal activities. Through expert use of red herrings, Gardner takes the reader on a nail-biting ride to the thrilling climax.
***
'I can't afford to come back from the dead.' Annabelle has had many names in her life – Sally, Cindy, Lucille. Though her father moved her from city to city from the age of ten, changing names, houses, careers and histories every few months, Annabelle never knew what they were running from. Now in her thirties, with both parents dead, she's settled in Boston. But old habits die hard and she still looks over her shoulder when she leaves her apartment, still blends in with the crowd on the subway. Then at the Boston State Mental Hospital a multiple grave is discovered. Six young girls left to die in an underground chamber decades ago, while their captor looked on. When her original name appears in the paper, wrongly identifying her as one of the dead girls, Annabelle finally knows. This was the work of the monster her father fled from. But the killer is still on the loose. And he's looked for her for a very long time. Bobby Dodge has been haunted by the Catherine Gagnon case for years. It nearly cost him his job and his sanity. As a child, Catherine was also held prisoner underground, like the victims in this latest case. But Catherine's captor was in prison when these girls were taken. Yet the similarities are too numerous to be just coincidence…

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"And he operated for how long?"

"Don't know"

"But he must have known this area," I persisted. "Been a patient at the hospital or maybe even someone who worked there. I mean, to have found this space, to know where to harvest his supplies. To feel comfortable returning again and again."

"At this stage of the game, anything's possible." D.D.'s voice told me she was skeptical, though. I had the sense she was focused on the grounds being abandoned, which meant anyone could've been running around the hundred-and-seventy-acre site.

The thought took some of the wind out of my sails. I got my chin up, relentlessly pressing on in my role of amateur investigator.

"You said there were supplies?" I prompted.

"Metal shelving, metal chair, plastic bucket."

"No bedding?"

"Not that we found."

"Lanterns, cookstove?"

"No, but two hooks on the ceiling, which may have been used for hanging lights."

"Why do you say that?"

"Because he placed the hooks in front of the metal shelves where he stored the bodies."

I swayed, reached out to brace myself against the cold, earthen wall, then snatched my hand back. "I'm sorry?"

D.D.'s expression had grown hard, her gaze probing. "You tell me. You're the one pretending to be the witness. What do you see down here?"

"Nothing."

"Property, grounds-any of this familiar to you?"

"No." My voice was faint. "I've never been here before. I would think"-my hand returned to the wall, my fingers touching it tentatively-"I would think you don't forget something like this."

"No," she agreed harshly, "I don't think you do."

D.D. came forward, stood beside me. She placed her hand next to mine, her fingers splayed, palm flat against the cold earth as if to prove she could handle this grave better than I could. "Right where we are standing used to be two long metal shelving units. He used them for storage. It's where he placed the bodies. One per garbage bag, three per shelf. Two neat little rows."

My fingers convulsed, nails sinking into the raw earth, feeling the hard, compacted soil dig beneath my fingernails. And at that moment, I swear I could feel it. The deeply embedded evil, a powerful, biting chill. I retreated hastily, my feet moving in rapid little circles, while my gaze scoured the floor, looking for signs of… what? Struggle? Blood? The spot where a monster raped my best friend? Or ripped out her fingernails? Or took pliers to her nipples before he slit her throat?

I had read too many articles, spent too much time being prepped by my father. Why read Goodnight Moon to your child when you can read her 21st Century Monsters instead?

I was going to be sick, but I couldn't be. My thoughts ran too hard, too fast. I was remembering my seven-year-old childhood friend. I was picturing every crime-scene photo my father had ever shown me.

"What did he do?" I found myself demanding. "How long were they kept alive? How did he kill them? Did they know of one another? Did they have to stay down here, surrounded by corpses in the dark?

"Turn off the lights!" My voice was growing wild, incoherent. "Dammit, turn off those lights! I want to know what he did to them! I want to know how it fe/t !"

Detective Dodge caught my hands. He pressed my palms together, stilling my jerky motions, tucking my hands back into my chest. He didn't say anything, just stood there, looking at me with those steady gray eyes until, with a brittle snap, I felt something break inside of me. My shoulders sagged, my arms dropped. The hysteria drained from me, and I was left limp, wrung out, thinking of Dori again and that last summer when neither of us had known that we had it so good.

Dori's favorite flavor of Popsicle was grape. Mine was root beer. We would save those flavors from the assorted packs our mothers bought, swapping the two each Saturday

We used to race down the street to see which one of us could skip the fastest. Once I fell down and skinned my chin. Dori came back to see if I was okay, and when she was bending down, I jumped up and went skipping over the finish line just so I could say I won. She didn't speak to me for a whole day, but I still wouldn't apologize, because even back then winning mattered more to me than the wounded look on her face.

Every Sunday her family went to church. I wanted to go to church with them because Dori always looked so pretty in her white church dress with light blue piping, but my father told me church was for the ignorant. Instead, I would visit Dori's house on Sunday afternoons and she would tell me stories she had heard that morning, such as baby Moses, or Noah and his ark, or Jesus' miraculous birth in a manger. And I would say a little prayer with her, even though it made me feel guilty. I liked the way her face looked when she prayed, the serene smile that would settle across her lips.

I wondered if she had prayed down here. I wondered if she had prayed to live, or if she had prayed for God's mercy to take her away. I wanted to pray. I wanted to fall down on my knees and beg God to take some of this huge pressure out of my chest, because I felt like a fist had reached inside of me and was squeezing my heart, and I did not know how one person could live with so much pain, which merely made me wonder how her parents had ever gotten through all these years.

Is this what life comes down to in the end? Young girls forced to choose between a life spent running from the shadows or a premature death alone in the dark? What kind of monster did such a thing? Why couldn't Dori have escaped?

I was happy in that instant that my parents were dead. That they didn't have to know what had happened to Dori or what my father's decision had meant for his daughter's best friend.

But then in the next moment, I felt uneasy. Another rippling shadow in the recesses of my mind…

He knew. I don't know how I knew it, but I did. My father had known what had happened to Dori, and that filled me with a greater sense of unease than even the four closing walls.

I couldn't take it anymore. My hands came up, cradled my forehead.

"We will have to wait for the forensic anthropologist's reports to know more about the victims," Sergeant Warren was saying.

I merely nodded.

"Suffice it to say, we're looking for someone very methodical, extremely intelligent, and depraved."

Another short nod.

"Naturally, anything you might remember about that time-and particularly the UNSUB watching your house-would be most useful."

"I would like to go up now," I said.

No one argued. Detective Dodge led the way. At the top, he offered me his hand. I refused, climbing out on my own. The wind had picked up, rustling loudly through the dying leaves. I tilted my face toward the stinging breeze. Then I curled my fingers into a fist, feeling beneath my fingernails the grim remnants of my best friend's grave.

14

WHEN WE RETURNED to the vehicles, a patrol officer stood waiting for us. He drew Sergeant Warren aside, speaking in a low voice.

"How many times have you seen him?" she asked sharply.

"Three or four."

"Who does he say he is?"

"Says he used to work here. That he knows something. But he'll only speak to the officer in charge."

Warren looked over the officer's head, to where Detective Dodge and I stood. "Got a minute?" she asked, clearly meaning Bobby, not me.

He glanced at me. I shrugged. "I can wait in the car."

That seemed to be the right answer. Warren turned back to the patrol officer. "Bring him up. He wants to talk so bad, let's hear what he has to say"

I returned to the Crown Vic; I didn't mind. I wanted out of the wind, away from the sights and smells. I wasn't thinking of nature hikes anymore. They should bring in bulldozers and raze this place to the ground.

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