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Robin Cook: Blindsight

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Robin Cook Blindsight

Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue. From Kirkus Reviews An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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“I’m Dr. Murray,” he said. “Would you mind coming with me. I’d like to talk with you for a moment.”

“Of course,” Sara said nervously. She got to her feet and pulled her purse high on her shoulder. She hurried after Dr. Murray, who’d turned on his heels almost before she’d had a chance to respond. The same white doors that had swallowed Duncan three hours before closed behind her. Dr. Murray had stopped just inside and turned to face her. She anxiously looked into the man’s eyes. He was exhausted. She wanted to see some glimmer of hope, but there wasn’t any.

“I understand you are Mr. Andrews’ girlfriend,” Dr. Murray said. Even his voice sounded tired.

Sara nodded.

“Normally we talk to the family first,” Dr. Murray said. “But I know you came in with the patient and have been waiting. I’m sorry it has taken so long to get back to you, but several gunshot victims came in right after Mr. Andrews.”

“I understand,” Sara said. “How is Duncan?” She had to ask, even though she wasn’t sure she wanted to know.

“Not so good,” Dr. Murray said. “You can be sure our EMTs tried everything. But I’m afraid Duncan passed away anyway. Unfortunately, he was DOA. Dead on arrival. I’m sorry.”

Sara stared into Dr. Murray’s eyes. She wanted to see a glint of the same sorrow that was welling up inside of her. But all she saw was fatigue. His apparent lack of feeling helped her maintain her own composure.

“What happened?” she asked almost in a whisper.

“We’re ninety percent sure that the immediate cause was a massive myocardial infarction, or heart attack,” Dr. Murray said, obviously more comfortable with his medical jargon. “But the proximate cause appears to be drug toxicity or overdose. We don’t know yet what his blood level was. That takes a bit more time.”

“Drugs?” Sara said with disbelief. “What kind of drug?”

“Cocaine,” said Dr. Murray. “The EMTs even brought in the needle he’d used.”

“I never knew Duncan used cocaine,” Sara said. “He said he didn’t use drugs.”

“People always lie about sex and drugs,” Dr. Murray said. “And with cocaine sometimes it only takes once. People don’t realize how deadly the stuff can be. Its popularity has lulled people into a false sense of security. Be that as it may, we do have to get in touch with the family. Would you know the telephone number?”

Stunned by Duncan ’s death and the revelation about his apparent cocaine use, Sara recited the Andrews’ phone number in a dazed monotone. Thinking about drugs allowed her to avoid thinking about death. She wondered how long Duncan had been on cocaine. It was all so hard to understand. She’d thought she’d known him so well.

1

November

6:45 a.m., Monday

New York City

The alarm of the old Westclox windup never failed to yank Laurie Montgomery from the depths of blessed sleep. Even though she’d had the clock since the first year of college, she’d never become accustomed to its fearful clatter. It always woke her up with a start, and she’d invariably lunge for the cursed contraption as if her life depended on her getting the alarm shut off as soon as humanly possible.

This rainy November morning proved no exception. As she replaced the clock on the windowsill, she could feel her heart thumping. It was the squirt of adrenaline that made the daily episode so effective. Even if she could have gone back to bed, she’d never have gotten back to sleep. And it was the same for Tom, her one-and-a-half-year-old half-wild tawny tabby who, at the sound of the alarm, had fled into the depths of her closet.

Resigned to the start of another day, Laurie stood up, wiggled her toes into her sheepskin slippers, and turned on the TV to the local morning news.

Her apartment was a small, one-bedroom affair on Nineteenth Street between First and Second avenues in a six-story tenement. Her rooms were on the fifth floor in the rear. Her two windows faced out onto a warren of overgrown backyards.

In her tiny kitchen she turned on her coffee machine. The night before, she’d prepared it with a packet of coffee and the right amount of water. With the coffee started she padded into the bathroom and looked at herself in the mirror.

“Ugh!” she said as she turned her face from side to side, viewing the damage of another night with not enough sleep. Her eyes were puffy and red. Laurie was not a morning person. She was a confirmed night owl and frequently read until all hours. She loved to read, whether the book was a ponderous pathology text or a popular bestseller. When it came to fiction, her interests were catholic. Her shelves were crammed with everything from thrillers to romantic sagas, to history, general science, and even psychology. The night before it had been a murder mystery, and she’d read until she’d finished the book. When she’d turned out the light, she’d not had the courage to look at the time. As usual, in the morning she vowed never to stay up so late again.

In the shower Laurie’s mind began to clear enough to start going over the problems that she would have to address that day. She was currently in her fifth month as an associate medical examiner at the Office of the Chief Medical Examiner for the City of New York. The preceding weekend, Laurie had been on call, which meant that she worked both Saturday and Sunday. She’d performed six autopsies: three one day and three the next. A number of these cases required additional follow-up before they could be signed out, and she began making a mental list of what she had to do.

Stepping out of the shower, Laurie dried herself briskly. One thing she was thankful about was that today would be a “paper day” for her, meaning that she would not be assigned any additional autopsies. Instead she would have the time to do the necessary paperwork on the autopsies that she’d already done. She was currently waiting for material on about twenty cases from either the lab, the medical examiner investigators, local hospitals or local doctors, or the police. It was this avalanche of paperwork that constantly threatened to overwhelm her.

Back in the kitchen Laurie prepared her coffee. Then, carrying her mug, she retreated to the bathroom to put on makeup and blow-dry her hair. Her hair always took the longest. It was thick and long and of an auburn color with red highlights she liked to burnish with henna once a month. Laurie was proud of her hair. She thought it was her best feature. Her mother was always encouraging her to cut it, but Laurie liked to keep it beyond shoulder length and wear it in a braid or piled on top of her head. As for makeup, Laurie always subscribed to the theory that “less is more.” A bit of eyeliner to line her blue-green eyes, a few strokes with an eyebrow pencil to define her light, reddish blond eyebrows, and a brief application of mascara and she was nearly done. A dab of coral blush and lipstick completed the routine. Satisfied, she took her mug and retreated to the bedroom.

By then, Good Morning America was on. She listened with half an ear as she put on the clothes she had laid out the night before. Forensic Pathology was still largely a man’s world, but that only made Laurie want to emphasize her femininity with her dress. She slipped into a green skirt and matching turtleneck. Eyeing herself in the mirror, she was pleased. She’d not worn this particular outfit before. Somehow it made her look taller than her actual height of five foot five, and even slimmer than her hundred and fifteen pounds.

With her coffee drunk, a yogurt eaten and dried cat food poured into Tom’s bowl, Laurie struggled into her trench coat. She then grabbed her purse, her lunch, which she had also prepared the night before, and her briefcase, and stepped out of her apartment. It took her a moment to secure the collection of locks on her door, a legacy of the apartment’s previous tenant. Turning to the elevator, Laurie pushed the down button.

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