“What about Jane?”
“Not so much for her. We were twins, but emotionally we were different from early on. Some of it was just bad luck.”
“How so?”
“Jane was mauled by a dog when she was four. It really tore up her arm.” I close my eyes against that memory, a vicious attack I watched from forty yards away. By the time my mother reached her, the damage had been done. “She had to go through rabies shots, the whole thing. It made her fearful for the rest of her life.”
“Did your mother dress the two of you identically, all that?”
“She tried. My father always resisted it when he was home, so I did too. He wanted us to be individuals. That’s the photojournalist ethos in a nutshell. Rugged individualism. He taught me that, and a lot more.”
“Photography?”
“Not so much that. He taught me to hunt and to fish. A little about the stars, trees, wild plants you could eat. He told me stories about all the far-off places he’d visited. Strange customs, things you’d never read in National Geographic.”
“Did he teach Jane those things?”
“He tried, but she wasn’t open to much. She was like my mother that way. I think his stories reminded them that he was only home for a little while, that one day they’d wake up and he’d be gone.”
“You were his favorite.”
“Yes. And Jane was Mom’s. But somehow that didn’t count for as much. Because Dad was the dominant personality, even when he wasn’t home. He was a doer. My mother just tried to cope, and didn’t succeed very well at that.”
“Jane resented his absences more as time passed?”
“Yes. I think she got to hate him before he disappeared, because of how sad Mom was, and because money was so tight.”
“Your father didn’t earn much money?”
“I don’t really know. Some of the leading photojournalists of the Vietnam era worked for almost nothing. Whether my father did or not, he never sent much money back to us. He was big on bringing presents, though. I’m not saying he was a great guy, okay? I’m just saying he and I had a bond.”
“Did your mother work?”
“For a while. Waitressing, a laundry, menial stuff. After she started drinking, not even that.”
“Why did your father marry her?”
“I honestly think he did it because it was the only way she would have sex with him.”
Lenz smiles wistfully. “That was common in my generation. Your mother was beautiful?”
“Yes. That was the irony that crippled the marriage. She looked exotic, but she wasn’t. That was her Alsatian blood, I guess, the exotic part. Outside, a mysterious princess – inside, plain as pabulum. All she wanted was a man to build her a house and come home from work every day at five-thirty.”
“And Jane wanted the same thing?”
“Absolutely. From her father and her husband, when she found one. Dad never gave it to her, but she found a husband who did.”
Lenz holds up his forefinger. “A few moments ago you used the word ‘disappeared’ about your father. Isn’t it generally accepted that he died in Vietnam?”
“Yes. Cambodia, actually. But I’ve never accepted that. I never felt that he was dead, and over the years there’ve been occasional sightings of him in Asia by former colleagues. I’ve spent a lot of money through the years trying to find him.”
“What sort of scenario do you envision? If your father survived, that might mean that he chose not to return to America. That he chose to abandon you, your sister, and your mother.”
“Probably so.”
“Do you think he was capable of that?”
I pull back my hair, digging my fingernails into my scalp as I go. “I don’t know. I always suspected that he had a woman there. In Vietnam. Maybe another whole family. Lots of servicemen did. Why should photographers be any different?”
Lenz’s blue-gray eyes flicker with cold light. “Could you forgive him that?”
The central question of my life. “I’ve spent a lot of time in distant countries photographing wars, just as he did. I know how lonely it can be. You’re cut off from the world, sometimes from any friendly contact. You might be the only person for a hundred miles who understands English, living in a hell no one else will ever really see. It’s a loneliness that’s almost despair.”
“But Vietnam wasn’t like that. It was bursting with Americans.”
“Dad worked a lot of other places. If I find out he’s alive – or that he did survive for a while – I’ll deal with it then.”
“You said you never felt your father was dead. What about Jane? Do you feel she’s dead?”
“I felt it twelve hours before I got the call.”
“So you two shared the sort of intuitive bond that many twins speak of?”
“Despite our differences, we had that. It’s a very real thing, in my opinion.”
“I don’t dispute it. You’re being very forthcoming with me, Jordan, and I appreciate that. I think we could save a lot of time if you would just describe what you consider the seminal events in your lives as siblings.”
“I don’t recall any particularly seminal events.”
Lenz’s eyes appear soft, but there is a hardness beneath them, a cruelty even, and it shows now. Perhaps that’s a requirement for his type of work.
“This is not psychotherapy, Jordan. We don’t have weeks to labor through your defense mechanisms. I’m sure if you think about it, certain events will come to mind.”
I say nothing.
“For example, I noticed in your file that you never graduated high school. Jane graduated with honors, participated in all sorts of extracurricular activities. Cheerleading, debate, et cetera. You did none of that.”
“You guys really dig, don’t you?”
“I also discovered that you had the highest ACT score in your school. So.” He folds his arms and raises his eyebrows. “Why would such a student drop out?”
The small jet suddenly seems smaller. “Look, I don’t see how questions about my high school life are going to help you understand Jane.”
“What happens to one child happens to the other. Think back. The two of you are twelve years old. Your father has died, your mother can’t cope, there’s no money to buy necessities. You’re twins, you have the same teachers, yet you turn out opposites. What’s the story?”
“You just summed it up, Doctor. Let’s move on to something that might actually help you find Jane’s killer. That’s the goal here, right?”
Lenz only watches me. “You’re a photographer. You use filters to produce certain visual effects, yes? To modify light before it reaches the film?”
“Yes.”
“Human beings use similar filters. Emotional filters. They’re put in place by our parents, our siblings, our friends and enemies. Will you concede that?”
“I guess.”
“Daniel and I intend to use you for a critical purpose in this case. But before we bring you into contact with any suspects, I must understand you. I need to be able to correct for your particular filter.”
I look at the porthole window to my left. There’s not enough moonlight to show clouds. We could be at five thousand feet or thirty-five thousand. That’s how I feel in relation to my past and future, unanchored, floating between the unknown and the known-too-well. Lenz wants my secrets. Why? Psychiatrists, like photographers, are essentially voyeurs. But some things are between me and my conscience, no one else. Not even God, if I can help it. Still, I feel some obligation to cooperate. Lenz is the professional in this sphere, not me. And he is trusting me not to screw up his investigation. I suppose I have to trust him a little.
“The years after my father disappeared were difficult. The truth is, Jane had been living as though he were dead for several years before that. Her strategy was assimilation. Conformity. She studied hard, became cheerleader, then head cheerleader, and kept the same boyfriend for three years. I give her a lot of credit. Being popular isn’t easy without money.”
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