Robin Cook - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly
Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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As if on cue, the moment the aged elevator began its whining ascent, Laurie heard the click of Debra Engler’s locks. Turning her head, Laurie watched as the door to the front apartment opened a crack and its safety chain was pulled taut. Debra’s bloodshot eye peered out at her. Above the eye was a tousle of gray frizzy hair.

Laurie aggressively stared back at the intruding eye. It was as if Debra hovered behind her door for any sound in the hallway. The repetitive intrusion grated on Laurie’s nerves. It seemed like a violation of her privacy despite the fact that the hallway was a common area.

“Better take an umbrella,” Debra said in her throaty, smoker’s voice.

The fact that Debra was right only fanned Laurie’s irritation. She had indeed forgotten her umbrella. Without giving Debra any sense of acknowledgment lest her irritating watchfulness be encouraged, Laurie turned back to her door and went through the complicated sequence of undoing the locks. Five minutes later as she stepped into the elevator, she saw that Debra’s bloodshot eye was still watching intently.

As the elevator slowly descended, Laurie’s irritation faded. Her thoughts turned to the case that had bothered her most over the weekend: the twelve-year-old boy hit in the chest with a softball.

“Life’s not fair,” Laurie muttered under her breath as she thought about the boy’s untimely death. Children’s deaths were so hard to comprehend. Somehow she’d thought medical school would inure her to such senselessness, but it hadn’t. Neither had a pathology residency. And now that she was in forensics, these deaths were even harder to take. And there were so many of them! Up until the accident, the softball victim had been a healthy child, brimming with health and vitality. She could still see his little body on the autopsy table; a picture of health, ostensibly asleep. Yet Laurie had had to pick up the scalpel and gut him like a fish.

Laurie swallowed hard as the elevator came to a bumping stop. Cases like this little boy made her question her career choice. She wondered if she shouldn’t have gone into pediatrics, where she could have dealt with living children. The field of medicine she’d chosen could be grim.

In spite of herself, Laurie was grateful for Debra’s admonition once she saw what kind of day it was. The wind was blowing in strong gusts and the promised rain had already started. The view of her street that particular day made her question her choice of location as well as her career. The garbage-strewn street was not a pretty sight. Maybe she should have gone to a newer, cleaner city like Atlanta, or a city of perpetual summer like Miami. Laurie opened her umbrella and leaned into the wind as she trudged toward First Avenue.

As she walked she thought of one of the ironies of her career choice. She’d chosen pathology for a number of reasons. For one thing she thought that predictable hours would make it easier to combine medicine with having a family. But the problem was, she didn’t have a family, unless she considered her parents, but they didn’t really count. In fact she didn’t even have a meaningful relationship. Laurie had never thought that by age thirty-two she wouldn’t have children of her own, much less that she’d still be single.

A short cab ride with a driver whose nationality she could not even guess brought her to the corner of First and Thirtieth. She’d been shocked to get the cab. Under normal circumstances a combination of rain and rush hour meant no taxis. This morning, however, someone had been getting out of a cab just as she reached First Avenue. Yet even if she’d not been able to get one, it wouldn’t have been a disaster. That was one of the benefits of living just eleven blocks away from work. Many a day she walked in both directions.

After paying her fare, Laurie started up the front steps of the Office of the Chief Medical Examiner for the City of New York. The six-story building was overshadowed by the rest of the New York University Medical Center and the Bellevue Hospital complex. Its facade was constructed of blue-glazed brick with aluminum windows and door casements of an unattractive modern design.

Normally Laurie paid no attention to the building, but on this particular rainy November Monday it wasn’t spared her critical review any more than her career or her street. The place was depressing. She had to admit that. She was shaking her head, wondering if an architect could have been genuinely pleased by his handiwork, when she noticed that the foyer was packed. The front door was propped open despite the morning chill, and cigarette smoke could be seen languidly issuing forth.

Curious, Laurie pushed into the crowd, making her way with some difficulty toward the ID room. Marlene Wilson, the usual receptionist, was obviously overwhelmed as at least a dozen people pressed against her desk as they plied her with questions. The media had invaded, complete with cameras, tape recorders, TV camcorders, and flashing lights. Clearly something out of the ordinary had happened.

After a brief pantomime to get Marlene’s attention, Laurie managed to get herself buzzed into the inner area. She experienced a mild sense of relief when the closing door extinguished the babble of voices and the acrid cigarette smoke.

Pausing to glance into the drab room where family members were taken to identify the deceased, Laurie was mildly surprised to find it empty. With all the commotion in the outer area, she thought she’d see people in the ID room. Shrugging her shoulders, she proceeded into the ID office.

The first person Laurie confronted was Vinnie Amendola, one of the mortuary techs. Oblivious to the pandemonium in the reception area, Vinnie was drinking coffee from a Styrofoam cup and studying the sports pages of the New York Post . His feet were propped up on the edge of one of the gray metal desks. As usual before eight in the morning, Vinnie was the only person in the room. It was his job to make the coffee for the coffee pool. A large, commercial-style coffeemaker was in the ID office, a room that served a number of functions, including an informal morning congregation area.

“What on earth is going on?” Laurie asked as she picked up the day’s autopsy schedule. Even though she wasn’t scheduled for any autopsies, she was always curious to see what cases had come in.

Vinnie lowered his paper. “Trouble,” he said.

“What kind of trouble?” Laurie asked. Through the doorway leading to the communications room, she could see that the two day-shift secretaries were busy on their phones. The panels in front of them were blinking with waiting calls. Laurie poured herself a cup of coffee.

“Another “preppy murder’ case,” Vinnie said. “A teenage girl apparently strangled by her boyfriend. Sex and drugs. You know rich kids. Happened over near the Tavern On The Green. With all the excitement that first case caused a couple of years ago, the media has been here from the moment the body was brought in.”

Laurie clucked her tongue. “How awful for everyone. A life lost and a life ruined.” She added sugar and a touch of cream to her coffee. “Who’s handling it?”

“Dr. Plodgett,” Vinnie said. “He was called by the tour doctor and he had to go out to the scene. It was around three in the morning.”

Laurie sighed. “Oh boy,” she muttered. She felt sorry for Paul. Handling such a case would most likely be stressful for him because he was relatively inexperienced like herself. He’d been an associate medical examiner for just over a year. Laurie had been there for only four and a half months. “Where’s Paul now? Up in his office?”

“Nope,” Vinnie said. “He’s in doing the autopsy.”

“Already?” Laurie questioned. “Why the rush?”

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