Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Sara hadn't even noticed until then how badly he'd been hurt. She had always taken care of Jeffrey's body. Over the years, she had disinfected his cuts, rubbed arnica gel into his bruises, bandaged sprained ankles and broken fingers. After impromptu football games, she had iced his knee so he could walk the next morning. Hours he spent fixing things around the house were rewarded with long back rubs and whatever else she could think of to help him relax. Even after the divorce, when Sara couldn't stand to be in the same room with him, she had rushed to the hospital when a stray round of buckshot had lodged in his leg.

She hadn't seen him cut open his hand yesterday. She had seen the shotgun being fired into the air, then the second warning shot, close enough to stop her heart beating in her chest. She had watched Jeffrey lurch forward, sliding on the gravel, but she hadn't thought to check him out, to look for cuts and abrasions. All she'd been able to focus on was the absolute terror she'd felt each time Al Pfeiffer pulled the trigger, and her white-hot fury when Jeffrey had slowed the car afterward.

His foot had come off the pedal. Sara had thought something was wrong with the car. She had looked down, panicked, to see what was wrong, and seen exactly why the car had slowed almost to a full stop. She had looked at Jeffrey then, the way his mouth twisted up at the corner as Al Pfeiffer gave him that look. God, that look. Sara had wanted to slap it off his face. They were just like a couple of boys on the playground seeing who could kick the most dirt in the other's face before a teacher came along. Lena was the same way – she didn't have a dick to swing around, but she could certainly kick up dirt with the best of them.

That was when Sara had finally realized why they had really trekked all the way down to the swamp, why Jeffrey was clutching at the slimmest lead to Lena 's disappearance he could find. Sara had been the one standing outside the bathroom when Lena ran, but Jeffrey had been in the hallway. He had been less than ten feet from Lena, less than ten feet from stopping her escape.

Jeffrey had been duped, too, and his ego wouldn't let him get past it.

Last year, Sara had taken a ballistics course at the GBI academy in Macon. She had just dealt with two shooting cases at the morgue and she wanted to better equip herself for investigating gun-related crime. As part of the course, there had been a technical session at the firing range. The instructor had used different weapons and ammunition to shoot gel-filled dummies at various distances to give the students a better understanding of pattern and dispersal. The Remington Wingmaster was one of the most popular shotguns on the market, favored by police and bad guys alike. Using heavy density shot, the weapon dispersed sixty percent of its pellets into the target from a distance of sixty yards.

By Sara's estimation, when Jeffrey had slowed the car yesterday, they were approximately sixty yards from Al Pfeiffer.

He should be glad she lived long enough to slap him.

Up ahead, Valentine turned on his blinker. Sara followed the cruiser into the Elawah County impound lot. There were about fifty trucks in various states of destruction piled around the compound, front ends hanging off like loose teeth, back bumpers crumpled into tailgates. Knowing small towns, she guessed that most of the owners either did not have the money to get their trucks out of impound or they were still in jail waiting to be tried on drunk-driving charges. Basically, the county lot was a glorified insurance processing unit.

The sheriff's car bumped down a short gravel strip, then parked on a paved lot. Ahead, Sara saw a large metal building, about fifteen feet high by thirty feet square, and guessed that the car from the accident had been towed into the building for examination.

Not that what had happened to the Cadillac Escalade had been an accident. Sara tried to enter every case with an open mind as to cause, but it wasn't as if an SUV found burning in the middle of a football field could have gotten there by chance. Someone had parked it there, deliberately set it on fire, and walked away, leaving the body inside.

The question remained: was that someone Lena Adams?

Sara got out of her car. The smell of gasoline and oil mixed in the air with an undertone of car exhaust. No noise came from the shop. She guessed the mechanics were taking their morning break.

Jeffrey and Valentine walked toward the BMW. The sheriff kicked some mud off the wheel. 'Looks like you've been off-roading, Chief.'

Jeffrey told him, 'I was down around the Okefenokee yesterday.'

Valentine's eyebrows shot up. 'That so?' he asked, making a show of scratching his chin. So much for peace and understanding being brokered on the drive over. He told Jeffrey, I know some folks who moved down to the swamp a while back.'

'Friends of yours?'

'Oh, I wouldn't say that.' Seemingly out of the blue, the sheriff announced, '"Land of the Trembling Earth."'

Jeffrey was silent, so Sara asked, 'I'm sorry?'

Valentine explained, 'That's what the Indians called it. Okefenokee, Land of the Trembling Earth.

Only about six percent of the swamp is on solid ground, see. The rest is just a couple of feet of felled vegetation riding on top of the water. You walk on it and it's like walking on a pool float, only a little bit easier.' He tipped his hat down, blocking the sun out of his face. 'You go down there, too, ma'am?'

'Yes, I had the pleasure.'

'Lots of skeeters, gators, even some meat-eating plants.' He chuckled at this last bit, as if it brought back a fond memory. 'My daddy took me and my little brother there once when we were kids. Took us three days to paddle from the east to west side; liked to nearly killed us. Saw all kinds of crazy things.' His eyes slid over Jeffrey's way, and his affable voice changed to a warning. 'Dangerous place down there.'

Jeffrey crossed his arms over his chest. 'I guess for some it might be.'

Yet again, Sara had managed to get downwind at a pissing contest. She clapped her hands together to break the standoff, telling Valentine, 'Well, I suppose the body is inside?'

'Yes, ma'am,' he said, indicating the office beside the building.

Sara walked toward the office, the two men following.

Valentine asked Sara, 'How was the drive down to the swamp?'

'Fine, thank you.'

He reached ahead of her to open the door. He chuckled to himself. 'Say, you didn't happen to see Lena Adams down there thumbing a ride, did you?'

Sara forced a smile back on her face. 'Afraid not.'

Valentine smiled back as he opened the door. 'Had to ask.'

Instead of the filing cabinets and desks Sara had been expecting, they walked right into what could only be the morgue. A large stainless steel gurney was chocked to the concrete floor, an open, empty body bag lay on top. The sink and dissecting trays up against the wall were much like the ones back at the Grant morgue, but the freezer for body storage was a walk-in type used in larger restaurants. She didn't see a Dictaphone. Jeffrey would have to take notes on her findings.

'Not too shabby,' Valentine interjected, though she could tell from the look on his face that he was slightly ashamed of the morgue's location. 'Most of our autopsies are car wrecks, accidents, that kind of thing. We handle the load from Seskatoga, Ahlmira, and a couple of other counties. Having the morgue on site makes it easy to take them from one to the other.'

'Of course,' Sara said, feeling like she had just insulted the man when in fact the facilities were more than serviceable. She was lucky not to be stuck in the embalming room at the local funeral parlor. 'Where's the Escalade?'

'Through here,' he said, opening another door. A large, open warehouse was on the other side. Two desks and a row of filing cabinets were shoved into the corner. Tools lined the far wall. Six hydraulic lifts had cars on them, but no mechanics were in sight. Car parts were scattered around, crashed vehicles in various states of disassemble so that damage could be assessed, blame placed on the right head. Sitting in the middle of the warehouse was obviously the SUV.

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