Robin Cook - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly
Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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“Shelly!” Laurie yelled. Her older brother was home from his freshman year at college for the long Columbus Day weekend. Laurie expected to find him either in the kitchen or the den. She looked in the den; no one was there, but the TV was on with the sound turned off.

For a moment Laurie looked at the silent antics of a daytime game show. She thought it odd that the TV had been left on. Thinking that someone might still be home, she resumed her tour of the apartment. For some reason the silent rooms filled her with apprehension. She began to move faster, sensing a secret urgency.

Pausing in front of Shelly’s bedroom door, Laurie hesitated. Then she knocked. When there was no answer, she knocked again. When there was still no answer, she tried the door. It was unlocked. She pushed open the door and stepped into the room.

In front of her on the floor was her brother, Shelly. His face was as white as the ivory-colored china in the dining room breakfront. Bloody froth oozed from his nose. Around his upper arm was a rubber tourniquet. On the floor, six inches from his half-opened hand, was a syringe Laurie had seen the night before. On the edge of his desk was a glassine envelope. Laurie guessed what was inside because of what Shelly had told her the night before. It had to be the “speedball” he’d boasted of, a mixture of cocaine and heroin.

Hours later the same day, Laurie endured the worst confrontation of her life. Inches from her nose was her father’s angry face with his bulging eyes and purpled skin. He was beside himself with rage. His thumbs were digging into her skin where he held her upper arms. A few feet away her mother was sobbing into a tissue.

“Did you know your brother was using drugs?” her father demanded. “Did you? Answer me.” His grip tightened.

“Yes,” Laurie blurted. “Yes, yes!”

“Why didn’t you tell us?” her father shouted. “If you’d told us, he’d be alive.”

“I couldn’t,” Laurie sobbed.

“Why?” her father shouted. “Tell me why!”

“Because…” Laurie cried. She paused, then said: “Because he told me not to. He made me promise.”

“Well, that promise killed him,” her father hissed. “It killed him just as much as the damn drug.”

Laurie felt a hand grip her arm and she jumped. The shock brought her back to the present. She blinked a few times as if waking from a trance.

“Are you all right?” Lou asked. He’d gotten up and was holding Laurie’s arm.

“I’m fine,” Laurie said, slightly embarrassed. She extracted herself from Lou’s grip. “Let’s see, where were we?” Her breathing had quickened. Perspiration dotted her forehead. She looked over the paperwork in front of her, trying to remember what had dredged up such old, painful memories. As if it had been yesterday, she could recall the anguish of the conflict of responsibility, sibling or filial, and the terrible guilt and burden of having chosen the former.

“What were you thinking about?” Lou asked. “You seemed a long way off.”

“The fact that the victim had been discovered by his girlfriend,” Laurie said as her eyes stumbled again onto Sara Wetherbee’s name. She wasn’t about to share her past with this lieutenant. To this day she had trouble talking about that tragic episode with friends, much less a stranger. “It must have been very hard for the poor woman.”

“Unfortunately, homicide victims are often found by those closest to them,” Lou said.

“Must have been a terrible shock,” Laurie said. Her heart went out to Sara Wetherbee. “I must say, this Duncan Andrews case is certainly not the usual overdose.”

Lou shrugged. “With cocaine, I’m not sure there is a usual case. When the drug went upscale in the seventies, deaths have been seen in all levels of society, from athletes and entertainers to executives to college kids to inner city hoodlums. It’s a pretty democratic blight. A great leveler, if you will.”

“Here at the medical examiner’s office, we mostly see the lower end of the abuser spectrum,” Laurie said. “But you’re right in general.” Laurie smiled. She was impressed by Lou. “What was your background before joining the police?”

“What do you mean?” Lou asked.

“Did you go to college?” Laurie asked.

“Of course I went to college!” Lou snapped. “What kind of question is that?”

“Sorry,” Laurie said. “I didn’t mean to upset you.”

“And I don’t mean to be testy,” Lou said. “Sometimes I’m a bit self-conscious about where I went to school. I only got to go to a community college on the Island, not some Ivy League ivory tower. Where’d you go?”

“ Wesleyan University, up in Connecticut,” Laurie said. “Ever heard of it?”

“Of course I’ve heard of it,” Lou said. “What do you think, all police officers are ignoramuses? Wesleyan University. I might have known. As Billy Joel says, you uptown girls live in an uptown world.”

“How did you know I was from New York?”

“Your accent, Doctor,” Lou said. “It’s as indelible as my Long Island Rego Park accent.”

“I see,” Laurie said. She didn’t like to think she was such an open book. She wondered what else this man could tell about her from his years as an investigator.

Laurie changed the subject. “Where you go to school matters less than what you do while you’re there,” she said. “You shouldn’t be sensitive about your college. Obviously you got a good education.”

“Easy for you to say,” said Lou. “But thanks for the compliment.”

Laurie looked down at the papers on her desk. Suddenly she felt a little guilty about her privileged background of a private secondary school, Wesleyan University, Columbia Medical School. She hoped she hadn’t sounded patronizing.

“Let me take a quick look at the third case,” Laurie said. She opened the third folder. “Louis Herrera, age twenty-eight, unemployed, found in a dumpster behind a grocery store.” Laurie looked up at Lou. “Probably died in a crack house and was literally dumped. That’s the usual overdose we see. Another sad, wasted life.”

“In some respects maybe more tragic than the rich guy,” Lou said. “I’d guess he had a lot fewer choices in life.”

Laurie nodded. Lou’s perspective was refreshing. She reached for the phone and dialed Cheryl Myers down in the medical investigator’s department. She asked Cheryl to get all the medical records she could on Duncan Andrews. She told her that she hoped to find some medical problem that she might be able to relate to his pathology.

Hanging up the phone, Laurie glanced over at Lou. “I can’t help it, but I feel like I’m cheating.” She stood up and gathered all the paperwork.

“You’re not cheating,” Lou assured her. “Besides, why not wait until you have all the information, including the autopsy? Then you can worry about it. Who knows, maybe everything will work out.”

“Good advice,” Laurie said. “Let’s get downstairs and get to work.”

Normally Laurie changed into her scrub clothes in her office, but with Lou there, she opted to use the locker room. When they got off the elevator on the basement level, Laurie directed Lou into the men’s side while she went into the women’s. Five minutes later they met up in the hall. Laurie had on a layer of normal scrub clothes, then another impermeable layer, then a large apron. On her head she wore a hood. A face mask dangled from around her neck. Lou had on a single layer of scrubs, a hood, and he carried his face mask.

“You look like one of the doctors,” Laurie said, eyeing Lou to make sure he’d put on the right clothing.

“I feel like I’m going into surgery instead of to see an autopsy,” Lou said. “I didn’t wear all this the last time. You sure I have to wear this mask?”

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