Lisa Gardner - The Survivors Club

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The Survivors Club: краткое содержание, описание и аннотация

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“Showing a flair for lip-biting suspense, bestselling novelist Gardner combs out a tangled plot to an engrossing effect… Riveting action… This club is worth the dues.” -People, Beach Book of the Week
“Lisa Gardner’s Survivors Club is a high-octane, nerve-jangling tale of suspense.” -Harlan Coben, author of Tell No One
“Hot dang, a new Lisa Gardner book! I love her hot, fast thrill rides. I’m always first in line to grab my copy of her newest release the day it arrives in stores. For my money, when it comes to suspense, nobody does it better.” -Jayne Ann Krentz
“A book seething with suspense and violence, one that will snatch your attention and attach your emotions to the characters.” – Columbia (SC) State
“One cannot read this excellent new novel by bestselling author Gardner without wondering what actors might play these characters… Rocks and rolls right up to a nail-biter ending.” -Publishers Weekly
“Her best effort yet in this dynamite tale… Readers are forewarned that they may be up all night finishing this masterfully crafted thriller.” -Booklist
“The Survivors Club has it all-provocative plotting, an astute eye for detail, engaging characters, and a razor-sharp emotional edge.” -Stephen White
“Another surprise-filled, suspenseful yarn from the gifted Ms. Gardner.” – Denton (TX) Chronicle
“Lisa Gardner knows how to produce a hair-raising mystery thriller, and this offering is no exception… Gardner keeps the reader guessing with twist after ingenious twist.” – Charleston (SC) Post and Courier
“There’s a whiff of The Silence of the Lambs in this gripping new crime novel… A suspenseful page-turner.” – Toronto Sun
“Here’s a winner to keep you on the edge of your beach chair.” – River Falls Journal
***
From Publishers Weekly
One cannot read this excellent new novel by bestselling author Gardner (The Next Accident) without wondering what actors might play these characters, especially the detectives. (Russell Crowe in his Bud White mode should star as Roan Griffin, and Dennis Franz seems a natural for the rumpled and sarcastic Fitz.) A sensitive but tough Rhode Island state police detective just returned from a bereavement leave (his beloved wife has died of cancer), Griffin encounters a hell of a case: a serial rapist, Eddie Como, is professionally hit in the courthouse parking lot, but whoever set up the kill doesn't want any loose ends: a car bomb results in an extra-crispy assassin. The prime suspects for this crime are Eddie's surviving victims: Jillian Hayes, who was beaten when she nearly caught the man after he raped her young sister, Trisha, who died; Carol Rosen, neglected wife of a successful attorney with a secret, who was raped in her own home; and the first victim, young Meg Pesaturo, who has mob ties but remembers nothing about the attack. But this is only the beginning of the case, for the rapist seems to rise from the dead to strike again and an old nemesis of Griffin 's may have everything to do with it. The three-dimensional characterizations are compelling, and the plot barrels along with surprising new twists that feel inevitable once they occur. Though the plot doesn't jell until our hero meets his match in city cop Fitz, the book then rocks and rolls right up to a nail-biter ending coming perhaps a tad too quickly. Roan Griffin is a triumph: hurt, tightly wound, but holding it together and regaining his compassion and ability to reach out. And the grace-note minor characters, the wily nurse Toppi and Jillian's silent former singer mother, Libby, are gems. Gardner should hit the charts again with this one.
From Library Journal
These survivors overcame the consequences of rape, but one of them seems to have taken things too far by murdering the accused rapist. A follow-up to The Accident, the best-selling Gardner 's hardcover debut.

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“How long will examining the equipment take?”

“Fifteen minutes at most. We might stretch it to twenty.”

Griffin glanced at his watch. They were almost at the Como residence, but fifteen minutes would never be enough time to break Tawnya Clemente. And once Maureen stuck her microphone in front of Price and he began his pathetic spiel…

“Code,” Griffin said suddenly.

“Code?”

“Yeah. Code Blue or Code White, I'll settle for any color. If there's a code, they have to shut down the whole prison, right? Clear everyone out, even lawyers and aspiring news anchors?”

“That's right,” Charpentier said, his voice picking up.

“And it could take a while to sort it all out and let everyone back in, right? Prisoners have to be searched and escorted back to the visiting areas. Maureen and Jimmy would have to go back through security…”

“It could take a while,” Charpentier agreed happily. Then he hesitated. Griffin understood. A Code Blue only happened if there was a major disturbance, a guard down, a fight between two inmates. A Code White, on the other hand, was sounded in case of a medical emergency. Either way, something had to happen in the prison first. “The director isn't wild about a news team entering the prison,” Charpentier said finally. “I could talk to him. Maybe now would be a good time for a drill. You know, as a favor to the state police.”

“We would appreciate that favor,” Griffin said.

“Hang on a sec.” There was a pause, the muffled sound of footsteps, then some definitely muffled talking. Moments later, Charpentier was back. “You know what? It turns out Max hasn't had a drill in quite some time. The real thing, sure, but not a drill. And you know how it goes, if you don't practice every now and then…”

“You're golden, Corporal, and tell the director we always approve of good practice. One more thing-”

“Yeah?”

“If the interview does go down… ask the director not to return Price to his cell. Escort him anywhere else, but not to his cell.”

