Greg Iles - Dead Sleep

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Dead Sleep: краткое содержание, описание и аннотация

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From Publishers Weekly
Iles continues to amaze with his incredible range, this time around crafting a complex serial killer novel with the intimacy of a smalltown cozy and the punch of a techno-thriller. As different from Spandau Phoenix and 24 Hours as possible, it scores with surefooted plotting, a diverse cast of characters and perfectly calibrated suspense. An anonymous painter's series of candidly posed nudes called The Sleeping Woman bursts on the art scene, each painting selling in the million-dollar range overnight amid rumors that the models are not sleeping but dead. Beautiful, burned-out war photographer Jordan Glass chances into a show and recognizes the subject of a painting as her identical twin, Jane, who was kidnapped near her New Orleans home and never found. Jordan contacts the FBI agent who handled her sister's case, thereby setting in motion a hunt that ties the paintings to the disappearance of at least 11 New Orleans women. Persuading the FBI task force to add her to the team, Jordan tags along to Tulane University, where evidence points to art department head Roger Wheaton, who has a peculiar terminal illness, and his brilliant but disturbed graduate students. Meanwhile, Jordan falls for damaged FBI agent John Kaiser, and together they link her sister's case to a French expat art collector from Vietnam who knew Jordan's war photographer father who disappeared in Cambodia. Are all the women really dead? Is Jordan's father alive and involved? Is there more than one killer? Iles keeps the reader guessing right up to the double surprise ending, delivering the perfect final payoff his readers expect.

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“I’d rather sit by you.”

Lyn’s smile could split the world. She and Henry take the chairs on either side of mine, and we all dig in. It’s surprising how quickly we fall into a natural rhythm of conversation, and the only awkward moments come in the silences. The children look at me as though they’ve lost all sense of time, and I know they are reliving hours spent at this table with their mother. Once, even Marc’s eyes seem to glaze over, as he slips into the same dimension the kids visit so much more easily. I can’t blame them. Thirteen months ago a divine hand reached into the Norman Rockwell painting of their life together and rubbed out the mother figure, leaving a painful, puzzling space. Now, magically, that space has been filled again, by a woman who looks exactly like the one who was erased.

“It’s getting close to bedtime,” Marc says.

“No!” the children cry in unison.

“How about cutting them a little slack this first night?”

Marc looks like he’s getting tired of my interference, but he agrees. We retire to the living room, and I give Lyn an introductory lesson on the digital Nikon while Henry loads El Dorado into his portable DVD player. Lyn is deft with her hands, and a proprietary glow of pride takes me by surprise. After she shoots a few test shots, I load them into Marc’s notebook computer. The results are good, and Lyn practically bursts with pleasure. Marc tries again to get the kids to bed, but they refuse, crawling into my lap for me to argue their case. I oblige, and before long Henry is zonked out and both my legs are asleep. Marc sits in a chair across the room, his legs draped over an ottoman as he half-watches a stock market report on CNBC, so he doesn’t notice when I look down and see Lyn staring up at me, her chin quivering.

“What is it, honey?” I whisper.

She closes her eyes tight, squeezing out tears as she turns her face into my breast and sobs. “I miss my mama.”

This time there’s no stopping my tears. I have never known a protective instinct as powerful as the one that suffuses me now. Not even when I was practically raising Jane in Oxford. I would kill to protect these children. But who can I kill to protect them from the loss of their mother? All I can do is caress Lyn’s forehead and reassure her about the future.

“I know you do, baby. I do, too. But I’m here for you now. Think about happy times.”

“Are you going to stay with us?”

“I sure am.”

“How long?” Her eyes are wide and fragile as bubbles.

“As long as you need me. As long as it takes.” Marc looks over at us, his eyes suddenly alert. “What’s the matter?”

“Nothing a little hugging won’t fix,” I tell him, rocking Lyn as best I can with Henry weighing me down. But what I’m hearing in my mind is the voice on the telephone eight months ago. God, let that have been Jane, I pray silently. These children need more than I can ever give them.

