Lisa Gardner - The Survivors Club

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The Survivors Club: краткое содержание, описание и аннотация

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“Showing a flair for lip-biting suspense, bestselling novelist Gardner combs out a tangled plot to an engrossing effect… Riveting action… This club is worth the dues.” -People, Beach Book of the Week
“Lisa Gardner’s Survivors Club is a high-octane, nerve-jangling tale of suspense.” -Harlan Coben, author of Tell No One
“Hot dang, a new Lisa Gardner book! I love her hot, fast thrill rides. I’m always first in line to grab my copy of her newest release the day it arrives in stores. For my money, when it comes to suspense, nobody does it better.” -Jayne Ann Krentz
“A book seething with suspense and violence, one that will snatch your attention and attach your emotions to the characters.” – Columbia (SC) State
“One cannot read this excellent new novel by bestselling author Gardner without wondering what actors might play these characters… Rocks and rolls right up to a nail-biter ending.” -Publishers Weekly
“Her best effort yet in this dynamite tale… Readers are forewarned that they may be up all night finishing this masterfully crafted thriller.” -Booklist
“The Survivors Club has it all-provocative plotting, an astute eye for detail, engaging characters, and a razor-sharp emotional edge.” -Stephen White
“Another surprise-filled, suspenseful yarn from the gifted Ms. Gardner.” – Denton (TX) Chronicle
“Lisa Gardner knows how to produce a hair-raising mystery thriller, and this offering is no exception… Gardner keeps the reader guessing with twist after ingenious twist.” – Charleston (SC) Post and Courier
“There’s a whiff of The Silence of the Lambs in this gripping new crime novel… A suspenseful page-turner.” – Toronto Sun
“Here’s a winner to keep you on the edge of your beach chair.” – River Falls Journal
***
From Publishers Weekly
One cannot read this excellent new novel by bestselling author Gardner (The Next Accident) without wondering what actors might play these characters, especially the detectives. (Russell Crowe in his Bud White mode should star as Roan Griffin, and Dennis Franz seems a natural for the rumpled and sarcastic Fitz.) A sensitive but tough Rhode Island state police detective just returned from a bereavement leave (his beloved wife has died of cancer), Griffin encounters a hell of a case: a serial rapist, Eddie Como, is professionally hit in the courthouse parking lot, but whoever set up the kill doesn't want any loose ends: a car bomb results in an extra-crispy assassin. The prime suspects for this crime are Eddie's surviving victims: Jillian Hayes, who was beaten when she nearly caught the man after he raped her young sister, Trisha, who died; Carol Rosen, neglected wife of a successful attorney with a secret, who was raped in her own home; and the first victim, young Meg Pesaturo, who has mob ties but remembers nothing about the attack. But this is only the beginning of the case, for the rapist seems to rise from the dead to strike again and an old nemesis of Griffin 's may have everything to do with it. The three-dimensional characterizations are compelling, and the plot barrels along with surprising new twists that feel inevitable once they occur. Though the plot doesn't jell until our hero meets his match in city cop Fitz, the book then rocks and rolls right up to a nail-biter ending coming perhaps a tad too quickly. Roan Griffin is a triumph: hurt, tightly wound, but holding it together and regaining his compassion and ability to reach out. And the grace-note minor characters, the wily nurse Toppi and Jillian's silent former singer mother, Libby, are gems. Gardner should hit the charts again with this one.
From Library Journal
These survivors overcame the consequences of rape, but one of them seems to have taken things too far by murdering the accused rapist. A follow-up to The Accident, the best-selling Gardner 's hardcover debut.

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He drummed his fingers on the steering wheel and tried again.

“Welcome back,” they'd say.

“It's good to be back,” he'd say.

“How are you doing?” they'd ask.

“My anxiety is operating within normal parameters,” he'd reply.

No. Absolutely not. That kind of psychobabble made even him want to whoop his ass. Forget it. He should've gone with his father's recommendation and walked in wearing a T-shirt that read “You're only Jealous Because the Voices are Talking to Me .”

At least they all could've had a good laugh.

Griffin had joined the Rhode Island State Police force sixteen years ago. He'd started with four months in a rigorous boot camp, learning everything from evasive driving maneuvers to engaging in hand-to-hand combat after being stung with pepper spray. (You want to know pain? Having pepper spray in your eyes is pain. You want to know self-control? Standing there willingly to be sprayed for the second time, that is self-control.) Following boot camp, Griffin had spent eight years in uniform. He'd boosted the state coffers writing his share of speeding tickets. He'd helped motorists change tires. He'd attended dozens of motor vehicle accidents, including way too many involving children. Then he'd joined the Detective Bureau, starting in Intelligence, where he'd earned a stellar reputation for his efforts on a major FBI case. Following that, he worked some money laundering, gunrunning, art forgery, homicide. Rhode Island may not have a large quantity of crime, but as the detectives liked to say, they got quality crime.

Griffin had been a good detective. Bright. Hardheaded. Stubborn. Ferocious at times. Funny at others. This stuff was in his blood. His grandfather had been a beat cop in New York. His father had served as sheriff in North Kingstown. Two of his brothers were now state marshals. Years ago, when Griffin had first met Cindy on a hiking trip in New Hampshire, first looked into her eyes and felt her smile like a thunderbolt in his chest, he'd blurted out, before his name, before even hello, “I'm a cop.” Fortunately for him, Cindy had understood.

