Lisa Gardner - The Survivors Club

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The Survivors Club: краткое содержание, описание и аннотация

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“Showing a flair for lip-biting suspense, bestselling novelist Gardner combs out a tangled plot to an engrossing effect… Riveting action… This club is worth the dues.” -People, Beach Book of the Week
“Lisa Gardner’s Survivors Club is a high-octane, nerve-jangling tale of suspense.” -Harlan Coben, author of Tell No One
“Hot dang, a new Lisa Gardner book! I love her hot, fast thrill rides. I’m always first in line to grab my copy of her newest release the day it arrives in stores. For my money, when it comes to suspense, nobody does it better.” -Jayne Ann Krentz
“A book seething with suspense and violence, one that will snatch your attention and attach your emotions to the characters.” – Columbia (SC) State
“One cannot read this excellent new novel by bestselling author Gardner without wondering what actors might play these characters… Rocks and rolls right up to a nail-biter ending.” -Publishers Weekly
“Her best effort yet in this dynamite tale… Readers are forewarned that they may be up all night finishing this masterfully crafted thriller.” -Booklist
“The Survivors Club has it all-provocative plotting, an astute eye for detail, engaging characters, and a razor-sharp emotional edge.” -Stephen White
“Another surprise-filled, suspenseful yarn from the gifted Ms. Gardner.” – Denton (TX) Chronicle
“Lisa Gardner knows how to produce a hair-raising mystery thriller, and this offering is no exception… Gardner keeps the reader guessing with twist after ingenious twist.” – Charleston (SC) Post and Courier
“There’s a whiff of The Silence of the Lambs in this gripping new crime novel… A suspenseful page-turner.” – Toronto Sun
“Here’s a winner to keep you on the edge of your beach chair.” – River Falls Journal
***
From Publishers Weekly
One cannot read this excellent new novel by bestselling author Gardner (The Next Accident) without wondering what actors might play these characters, especially the detectives. (Russell Crowe in his Bud White mode should star as Roan Griffin, and Dennis Franz seems a natural for the rumpled and sarcastic Fitz.) A sensitive but tough Rhode Island state police detective just returned from a bereavement leave (his beloved wife has died of cancer), Griffin encounters a hell of a case: a serial rapist, Eddie Como, is professionally hit in the courthouse parking lot, but whoever set up the kill doesn't want any loose ends: a car bomb results in an extra-crispy assassin. The prime suspects for this crime are Eddie's surviving victims: Jillian Hayes, who was beaten when she nearly caught the man after he raped her young sister, Trisha, who died; Carol Rosen, neglected wife of a successful attorney with a secret, who was raped in her own home; and the first victim, young Meg Pesaturo, who has mob ties but remembers nothing about the attack. But this is only the beginning of the case, for the rapist seems to rise from the dead to strike again and an old nemesis of Griffin 's may have everything to do with it. The three-dimensional characterizations are compelling, and the plot barrels along with surprising new twists that feel inevitable once they occur. Though the plot doesn't jell until our hero meets his match in city cop Fitz, the book then rocks and rolls right up to a nail-biter ending coming perhaps a tad too quickly. Roan Griffin is a triumph: hurt, tightly wound, but holding it together and regaining his compassion and ability to reach out. And the grace-note minor characters, the wily nurse Toppi and Jillian's silent former singer mother, Libby, are gems. Gardner should hit the charts again with this one.
From Library Journal
These survivors overcame the consequences of rape, but one of them seems to have taken things too far by murdering the accused rapist. A follow-up to The Accident, the best-selling Gardner 's hardcover debut.

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“He was wearing all black,” the reporter provided. “With something on his head. Maybe a stocking. You know, like bank robbers do in the movies.”

Griffin grunted. Waters noted the names and news affiliate for the twosome, then they moved on. Their second subjects were even better. This cameraman liked gunshots so well, he dropped his five-thousand-dollar piece of hardware onto the lawn.

“I don't do well with loud noises,” he said sheepishly.

“For God's sake, Gus,” his reporter snapped, “what happens if they send us to Afghanistan?”

“We work for the UPN affiliate in the smallest state in the nation, Sally. When the fuck are we going to be sent to Afghanistan?”

“Did you at least look up?” Griffin intervened in this lovefest.

“Yeah,” Gus said. “Saw a person, running across the roof.”

“Person?” Waters pressed.

Gus shrugged. “All I could see was the back. Could be a man, could be a woman. In this day and age, who the hell knows?”

“Real observant, Gus, real observant.”

Griffin turned toward Sally. “And you?”

The hard-faced brunette gave Griffin an appraising stare. “I thought it was a man. Broad shoulders. Short, dark hair. Dressed in black coveralls, like the kind mechanics wear. Now then. You're looking good after your little vacation, Griffin. A sergeant of Major Crimes, light caseload from being gone so long. Twenty to one they're going to put you in charge of this baby. So why don't you give me an interview? Five minutes on the record. My boss will clear it with your boss. What do you say?”

Waters was looking at him strangely. He probably hadn't given any thought to who would be assigned as the primary case officer yet. The decision generally wasn't made right away. Sally was correct, however. Griffin was a sergeant, he had lead case experience and at the moment he had a remarkably light caseload.

