Robin Cook - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly
Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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“Any chance you want to change your story?” Angelo asked calmly after walking over to Frankie.

“I’m telling you the truth,” Frankie persisted.

Angelo looked at Tony. “Hold his head back.”

Tony grabbed a handful of the boy’s hair just above the forehead and yanked Frankie’s head back.

“Tell me, Frankie,” Angelo said as he bent over the boy’s upturned face. “Have you ever heard the expression “an eye for an eye, and a tooth for a tooth’?”

Only then did Frankie realize what was happening. But despite his attempts at clamping his eyes shut, Angelo managed to empty the eye dropper into Frankie’s lower right lid.

A slight spattering noise like water hitting a hot skillet preceded an ear-piercing shriek as the sulfuric acid ate into his delicate eye tissues. Angelo glanced at Tony and noticed that Tony’s smile had swelled to a grin. Angelo wondered what the world was coming to with this new generation. This kid Tony was having a ball. For Angelo, this was not entertainment, it was business. Nothing more, nothing less.

Angelo set the sulfuric acid bottle on the desk and took a couple more puffs on his cigarette. When Frankie’s screams had abated to choking sobs, Angelo leaned toward him and calmly asked if Frankie wanted to change his story.

“Talk to me!” Angelo commanded when it seemed that Frankie was ignoring him.

“I’m telling the truth,” Frankie managed.

“Chrissake!” Angelo muttered as he went back for the acid. Over his shoulder, he called to Tony, “Hold his head back again.”

“Wait!” Frankie croaked. “Don’t hurt me anymore. I’ll tell you what you want to know.”

Angelo put the acid back on the desk and returned to Frankie. He looked at the tears streaming out of the kid’s shut eyes, especially the one where he’d put the acid. “OK, Frankie,” Angelo began. “Who was involved?”

“You have to get me something for my eye,” Frankie whined. “It’s killing me.”

“We’ll take care of it as soon as you tell us what we want to know,” Angelo said. “Come on, Frankie. I’m losing my patience.”

“Bruno Marchese and Jimmy Lanso,” Frankie muttered.

Angelo looked at Tony.

Tony nodded. “I’ve heard of Bruno,” he said. “He’s a local kid.”

“Where can we find these guys if we want to talk to them?” Angelo asked.

“ Thirty-eight twenty-two Fifty-fifth Street, apartment one,” Frankie said. “Just off Northern Boulevard.”

Angelo took out a piece of paper and wrote the address down. “Whose idea was it?” he asked.

“It was Manso’s,” Frankie sobbed. “I was telling the truth about that. It was his idea that if we did it, we’d all become Lucia soldiers, part of the inner circle. But I didn’t want to do it. They made me go along.”

“Why couldn’t you have told us this in the car, Frankie?” Angelo asked. “You would have saved us a lot of trouble and yourself some grief.”

“I was afraid the others would kill me if they found out I’d talked,” Frankie said.

“So you were more worried about your friends than us?” Angelo questioned as he stepped behind Frankie. It was enough to hurt Angelo’s feelings. “That’s curious. But no matter. Now you don’t have to worry about your friends because we’ll take care of you.”

“You got to get me something for my eye,” Frankie said.

“Sure,” Angelo said. In a smooth motion and without a second’s hesitation, Angelo pulled out his Walther TPH Auto pistol and shot Frankie in the back of the head just above the neck. Frankie’s head snapped forward, then slumped down on his chest.

The suddenness of the final act surprised Tony, who winced and stepped back, anticipating a gory mess. But there wasn’t any. “Why didn’t you let me do that?” he whined.

“Shut up and untie him,” Angelo said. “We’re not here for your entertainment. We’re working, remember?”

Once Tony had Frankie untied, Angelo helped carry the limp body over to the hole in the floor. On the count of three they heaved him into the river. Angelo watched just long enough to make sure that the running tide took the body out into the river proper.

“Let’s head back to Woodside to pay the others a social call,” Angelo said.

The address that Frankie had given was a small two-story row house with an apartment on each floor. The outer door was locked but it had a mechanism amenable to a credit card. They were inside in minutes.

Positioning themselves on either side of the door to apartment one, Angelo knocked. There was no answer. From the street they’d seen that the lights were on.

“Bust it,” Angelo said, nodding toward the door.

Tony took several steps back, then kicked the door. The jamb splintered on the first kick and the door swung in. In the blink of an eye both Angelo and Tony were in the small apartment with their guns gripped in both hands. The apartment was empty save for several half-filled bottles of beer on the coffee table. The TV was on.

“What do you figure?” Tony asked.

“They must have got spooked when Frankie didn’t come back,” Angelo said. He lit a cigarette and thought for a moment.

“What next?” Tony questioned.

“You know where this Bruno’s family lives?” Angelo asked.

“No, but I can find out,” Tony said.

“Do it,” Angelo said.

3

7:55 a.m., Tuesday

Manhattan

It was a glorious morning as Laurie Montgomery walked north on First Avenue, nearing Thirtieth Street. Even New York City looked good in the cool crisp air scrubbed clean from a day of rain. It was definitely colder than the previous days and in that sense a disturbing reminder of the coming winter. But the sun was out and there was enough breeze to disperse the exhaust of the vehicles jostling their way in Laurie’s direction.

Laurie’s step had a definite spring to it as she approached the medical examiner’s office. She smiled to herself as she thought how differently she felt this morning as compared to how she’d felt when she’d left for home the night before. Bingham’s reprimand had been unpleasant but deserved. She’d been in the wrong. If she’d been chief she would have been equally as angry.

As she approached the front steps, she wondered what the day would bring. One aspect of her work she particularly enjoyed was its unpredictability. All she knew was that she was scheduled to be “on autopsy.” She had no idea what kinds of cases and what kinds of intellectual puzzles she’d encounter that day. Just about every time she was on autopsy, she dealt with something she’d never seen, sometimes something she’d never even read about. It was a job that meant continual discovery.

This morning the reception area was relatively quiet. There were still a few media people hanging around for more word on the “preppy murder II” case. Yesterday’s Central Park murder had made the front page of the tabloids and the local morning news.

Just shy of the inner door, Laurie stopped. Over on one of the vinyl couches she spotted Bob Talbot deep in conversation with another reporter. After a moment’s hesitation Laurie strode over to the couch.

“Bob, I’d like to talk to you a moment,” she said. Then to his companion, she added, “Pardon me for interrupting.”

Bob eagerly got to his feet and stepped aside with Laurie. His attitude surprised her. She would have expected him to be more sheepish and contrite.

“Seeing you two days in a row must be some sort of record,” Bob said. “It’s a pleasure I could get used to.”

Laurie started right in. “I can’t believe you didn’t have more respect for my confidence. What I told you yesterday was meant for your ears only.”

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