Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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It was draped in a gray tarp, plastic spread underneath to protect the floor.

Valentine walked toward the Cadillac, explaining, 'We towed it straight here once the metal cooled down. Being honest, all the fire department did was keep the field wet while they let the fire burn itself out. Not much left after that.'

Sara reached into her pocket and pulled out a band to tie her hair into a ponytail. She asked Valentine, 'Do you know the cause of fire?'

The sheriff shook his head. 'Some kind of accelerant was used, but the kicker was the gas tank going off. They're not sure if it was rigged or not, but you can tell from the back of the car that the tank exploded. Must have been pretty full, from the looks of it.'

Jeffrey asked, 'Did you hear an explosion?'

Valentine looked thoughtful as he grabbed on to the tarp and started rolling it back. 'Come to think of it, maybe I did. It's hard putting the pieces together after the fact.'

'I guess so,' Jeffrey said, in a way that made it sound like he thought the other man was lying. He stepped forward to help Valentine roll back the tarp.

Sara tuned out their conversation as she stood in front of the decimated Cadillac. The car was a shell of its former self. The tires had melted so that the frame sat on soot-blackened steel rims. Parts of the roof had been blown away but, surprisingly, some of the leather and the foam padding for the seats remained.

'Guess the cushions were treated or something,' Valentine offered. 'We can call in the shop guys to unbolt the frame when you're ready to move the body.'

Sara looked into the backseat. Cutting the corpse away from the leather would take hours. It would be like separating pieces of wet toilet tissue.

Still, it had to be done.

She leaned into the car, assessing the victim. The body's frame was small, but that did not necessarily mean it belonged to a woman. It could be a teenage boy or a man with a build similar to Valentine's. No matter who it was, the death this human being had suffered had obviously been excruciating. The arms and legs were flexed in a pugilistic fashion, as if the victim had tried to fight off the flames. Heat-related fractures riddled what Sara could see of the bones. The left hand had been engulfed, completely eaten off by fire. The hair had been burned away, the flat orbs of the eyes left lidless in their sockets.

She asked, 'Have you taken photographs?'

Valentine nodded and she leaned farther into the car, trying not to touch anything as she checked to see if the seat belt had been buckled. The actual belt had been burned away – part of it had melted into the flesh – but she saw the metal buckle firmly secured and assumed the passenger had been restrained.

Had the victim tried to get out, Sara wondered. What was it like to be trapped in the back of a burning SUV, flames licking up around you, as you struggled with the seat belt, scratched at the door handle, desperately trying to get out?

Horrifying, she decided. It must have been absolutely horrifying.

Several long seconds, perhaps a full minute, must have passed before the body gave up, the organs shut down. This was not counting the wait before the fire caught, before the gas tank exploded. There was no telling how many minutes ticked by as the victim waited for the inevitable.

Sara's lips parted as she went in for a closer look, trying not to inhale the distinctive odor of burned flesh.

Around seventy-five percent of the skin from the external surface of the body had been burned away. Most of the underlying muscles and ligature were scorched but not completely destroyed. The top of the head and the back of the skull were essentially charred off, and Sara could see shattered bits of teeth and the side of the tongue through a large hole in the left side of the victim's jaw. The jawbone was remarkably white, and she had to assume that the chunk of flesh covering it had been knocked away as the body was jarred during transport.

A patch of skin the size of a standard piece of paper was missing from the torso, and Sara could clearly see the chest wall and thoracic contents. The abdominal organs were likewise exposed, the liver sitting like a cooked piece of dark meat under the frayed strips of the stomach; it had obviously exploded from the intense heat. Sara imagined the tiny pieces of what looked like blackened cork dotting the outside of the small intestines would turn out to be the burned remains of the stomach contents.

What remained of the skin around the thighs had melted into the seat, sinew draping like Christmas tinsel down the legs. Crusty remnants of a pair of blue jeans and white underwear were still stuck in place where body fluids had leaked into the material then dried. The top of a white sock circled the left ankle. Though there was scant residual skin on both feet, a split piece of toenail remained on the right big toe. A square of chipped, pink nail polish showed. Sara leaned down, moved in closer. The area around the pubis had extensive damage, but she was fairly certain she was looking at a woman's genitalia.

She closed her eyes for just a second, unbelievably relieved that the victim was not Hank Norton. It gave her some hope that Lena 's involvement in the crime did not run as deep as Jake Valentine believed.

'Sara?' Jeffrey asked. There was a slight edge to his voice. 'You okay?'

'Yes,' she told him, giving a slight shake of her head to answer the question that was obvious to everyone but the sheriff.

Valentine said, 'Pretty bad, huh?'

Sara nodded. 'Has your coroner seen the body?'

'Just a quick look-see on the field that night,' Valentine supplied. 'Fred says he's never seen anything like it. Worst case he's ever had. Oh-' He stopped abruptly, as if he'd just remembered something. 'Once we get the body out, we'll give Fred a call and get him over to help with the X-rays. The machine's real temperamental. You might not want to try it on your own.'

'Fred is your coroner?' Jeffrey asked.

'Yep,' Valentine confirmed. 'Fred Bart. He's in the middle of a root canal right now, but he said to just give him a call and he'll hop on over.'

Sara must have looked confused because Valentine barked a laugh. 'He's doing the root canal, not getting it. Fred's the only dentist in town. Does the coroner's job for fishing money, he says. Real nice guy, but he knows when to let an expert take over.' Valentine offered a weak smile. 'Which brings me to thanking you again for doing this, Dr. Linton. I know we haven't talked about fees yet, but I ran by the bank this morning.'

He pulled out a wad of bills and Sara felt a blush working its way up her neck. She had assumed she was doing this as a favor. There was a difference between getting a check from Grant County and taking cash from Jake Valentine. The thought of money changing hands made her feel cheap.

Valentine counted out some twenties, explaining, 'We usually pay Fred around two-fifty a pop, but I-' He stopped as the opening bars of 'I Wish I Was in Dixie ' chimed from his pants pocket. 'Sorry about that,' he apologized, fumbling with the money as he tried to locate his cell phone. He opened the phone with the usual hello, but didn't say much else as he listened. Only a few seconds passed before his mouth dropped open.

Abruptly, he told the caller, 'I'll be right there,' then ended the call.

Jeffrey exchanged a glance with Sara before asking the sheriff, 'Something wrong?'

'I gotta go,' Valentine told them, suddenly serious. 'There's been a bad accident on the highway. Guy I went to school with slid under an eighteen-wheeler.' He tucked the money back into his pocket, realized what he had done, and offered it to Sara.

'No,' she told him, not taking the cash. 'Thank you.'

Valentine seemed too distracted to be surprised. He pocketed the money again. 'You mind if I leave you to this?'

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