“You don't want him picking up anything he might have stashed there.”

“It's never too early to take precautions.”

“I'm sure the director will see your point. And gee, the cell block is probably due for a surprise inspection, as well. What a wonderfully educational day for the corrections officers.”

“Practice makes perfect. Work on that list, Corporal. I'll be in touch.”

Griffin flipped his phone shut just in time to turn down Tawnya's street.

Twelve-ten P.M. He parked his Taurus in front of her house.

“You go first,” he told Fitz.

The detective positively beamed.

Chapter 35

Tawnya

THEY WENT AROUND TO THE BACK DOOR AGAIN. GIVEN that you never knew what bushes were hiding what kind of cameramen, it seemed the thing to do. This time Tawnya appeared after their first knock. In her normal good humor, she took one look at Fitz through the door's window and spat.

Griffin wagged a finger at her playfully. Maybe his charm was returning, because she grudgingly opened the door.

“If you pigs are here about the lawsuit,” Tawnya said, “go fuck a goat. My lawyer says I'm not supposed to talk to you.”

“Colorful,” Griffin observed to Fitz.

“I got more. Keep talking and you'll hear them all.”

“Hello, Mrs. Como.” Fitz eased into the kitchen behind Griffin, keeping the state detective's larger bulk between him and Tawnya. Mrs. Como stood in front of the stove again. Today's culinary adventure seemed to be simmering black beans. The wafting odors of garlic gave the kitchen a homey touch. Not that the bleaching baby diapers had been lacking.

Eddie, Jr., was awake this time, nestled in a baby carrier on top of the kitchen table. He studied Griffin with big brown eyes, then stuck a multicolored teething ring into his mouth and drooled away. Griffin tucked his hands in his pockets before he did something stupid like tickle the baby's pudgy cheeks. He was supposed to be big bad detective here. Clock was ticking, ticking, ticking. Man, babies were cute.

“Maybe we should talk in the family room,” Fitz said and jerked his head toward Eddie, Jr.

“I don't got nothin' to say to you,” Tawnya said.

“Let's go into the family room,” Fitz repeated, more firmly. Tawnya scowled at him, but went.

The minute they were out of the kitchen, Fitz opened fire. “We know what you did, Tawnya. Come clean now, before another girl dies, and maybe we can still work something out. Eddie, Jr., has already lost one parent. You want him to grow up completely orphaned?”

“What the fuck are you talking about?”

“Fifty million dollars. For that kind of money, people sell out their own mothers, let alone some boyfriend who's knocked you up but still not walked you down the aisle.”

“Are you talking about my lawsuit? Because I'm not talking about my lawsuit. My lawyer told me I don't have to tell you pigs one damn thing. You killed my Eddie. Now it's your turn to pay!”

“There won't be any lawsuit, Tawnya,” Griffin spoke up quietly.

“Not one red cent,” Fitz emphasized, “not once the public knows what you really did to Eddie.”

Tawnya was good. Real good. She looked at them first in bewilderment, then drew herself up for battle. She bared her teeth. She flashed those long hot-pink nails. “Get out of my house.”

“You need to listen to us, Tawnya. Work with us now, and you can still salvage something for Eddie, Jr.”

“Miserable, fucking, shit-eating, donkey-humping, flea-repelling, toad-hopping jackasses. Get out of my house!

Fitz and Griffin didn't move a muscle. Fitz glanced at Griffin. “You're right, the language is very colorful.”

“Goes with the nails.”

“Think she'll attack soon?”

“That'd be nice. Then we can arrest her now, and she'll never see the light of day.”

“Too bad for Eddie, Jr.”

Griffin shrugged. “You know what they say. You can't pick your parents.”

Tawnya foamed at the mouth. Griffin promptly went in for the kill.

“You have thirty seconds to start talking,” he told her, his voice low and intense. “We know you framed your boyfriend. We know you're an accomplice to four rapes and two murders. You come clean right this moment, and Eddie, Jr., still has a chance at having a mother. You jerk us around one more second, however, and we're arresting you. We'll shackle you in front of your kid. We'll drag you out of this house and you'll never see your baby again. Thirty seconds, Tawnya. Twenty-nine, twenty-eight, twenty-seven…”

Tawnya wasn't into negotiating. She growled once, then launched herself at Griffin's massive form. He grabbed her raking hands, slipped his foot behind hers, and neatly face-planted her onto the worn shag carpet. Fitz produced the cuffs. They didn't have time for fooling around. They hauled her, spitting and sputtering, back onto her feet and were preparing to march her out the door when Mrs. Como stepped into the room, dried her hands on a kitchen towel and uttered a single word.

“Stop,” the old woman said.

Some instincts ran deep: they froze. Griffin recovered first. “Mrs. Como,” he said firmly, “we have reason to believe that Tawnya helped frame your son for rape-”

“I did not!” Tawnya screeched. She started squirming again, then kicked out at Fitz, who deftly stepped aside.

“Tawnya is a good girl,” Mrs. Como said.

“Good girl, my ass!” Fitz sputtered, still dodging.

“Good girls have done far worse for fifty million dollars,” Griffin reminded her tightly, and tugged Tawnya away from Fitz.

“Tawnya no do lawsuit,” Mrs. Como said. “I do lawsuit. I want money. For my grandson.”

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