“I'm sure the detective commander will be giving a statement to all of the reporters shortly,” Griffin told Sally. Then he walked back to the crowd. “Next!”

It took him and Waters two hours to make it through the nest of reporters. In the end, they had a description of a white male who was between five and six feet tall, who might have brown hair, blond hair or black hair, who was either heavyset or rail-thin, who was wearing a ski mask, a Zorro-like mask, a stocking mask or nothing at all, and who may or may not bear a striking resemblance to James Gandolfini's character on The Sopranos .

“That's it, I think we can arrange for a lineup right now,” Waters said.

“Absolutely. And here I thought it would take all day to learn that nobody saw nothing. Instead it's been what, two and a half hours?”

“The Boss will be pleased,” Waters agreed.

They both sighed heavily. They wandered away from the reporters, who had spotted the major arriving at the courtyard across the street, and were now resuming their manic cries for a briefing.

“What do you think?” Waters asked quietly, looking around to make sure no gung-ho reporter had spotted their break from the crowd. Acrid smoke from the car explosion still wafted through the air. It gave their voices a raspy edge.

“We're pissing in the wind,” Griffin said. “Single head shot, so most likely the guy was a pro. Left everything on the rooftop, so most likely he knew the assault rifle, etc., was untraceable. I'm betting the minute he finished shooting, he stripped down to civilian threads and headed into the courthouse where he blended into the rest of the pedestrian traffic.”

“He simply strolled down the street to his getaway vehicle,” Waters filled in.

“Where he made an even bigger exit than he planned.”

“A description's not going to help much, except down at the morgue,” Waters agreed.

“We're still going to have to know who he is to confirm his occupation, then figure out who hired him.”

“I don't know. Based on what we've heard, Uncle Vinnie's looking better all the time. Has a grudge, has the connections to hire a gun. Seems to me that Tom was onto something. Or”-Waters's voice grew more thoughtful-“the East Side wife obviously has money. Maybe she arranged for the hit. Or maybe all the women conspired together-I heard that they formed some kind of support group. Of course, I'm not sure why they'd kill the hired gun. Then again, once you've decided to kill one felon, what's one more?”

Griffin merely grunted. He didn't like to rush to conclusions when working a case. He flipped through his spiral notebook. “Hey, Mike, what happened to NBC?”

“I don't know. Seinfeld ended, ER lost Clooney?”

“No, no, I mean, we haven't interviewed anyone from WJAR. You really believe Channel Ten didn't send a news team?”

Waters frowned. He looked around the memorial park. And then his eyes widened. “There, at the end of the block. Doesn't that white van say News Team Ten?”

“Well, what do you know. Two reporters have actually left the herd and are holed up on their own. Now, why would two reporters run away from the pack?”

“They have something.”

“No, no, Mike, we have something. Let's get 'em.”

Sixty seconds later, Griffin rapped on the van's sliding metal door. It didn't magically open. He knocked louder. Immediately, the voices inside shut up.

“Come on, guys,” he called out. “This is Sergeant Griffin of the state police. Now open up, or I'll huff and I'll puff and I'll blow your van down.”

Another long pause. Finally, a click, then the door slid meekly back. Perched inside, Maureen Haverill gave both detectives her best reporter's smile.

“ Griffin!” she said warmly. “I heard you were returning to the fold.”

Maureen Haverill had been working at the local NBC affiliate for five years. A petite blonde, she was perky enough for one of those national morning news shows and probably figured it was only a matter of time. At the moment, her blue eyes were particularly bright. She looked like an addict who'd just gotten a fix. Or a reporter who'd just landed a scoop. Her cameraman was out of sight. Probably frantically dubbing the tape. Damn.

“Both of you, out, now.” Griffin 's voice was harsh.

“ Griffin -”

“Out!”

Maureen scowled. She made a big show of carefully maneuvering out of the van, the helpless blonde in a too-short, too-tight pale green skirt. She probably bought her cameraman another thirty seconds.

“So help me God, Maureen,” Griffin informed her, “you dub that tape and I will nail you for tampering with evidence.”

“I don't know what you're talking about.”

“Jimmy,” he called out. “You, too. Now.

A big head of rumpled red hair reluctantly appeared. “We were just making some notes,” Jimmy said sulkily. “Can't two reporters get a little work done?” The hulking redhead climbed out onto the sidewalk. He kept his eyes carefully averted. There was a fresh sheen of sweat glistening across his forehead.

“I want the tape,” Griffin said.

“What tape?” Maureen tried again.

“The tape you're frantically copying for your lead story, which will probably be airing at any moment. It would be a shame, Maureen, if some junior reporter had to provide the vocals for the piece because you were detained behind bars.”

“You can't arrest me! On what grounds?”

“Obstruction of justice.”

“Oh please. That's horseshit and you know it.”

“It's been eighteen months. My grasp of the law is a little rusty. I'll arrest you first, then let the courts sort it out.”

Maureen started to look pissed. “Dammit, I have Fourth Amendment protection against illegal search and seizure!”

“Then it's a good thing we're standing next to a courthouse. I'll stay with you. Detective Waters can run across the street and get a subpoena. Thirty minutes later not only will we still seize the tape, but I promise you that when we're done, we'll provide copies of the visual to every single news organization in this state. You understand? Every single one.”

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