Harlan Coben - The Woods

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The Woods: краткое содержание, описание и аннотация

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From Publishers Weekly
At the start of this disappointing stand-alone from bestseller Coben (Promise Me), Paul "Cope" Copeland, acting county prosecutor for Essex County, N.J., and Lucy Gold, his long-lost summer camp love, are still haunted by a fateful night, decades earlier, when their nighttime tryst allowed some younger campers, including Cope's sister, to venture into the nearby forest, where they apparently fell victim to the Summer Slasher, a serial killer. Cope's intense focus on a high-profile rape prosecution of some wealthy college students shifts after one of the Slasher's victims, whose body was never found, turns up as a recent corpse in Manhattan, casting doubt on the official theory of the old case. Cope's own actions on that night again come under scrutiny, even as the highly placed fathers of the men he's prosecuting work to unearth as many skeletons as possible to pressure him into dropping the rape case. Less than compelling characters fail to compensate for a host of implausibilities. Hopefully, Coben will return to form with his next book.
From Bookmarks Magazine
In this stand-alone legal thriller, Harlan Coben presents a riveting courtroom drama, creates riveting players, and delves into family secrets, love, loss, mistakes, and betrayal. A few critics noted that while The Woods falls into Coben's typical formula-a past crime affects innocent people in the present-it still comes off as fresh. The trial scenes, Cope's ruminations on what really happened that night, and the back-and-forth narration are particularly well done. Only the Washington Post faulted the novel's cheap thrills, improbable revelations, and awkward conclusion. Nevertheless, few readers will remain unaffected by its emotional heft.

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When will I learn to keep my mouth shut?

"The point I am trying to raise is a different one and will not at all embarrass the defendant. She has admitted having sex with men. The fact that Mr. Broodway might be one of them is hardly stapling a scarlet letter to her chest."

"Its prejudicial," I countered.

Flair looked at me as if I'd just dropped out of the backside of a horse. "I just explained to you why it is very much not. But the truth is, Chamique Johnson has accused two youths of a very serious crime. She has testified that a man named Jim raped her. What I am asking, plain and simple, is this: Did she ever have sex with Mr. Jim Broodway or James, if she prefers-who is currently serving time in a state penitentiary for sexual battery?"

I saw now where this was going. And it wasn't good.

"I'll allow it," the judge said.

I sat back down.

"Miss Johnson, have you ever had sexual relations with Mr. Broodway?" A tear rolled down her cheek. "Yeah." "More than once?" "Yeah."

It looked like Flair was going to try to be more specific, but he knew better than to pile on. He changed directions a little. "Were you ever drunk or high while having sex with Mr. Broodway?"

"Might have been."

Yes or no?

His voice was soft but firm. There was a hint of outrage now too.

"Yes."

She was crying harder now.

I stood. "Quick recess, Your Honor."

Flair dropped the hammer before the judge could reply. "Was there ever another man involved in your sexual encounters with Jim Broodway?"

The courtroom exploded.

"Your Honor!" I shouted.

"Order!" The judge used the gavel. "Order!"

The room quieted quickly. Judge Pierce looked down at me. "I know how hard this is to listen to, but I'm going to allow this question." He turned to Chamique. "Please answer."

The court stenographer read the question again. Chamique sat there and let the tears spill down her face. When the stenographer finished, Chamique said, "No."

"Mr. Broodway will testify that-" "He let some friend of his watch!" Chamique cried out. "That's all. I never let him touch me! You hear me? Not ever!" The room was silent. I tried to keep my head up, tried not to close my eyes.

"So," Flair Hickory said, "you had sex with a man named Jim "

"James! His name is James!"

"-and another man was in the room and yet you don't know how you came up with the names Jim and Cal?"

"I don't know no Cal. And his name is James."

Flair Hickory moved closer to her. His face showed concern now, as if he were reaching out to her. "Are you sure you didn't imagine this, Miss Johnson?"

His voice sounded like one of those TV help doctors.

She wiped her face. "Yeah, Mr. Hickory. I'm sure. Damned sure."

But Flair did not back down.

"I don't necessarily say you're lying," he went on, and I bit back my objection, "but isn't there a chance that maybe you had too much punch-not your fault, of course, you thought it was nonalcoholic- and then you engaged in a consensual act and just flashed back to some other time period? Wouldn't that explain your insisting that the two men who raped you were named Jim and Cal?"

