Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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Perfect. Mary went inside, and a little bell went off above the door, letting someone know that she had come in. The small office contained three metal desks, each with an aged computer, and the front desk was littered with multicolored Beanie Babies. A middle-aged woman with frizzy red hair bustled from a door in the back, reapplying coral lipstick as she walked.

“Oh, my, I didn’t know anybody was here,” the woman said, with a fresh, if practiced, smile.

“Sorry if I startled you.”

“Are you lost? You look lost.” The woman twirled her lipstick closed, tossed it into a bulging makeup kit, then threw it in her purse. “Out-of-towners always get lost.”

Mary smiled. “How can you can tell I’m an out-of-towner?”

“No four-wheel drive and no flannel.” The realtor laughed, then she extended a hand with lacquered nails. “Julia O’Connell. Sorry about my bad manners.”

Mary introduced herself. “I know a guy who bought a second house up here, and he loves it. He wanted total privacy, he’s from Philly. He told me the address but I lost it, and now I can’t reach him on the cell. I’d love to see the house and was wondering if you sold it to him.”

“I only started last month and I haven’t sold anything. I’m on my second career and my third husband.” Julia laughed uncertainly. “Maybe one of the other gals worked with him. What’s his name?”

“Bobby Mancuso.” Mary held her breath, in the hope that the news of his murder hadn’t reached the boonies yet. Or betting that Bobby wouldn’t have given his real name when he bought his hideout. It wasn’t like he’d be applying for a mortgage, with proof of employment.

“Doesn’t sound familiar,” Julia answered, after a moment.

“He’s kind of eccentric, so he might have bought under a different name. Maybe you heard one of the other realtors talking about it. I think he might’ve paid in cash.”

“Cash!” Julia’s eyes lit up. “I didn’t hear anything about a cash deal, but like I say, I’m not here that long. I’m sure the owner, Mary Alice Raudenbush, would know, but she’s gone for the day and I’d hate to bother her at home. Maybe we should wait until your friend calls back.”

Mary thought a minute. “Are there other realtors that sell in Bonnyhart?”

“Locally, a few. Of course, anybody can sell anywhere these days. The MLS is online and such, and some of those Philly and New York realtors, they take their clients themselves, and we cooperate with ’em, you know.”

“He wouldn’t have done that.” Mary started working on a new working theory. “The reason I’m asking is I’d like to find a house like his.”

“Really?” Julia’s expression brightened. “You and your husband?”

“No, just me.” Mary warmed to the role. She really did want to buy a house and now she could, in an alternate reality. “I’m on my own, and I wanted something private.”

“You’ve come to the right place. We sell all around Carbon and Luzerne counties, very private Pocono properties. Let’s make an appointment, shall we?”

“I wanted to look tonight.”

“Now? It’s raining like crazy.” Julia groaned as she checked her watch, moving it faceup on a slim wrist. “I was just closing up, too.”

“If I knew the houses that have sold in Bonnyhart, let’s say in the past two years, I could go look at them myself, maybe get an idea of what I want. I don’t have a lot of time. I’m in the neighborhood only tonight.”

“I could give you the comps for Bonnyhart, but I’m not supposed to do that. I’m supposed to drive around with you.”

“What’s a comp?”

“The comparable sales for Bonnyhart. You’d use them to decide what to ask for your house, or to evaluate the asking price of a target property.” Julia sounded like she was reciting from the realtor’s exam. “Comps show the square footage, number of bedrooms and baths, lot size, like that.”

“Great. I’d like the comps.”

“I’m really not allowed to do that. If you come back tomorrow, we can go together.”

“I don’t have time for that and I’d prefer to go alone.” Mary played the part of a tough businesswoman, a partner at Rosato amp; DiNunzio. Or even DiNunzio amp; Rosato. “If you give me the comps, I’ll look at the houses and get back to you.”

“That’s not the way they do it.” Julia’s lined eyelids fluttered.

“That’s the way I do it. If you want your first sale.”

“Okay, hold on.” Julia leaned over the desk and hit a key on the computer, and Mary learned that hardball wasn’t all that hard. All you had to do was ask for what you want and shut up. Two hours later, she was driving through the rain, armed with Julia’s map of the Bonnyhart area and two pages of comps, with twenty-one houses total. Her windshield wipers worked overtime, and her high beams struggled to cut the driving rain. She wound her way along dirt roads, splashing through muddy puddles and around downed tree limbs that snapped under her car tires.

The first seven houses were occupied, all of them clapboard or brick three-bedrooms set back in the woods, priced around $100,000 to $150,000. None of them had black BMWs in the driveway, but Mary had waited at the curb in front of each one, the downpour and darkness allowing her to snoop from the car and see what was going on inside the houses. Everybody kept their curtains and blinds open, maybe because they lived in the middle of nowhere, and the first two houses got eliminated because they were filled with kids.

Inside the eighth house, an old couple watched TV, side-by-side on a plaid sofa, the lights from the screen flickering on their glasses, sudden as lightning. At the ninth house, nobody was home and the lights were off, so Mary had stolen up to the front window, covering her head from the rain with her purse, and looked inside with a flashlight. Four cats gazed at her from the back cushions of the couch, their eyes reflective in the dark, and she crossed that house off the list.

Mary got back in the car and hit the gas, heading for the next house. She told herself to stay the course. The plan made sense. It was logical that Bobby had taken Trish up here. The house could have been the surprise. If the diary was any indication, Trish didn’t know about the house. So what would’ve happened? Did he take her with him? Did he kill her up here and go back downtown? Did he lock her up in the house and then go? Could she still be alive, locked inside the house, like those schoolgirls in the Dutroux case? Or was she buried in its backyard?

Mary was slowing to a stop around a bend when she saw a large deer and two spotted fawns crossing the road, the littlest one springing from a standstill onto the hillside next to the road. She took two more right turns, then a left, following the map in the interior light, and reached the mailbox for 78 Tehanna Lane. She pulled over in front of the house, cut the headlights, and eyed the place through the trees.

There was no car in the driveway, but a light was on inside, a yellow square sliced by the trees in the front yard, their leaves dripping rainwater. The house was as nondescript as the others, and she flicked on the flashlight and scanned the comps in the car. Two bedrooms, one and a half baths, 1,320 square feet, half an acre, well water only, sold for $98,000 a year ago.

Mary shut off the flashlight and sat in the car a moment, watching to see if anyone was inside. The house was clapboard, but it must have been painted a darkish color, because it was barely visible at night. It looked like it had a front porch, because she could see an overhang sheltering a picture window and the gutter dripping water, twigs, and leaves. There were the twin shadows of two chairs sitting on the porch.

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