A half hour later, Marc and I carry the kids to their beds. They’ve slept together since Jane disappeared, insisting on the room next to Marc’s rather than the larger but more isolated ones upstairs. When we get back to the living room, he opens a second bottle of wine, and we methodically drink most of it while reminiscing about Jane. Marc wasn’t lying when he said he missed her. As he drains the last of the bottle, his eyes mist over.

“I know you think I’m a bastard for telling them she’s dead. I’m just trying to make things as easy on them as I can.”

I give him a conciliatory nod. “Now that I see them, I understand better why you did what you did. But what will you do if it turns out you’re wrong?”

He snorts. “You don’t really think those women are alive, do you?”

“I honestly don’t know. I had convinced myself that Jane was dead. But now I won’t give up until I see her body.”

“Just like with your father,” he mumbles. “You never give up.”

“I wish you wouldn’t either. In your heart, at least.”

“My heart?” He gestures toward his chest with the goblet, and wine sloshes onto his shirt. “For the last thirteen months, my life has been shit. If it weren’t for those kids, I might not even be here.”

“Marc-”

“I know, I know. Self-pitying slob.”

“That’s not what I was thinking.”

He’s not listening anymore. He has covered his eyes and begun sobbing. Alcohol and depression definitely don’t mix. I feel a little awkward, but I get up, walk over to him, and lay my hand on his shoulder.

“I know it’s hard. I’ve had a tough time myself.”

He shakes his head violently, as though to deny the tears, then sits up and wipes his face on his shirtsleeve. “Goddamn it! I’m sorry I got like this.”

I sit on the ottoman and put my hands on his shoulders. “Hey. You’ve been through one of the worst things anyone can go through. You’re allowed.”

His bloodshot eyes seek out mine. “I just can’t seem to get it together.”

“Maybe you need a break. Have you taken a vacation since it happened?”

“No. Work helps me deal with it.”

“Maybe work helps you not deal with it. Have you thought of that?”

He laughs like he doesn’t need or appreciate amateur psychology. Privileged men are masters of ironic distance. “I’m just glad you came,” he says. “I can’t believe how the kids responded to you.”

“I can’t believe how I responded to them. I almost feel like they’re mine.”

“I know.” His smile vanishes. “Just… thanks for coming.” He leans forward and embraces me. The hug does me good, too, I must admit. I haven’t had many these past months. But suddenly a current of shock shoots through me. There’s something moist against my neck. He’s kissing my neck. And there’s nothing brotherly about it.

I go stiff in spite of my desire not to overreact. “Marc?”

He takes his lips away, but before I can gather my thoughts, he’s kissing my mouth. I jerk back and put my hands on his arms to restrain him.

His eyes plead silently with me. “You don’t know what it’s been like without her. It’s not the same for you. I can’t even make myself look at another woman. All I see is Jane. But watching you tonight, at the table, with the kids… you almost are her.”

“I’m not Jane.”

“I know that. But if I let my mind drift just a little, it’s like you are. You even feel like her.” He pulls his arms free and squeezes my hands. “Your hands are the same, your eyes, your breasts, everything.” His blue eyes fix mine with a monk’s intensity. “Do you know what it would mean to me to have one night with you? Just one night. It would be like Jane had come back. It would-”

“Stop!” I hiss, afraid the children will wake. “Do you hear yourself? I’m not Jane, and I can’t pretend to be! Not to ease your grief. Not for the kids, and especially not in your bed. In her bed. My God.”

He looks at the floor, then back up at me, and his eyes shine with an unpleasant light. “It wouldn’t be the first time you pretended to be her, would it?”

It’s as though he flushed liquid nitrogen through my veins. I am speechless, unable to move. Only when he squeezes my hands do I yank them away in reflex.

“What are you talking about?”

He smirks like a little boy with a secret. “You know.”

Without knowing how I got there, I find myself standing three feet away from him with my arms crossed over my breasts. “I’m leaving. I’m going to stay at a hotel. Tell the kids I’ll be back during the day.”

He blinks, then seems to come to his senses a bit, or at least to feel some sense of shame. “Don’t do that. I didn’t mean to upset you. You’re just so damn beautiful.” He stumbles over the ottoman as he comes toward me. My instinct is to jump forward and help him, but I don’t. I don’t want things to get any worse than they already are.

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