I was up on my feet to say that was two questions, but Flair again knew what he was doing. "Withdrawn," Flair Hickory said, as if this whole thing was just the saddest thing for all parties involved. "I have no further questions."

Chapter 13

While Lucy waited for Sylvia Potter, she tried to Google the name from Ira’s visitors log: Manolo Santiago. There were lots of hits, but nothing that helped. He wasn't a reporter-or no hits showed that to be the case anyhow. So who was he? And why would he visit her father?

She could ask Ira, of course. If he remembered.

Two hours passed. Then three and four. She called Sylvia’s room. No answer. She tried e-mailing the Blackberry again. No response. This wasn't good. How the hell would Sylvia Potter know about her past? Lucy checked the student directory. Sylvia Potter lived in Stone House down in the social quad. She decided to walk over and see what she could find.

There was an obvious magic to a college campus. There is no entity more protected, more shielded, and while it was easy to complain about that, it was also how it should be. Some things grow better in a vacuum.

It was a place to feel safe when you're young-but when you're older, like she and Lonnie, it started becoming a place to hide.

Stone House used to be Psi Us fraternity house. Ten years ago, the college did away with fraternities, calling them "anti-intellectual." Lucy didn't disagree that fraternities had plenty of negative qualities and con notations, but the idea of outlawing them seemed heavy-handed and a tad too fascist for her taste. There was a case going on at a nearby college involving a fraternity and a rape. But if it isn't a fraternity, then it would be a lacrosse team or a group of hard hats in a strip club or rowdy rockers at a nightclub. She wasn't sure of the answer, but she knew that it wasn't to rid yourself of every institution you didn't like.

Punish the crime, she thought, not the freedom.

The outside of the house was still a gorgeous Georgian brick. The inside had been stripped of all personality. Gone were the tapestries and wood paneling and rich mahogany of its storied past, replaced with off-whites and beiges and all things neutral. Seemed a shame.

Students meandered about. Her entrance drew a few stares but not too many. Stereos-or more likely, those bipod speaker systems-blared. Doors were open. She saw posters of Che on the wall. Maybe she was more like her father than she realized. University campuses were also caught in the sixties. Styles and music might change, but that sentiment was always there.

She took the center stairwell, also scrubbed of its originality. Sylvia Potter lived in a single on the second floor. Lucy found her door. There was one of those erasable boards, the kind where you write notes with a marker, but there wasn't a blemish on it. The board had been put on straight and perfectly centered. On the top, the name "Sylvia" was writ ten in a script that almost looked like professional calligraphy. There was a pink flower next to her name. It seemed so out of place, this whole door, separate and apart and from another era.

Lucy knocked on the door. There was no reply. She tried the knob. It was locked. She thought about leaving a note on the door-that was what those erasable boards were there for-but she didn't want to mar it up. Plus it seemed a little desperate. She had called already. She had e-mailed. Stopping by like this was going a step too far.

She started back down the stairs when the front door of Stone House opened. Sylvia Potter entered. She saw Lucy and stiffened. Lucy took the rest of the steps and stopped in front of Sylvia. She said nothing, trying to meet the girls eyes. Sylvia looked everywhere but directly at Lucy.

"Oh hi, Professor Gold."

Lucy kept silent.

"Class ran late, I'm so sorry. And then I had this other project due tomorrow. And I figured it was late and you'd be gone and it could just wait till tomorrow."

She was babbling. Lucy let her.

"Do you want me to stop by tomorrow?" Sylvia asked.

"Do you have time now?"

Sylvia looked at her watch without really looking at it. "I'm really so crazy with this project. Can it wait until tomorrow?" "Who is the project for?" "What?" "What professor assigned you the project, Sylvia? If I take up too much of your time, I can write them a note."

Silence.

"We can go to your room," Lucy said. "Talk there."

Sylvia finally met her eye. "Professor Gold?"

Lucy waited.

"I don't think I want to talk to you."

"It's about your journal."

"My…?" She shook her head. "But I sent it in anonymously. How would you know which is mine?" "Sylvia-" "You said! You promised! They were anonymous. You said that."

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