Harlan Coben - Drop Shot

"What?" Myron asked.

"That mother. If she was lying about who killed her boy. I always wondered why there were no repercussions. The mother never made a fuss. She didn't go to the newspapers. She didn't press charges. She didn't demand an explanation." He shook his head. "But what could have made her do that to her own flesh and blood? How could they have gotten to her so fast? With money? With threats? What?"

"I don't know," Myron said.

Jimmy Blaine finished whittling. It was a rabbit. Pretty good one too. A bird finally chirped, but it wasn't a pretty sound. More like a caw than a melody. Blaine spun his wheelchair around. "You want something to eat?" he asked. "I'm about to make lunch."

Myron looked at his watch. It was getting late. He had to get back to the office for his meeting with Ned Tunwell. "Thanks, but I really have to get going."

"Some other time then. When you're all done with this."

"Yes," Myron said.

Blaine blew the wood dust off the rabbit. "Still don't get it," he said.

"What?"

He stared at his finished handiwork, turning the rabbit over in his hand, studying it from every angle. "Could the mother have really been that frosty?" he asked. "How much money did they offer her? How much fright did they put into her? Hell, is there enough money or frights in the world for a mother to do that to her son?" He shook his head, dropped the wooden rabbit into his lap. "I just don't get it."

Myron didn't get it either.

Myron got back into his Ford Taurus and headed east. He drove several miles without seeing a car. Mostly he saw trees. Lots of trees. Yes, the great outdoors. Myron was not an outdoors kind of guy. He didn't hunt or fish or do any of that. The appeal seemed clear, but it just wasn't for him. Something about being alone in the woods always reminded him of Ned Beatty in Deliverance. He needed people. He needed movement He needed noise. City noise – as opposed to squeal-like-a-pig noise.

He now knew a lot more about the deaths of both Alexander Cross and Curtis Yeller than he'd known twenty-four hours ago, but he still didn't know if any of it was relevant to what happened to Valerie Simpson. And that was what he was after. Digging into a sensational six-year-old murder might be fun, but it was beside the point. He wanted Valerie Simpson's murderer. He wanted to find the person who had decided to snuff out that young, tortured life. Call it righting a wrong. Call it having a rescue or hero complex. Call it chivalry. Didn't matter. It was far simpler to Myron: Valerie deserved better.

The roads were still abandoned. The foliage on both sides of the road blurred into green walls. He started putting together what he knew. Errol Swade and Curtis Yeller had been spotted by Jimmy Blaine and his partner. A chase had ensued. Leaving aside the question of whether it was a legitimate shooting or not, Jimmy Blaine fired at Curtis Yeller. One of Blaine's bullets probably bit Curtis Yeller in the ribs, but the key fact is that somebody else shot Yeller in the head at close range. Somebody who was using a different caliber gun. Somebody who was not a cop.

So who shot Curtis Yeller?

The answer now seemed fairly obvious. Senator Cross's men – thugs or security forces or whatever they were – had been carrying firearms. Both Amanda West and Jimmy Blaine had confirmed that. They certainly had the opportunity. They certainly had the motive. It didn't matter if Cross had lied to Myron or not. Either way it would be in the senator's best interest for Curtis Yeller and Errol Swade to end up dead. Live suspects could talk. Live suspects could tell tales of drug use. Live suspects could counter the claim that Alexander Cross had died a hero. Dead men tell no tales. More important, dead men do not dispute spin doctors.

As for Errol Swade – the mysterious "escapee" – he'd almost assuredly been killed, probably in that gunfire Jimmy Blaine heard. The senator's men could have hid the body and dumped it later. Not definite, but again most likely. Errol Swade had a lot working against him. He was no genius. He was six-four. Myron knew from personal experience it was difficult to hide when you were that big. The odds of Swade eluding the police dragnet for so long – not to mention the mob's underworld army – were, as they say, statistically insignificant

The sun was beginning to lower. The beams were now positioned in that one spot high enough to be in Myron's eyes but still low enough to avoid the sun visor. Myron squinted and slowed. His mind shifted gears again, this time to the aftermath of the Yeller shooting. Somehow Curtis Yeller ended up in his mother's arms, and somehow somebody got to her. Through either money or fear of reprisal – probably a combination of both – Deanna Yeller had been convinced to let the death of her son slide.

There were problems with this scenario, of course. For example, the money. Deanna Yeller's son had been murdered six years ago – yet the first big deposit in her account had occurred five months ago. Why the time lapse? She could have been biding her time, hiding the money under a mattress or something. But that didn't feel right. On the other hand, if the money was indeed new, the questions became more focused: why, all of a sudden, was Deanna getting this money? Why, all of a sudden, had Valerie been murdered? And how did Pavel fit in?

Good questions. No answers yet, but good questions. Maybe Ned Tunwell would know something useful.

Something caught Myron's eye. He glanced up. A car grew suddenly large in the rearview mirror. A big car. Black with a tinted windshield so you couldn't see inside. The license plate was New York.

The black car moved to its right, disappearing from the rearview mirror and appearing in the passenger-side mirror. Myron watched its progress. The imprint in the mirror reminded him that objects may be closer than they appear. Thanks for the clue. The black car picked up a little speed. As it came alongside of him, Myron could see it was a stretch limousine. A Lincoln Continental stretch. Extra-long stretch. The side windows too were tinted so you couldn't look in. It was like staring into a pair of giant aviator sunglasses. Myron could see himself in the reflection. He smiled and waved. His reflection smiled and waved back. Handsome devil.

The limo was dead-even with Myron's car now. The back window on the driver's side began to slide open. Myron half expected an elderly man to stick his head out and ask for Grey Poupon. Imagine his surprise when, instead, a gun appeared.

Without warning the gun fired twice, hitting the front and back tires on the passenger side of Myron's car. Myron swerved. He fought to regain control. The car veered off the road. Myron twisted the wheel and skidded away from a tree. The Ford Taurus came to a stop with a thud.

Two men jumped out of the limousine and headed toward him. Both wore blue suits. One also wore a Yankees cap. Business suit, baseball cap – an interesting fashion combo. They also carried guns. Their faces were stern and ready. Myron felt his heart in his throat. He was unarmed. He didn't like carrying guns, not for some moral reason but because they were bulky and uncomfortable and he so rarely ever used one. Win had warned him, but who listens to Win on a subject like this? But Myron had been careless. He was pissing off some powerful people and he should have been better prepared. He should have at least kept one in the glove compartment.

A little late for self-admonishments. Then again he might never have the chance again.

The two men approached. Not knowing what else to do, Myron ducked out of sight. He started dialing the earphone.

"Get your ass out of the car," one of the men barked.

Myron said, "Take another step and I'll drop you where you stand." Mr. Bluff.