Lisa Scottoline - Lady Killer

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“Cock-a-doodle-doo!” Judy said, fresh-faced in a yellow rain slicker. She carried a paper bag. “I thought you’d be in. I’m bearing breakfast.”

“Wow. Why are you in so early?”

“Same reason as you. Work, work, work.” Judy flicked on the light, entered the office, set down the paper bag, and shed the slicker, revealing a funky dress with orange-and-white swirls.

“My God, you’re a Creamsicle.”

“Thank you.” Judy flopped into a seat with a grin. Her blond hair was swept back from her wide face with a stretchy purple headband, emphasizing her broad cheekbones and forehead. Mary couldn’t see what color clogs she had on. She didn’t want to know.

“Do they even have orange clogs?” she asked, anyway.

“Unfortunately, no.”

“They’d be perfect for deer season.”

“Or for feeling sunny and bright, on a gloomy hump day.” Judy dug into the bag and pulled out a corn muffin with a top like a mushroom cloud. “Look, your favorite.”

“Thanks, sweetie,” Mary said, though the muffin showered crumbs on her desk, threatening to make grease spots on her letters, which she moved hastily aside.

“So fill me in. What’s up with Trish?” Judy reached in the bag and produced two tiny golden packets. “I got butter, too.”

“Oooh, butter,” Mary said, succumbing to the inevitable. She hit a button to print the list of psychologists’ names, then cleared a legal pad for a placemat and reached over for the muffin. “For starters, she called her mother the night she disappeared.”

“Really?” Judy asked, and Mary told her about the scene at her parents’ house, and later, about Anthony. By the time she’d finished, Judy had sprouted little worry lines on her forehead. “Hopefully, the cops will find her.”

“Right.” Mary didn’t tell her about the plans for the day, because she’d be sure to object.

“But you had a date? Hallelujah!”

“I guess.”

“So what’s the matter?”

“I’m not ready, I decided.”

Judy almost spit out her coffee. “You’re so ready you’re dying on the vine.”

“Thanks.” Mary smiled.

“Mare, why don’t you like him?”

“At my parents’, he sat in Mike’s chair.”

“He needed a place to put his ass. Your parents have four chairs at that table. When I eat there, I sit in Mike’s chair. There’s no other choice.”

“He’s going too fast, is all.”

Judy’s eyes glittered evilly. “Why? Did he go for the tongue?”

“No. We didn’t kiss.”

“Then how is he going too fast?”

“I don’t know.” Mary tried to shrug it off, but couldn’t. She reached for her coffee and noticed her e-mail in-box had gotten a new e-mail, the sender in boldface: Giulia Palazzolo. The re line read, Have you seen Trish Gambone? Mary said, “Uh-oh, incoming Mean Mail.”

“What?” Judy brushed crumbs off her fingertips and came around the desk, while Mary opened the e-mail and they read it together. It was a flyer that showed the photo of Trish from Giulia’s cell phone, and underneath was a description of Trish, with Giulia’s phone number and Reg Brinkley’s, too.

“Oh, no.” Mary moaned. “Brinkley will go nuts. Giulia’s been calling him, but I didn’t get a chance to yell at her yet.”

“Not a bad idea, to send a flyer. But they’re going about it the wrong way.”

“What do you mean?” Mary looked up, and Judy’s clear blue eyes moved rapidly back and forth as she read the screen, its light throwing white shadows on her chin and cheeks.

“The flyer, it’s all about Trish, and that’s not good. They don’t need to find her, they need to find him.”

Mary felt like kicking herself. “You’re right. I’m the one who told them to send a flyer. How could I have missed that?”

“They’ll never find her this way. This is all wrong.” Judy gestured at the screen. “They need a photo of him. They need to find out where he went last, where he hangs, where he was last seen, where he could have taken her. Once you find him, you find her.”

“You’re a genius.” Mary reached for her phone, searched the received calls, pressed Call, and set it on speakerphone. It was almost seven o’clock, so Giulia should be getting up soon.

“Hello?” she answered sleepily.

“Hi, Giulia, it’s Mary. Sorry to wake you.”

“Wha?”

“Giulia, I’m here with Judy and we have you on speaker. First, do me a favor and please don’t call Brinkley anymore. We almost got him fired. Second, I got your flyer and instead of making it about Trish, we were thinking you should do a new one and-”

“Oh, yo, Mare. Yo, Judy. Thank God you bitches woke me up to tell me what I’m doing wrong.” Giulia’s voice went from sleepy to angry faster than a Maserati. “What a relief that you called. You know, I been sleeping on my back but maybe I should turn over? Whaddaya think?”

“Giulia, it’s just that-”

“What’s your freakin’ problem, Mare? I heard you dissed Trish’s mom last night. How ignorant can you get?”

“No, I didn’t.” Mary controlled her temper, remembering what Mrs. Gambone had said about her rebuking Giulia. “I’m not trying to be critical of you. I’m-”

“We’re the ones runnin’ around-me, Yo, and Missy. I was up until three in the mornin’. We went to all the places where they know Trish, askin’ everybody if they seen her, postin’ the flyer on telephone poles around work and the bars she used to like. Everywhere she goes or used ta go.”

“That’s the problem. You need to go where-”

“What’re you doin’ for Trish, Mare? Makin’ with Ant’n’y Rotunno, who, p.s., in case you didn’t know, is friggin’ gay?”

Judy’s eyes widened. He’s gay? she mouthed, but Mary waved her off.

“Giulia, I understand that you’re working hard, but you should think about going after-”

The line went dead. Giulia had hung up. Mary rubbed her forehead. “That went well.”

Judy cocked her head. “He’s gay?”

“No.”

“Then why did she say that?”

“It’s a long story,” Mary answered, sipping her coffee, preoccupied.

“You look worried.”

“I am.”

“You think she’s dead already?” Judy’s expression went grim, and Mary didn’t want her muffin anymore.

“I pray not.” Their eyes met over the desk, and Mary lied, “I guess I have to let it be.”

“You do, you can’t help anymore. You don’t know anything about the boyfriend.”

“No, not really.” Mary kept her mouth shut. She knew a lot about the boyfriend, but this wasn’t the time for a confession. There was no confessional, for one thing.

“It’s for the best. I don’t want to worry about you getting mixed up with the Mob.”

“Me neither.” Mary faked a shudder, which wasn’t difficult. She had a second chance to help Trish and she wasn’t about to blow it. She got up, gathered their muffin trash, and said, “I gotta go.”

“Where?” Judy asked, rising.

Mary tried to think of a lie, grateful she hadn’t told Judy about the cancellations. “A breakfast meeting with a new client.”

“Will you be back for lunch?”

“I doubt it.” Mary tossed her trash into the wastebasket, slid the list of shrinks from the printer tray, and grabbed the manila envelope that held Trish’s diary, to be hand-delivered to Missing Persons.

“Okay, have fun.” Judy handed her her trenchcoat from the hook, and she took it with a smile.

“Thanks,” Mary said, avoiding the trusting eye of her best friend.

CHAPTER EIGHTEEN

M ary hurried down the street under the gray sky, her trenchcoat billowing behind her, her handbag bumping against her side, and her pumps clacking self-importantly on the filthy pavement. There was no one else on the street this early, especially in this seamier side of South Philly. Trash blew in the gutter, and the rowhouses were badly maintained, the awnings cracked here and there. Plywood boards covered most of the first-floor windows, and she hurried past a noisy auto-body shop where she drew an anachronistic wolf-whistle.

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