Griffin had been a good detective. Guys liked working with him. The brass liked giving him cases. The media liked following his career. He went on the Dave Letterman show when the Rhode Island State Police won a nationwide award for best uniform. He led Operation Pinto, which shut down a major auto-theft ring in a blaze of front-page Providence Journal headlines. He even got appointed to the governor's task force on community policing, probably because the little old ladies had been asking for him since he'd strutted across Letterman's sound stage. (Officer Blue Eyes, the ProJo had dubbed him. Oh yeah, his fellow detectives had definitely had that made into a T-shirt.)

Two and a half years ago, when the third kid vanished from Wakefield and the pattern of a locally operating child predator became clear, there had never been any doubt that Griffin would head the investigation. He remembered being excited when he'd walked out of that briefing. He remembered the thrum of adrenaline in his veins, the flex of his muscles, the heady sense that he had once again begun a chase.

Two days before Cindy went for a routine checkup. Six months before everything went from bad to worse. Eleven months before he learned the true nature of the black abyss.

For the record, he'd nailed that son of a bitch. For the record.

Griffin made the left-hand fork on Route 6, headed into North Scituate. Five minutes from headquarters now. He drove by the giant reservoir as the landscape opened up to reveal a vast expanse of water on his right and rolling green hills on his left. Soon he'd see joggers, guys grabbing a morning run. Then would come the state police compound. First, the flat, ugly 1960s brown building that housed Investigative Support Services. Then, the huge old gray barn in the back, a remnant of what the property used to be. Finally, the beautiful old white semimansion that now served as state police headquarters, complete with a gracefully curving staircase and bay windows overlooking more rolling green hills. The White House, the rookies called it. Where the big boys lived.

Damn, he'd missed this place. Damn.

“Welcome back, Griffin,” they'd say.

“Thanks,” he'd say.

“How are you feeling?” they'd ask.

And he'd answer -

In the left-hand lane, a blue Ford Taurus roared past, red lights flashing behind the grille. Then came two more unmarked police cars, sirens also screaming. What the hell?

Griffin turned into the parking lot of state police headquarters just in time to see detectives pour out of ISSB and race for their state steels. He recognized two guys from the Criminal Identification Unit (CIU), Jack Cappelli and Jack Needham, aka Jack-n-Jack, climbing into the big gray crime-scene-investigation van. Then they had flipped on the lights and were peeling out of the lot.

Griffin swung in front of the ISS building. He hadn't even cut the motor before Lieutenant Marcey Morelli of Major Crimes was banging on his window.

“Lieutenant.” He started to salute. Morelli cut him off.

“ Providence just called in reports of rifle fire and a major explosion at the Licht Judicial Complex. ATF and the state fire marshal get the explosion. We get the shooting. All units respond.”

“A shooting at the courthouse? ” His eyebrows shot up. No friggin' way.

“You been following the Como case? Sounds like somebody got tired of waiting for the trial. Better yet, the media's already there, catching the before and the after. Can you say ‘Film at eleven'?”

“Somebody up there hates you, Lieutenant.”

“No kidding. Look, whatever just happened, we know it's going to be big. I've already asked the detective commander for additional resources, plus I want all of Major Crimes down there ASAP. The uniforms can handle the canvassing, but I want you guys on initial interviews. Find out when, where, why, how, radio it to every uniform in the area so they can be on the lookout for the shooter, and hey, catch this guy yesterday. You know the drill.” Morelli paused long enough to take a breath, then narrowed her eyes as, for the first time, she truly saw his seated form. “Jesus Christ, Griffin, I thought you'd spent the time fishing or something like that.”

“Well yeah. And some weights.” He shrugged modestly.

“Uh huh.”

“And some running.”

“Uh huh.”

“Okay, boxing, too.”

The lieutenant rolled her eyes. Griffin had spent the last year of his eighteen-month medical leave mastering the art of sublimation-funneling nonproductive tension into a productive outlet. He'd gotten pretty good at it. He could sustain a five-minute mile for nearly ten miles. He could box sixteen rounds. He could bench-press a Volvo.

His body was good. His face was still a little too harsh-a man not sleeping well at night. But physically… Griffin was a lean, mean machine.

The lieutenant straightened. “Well,” she said briskly, “The Boss is on his way. So get moving, Sergeant. And remember, there are only a hundred cameras about to document every step we take.”

Lieutenant Morelli resumed running. Griffin sat there for one more moment, honestly a little dazed. My anxiety is operating within normal parameters, he thought stupidly. Ah fuck it. Back is back. He flipped on his lights and joined his fellow officers, roaring toward Providence.

Chapter 3

Jillian

S HE IS DRIVING TO HER SISTER ' S APARTMENT. W ORK HAS held her up, she is running an hour late. Traffic is miserable, of course. Another accident on 195, when isn't there an accident? She is thinking about all the things she still has to get done. Cash-flow analysis of the first six months. Cash-flow projection of the next six months. Storyboards for Roger. Copy proofs for Claire.

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