Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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Just then Judy came back into the conference room. “Dinner is served,” she said, setting a cup of fresh coffee and a tiny square of lasagna on the table. “I nuked it for you.”

“Thanks,” Mary said, touched. Unfortunately, the lasagna was barely the size of a bite. “Anne really did eat it? I thought she was kidding.”

“It’s an appetizer. You can join Frank and me at dinner.” Judy meant her boyfriend Frank Lucia, the grandson of Pigeon Tony. They’d found love on a case together, but Mary couldn’t even find lasagna.

“I can’t go. I gotta work.” Mary moved to call Brinkley again, but Judy grabbed the BlackBerry away.

“Enough! It can wait.”

“Brinkley’s gonna be so angry.”

“Give him time to cool down. Eat.” Judy pointed at the plate, and Mary picked up the plastic fork. After one mouthful of her mother’s cooking, she knew it was the right thing to do. After the lasagna and Judy were gone, Mary went back to her office and stayed on the phone until she finally got through to Homicide.

When the call connected, she asked, “May I speak with Detective Brinkley?”

“If you’re calling about the missing person on TV, this isn’t the number to call.” A male voice sounded testy, and Mary knew she was speaking with the detective whose job it was to answer phones on that tour of duty. “You need to speak with Missing Persons, and I’ll give you that number.”

“I don’t need it. I’m a friend of Detective Brinkley.”

“Leave a number, and I’ll tell him you called. He’s out.”

Mary gave him her name and cell. “Please tell him to call on the cell, so I don’t miss him, and I’m so sorry about what happened, with my friend Giulia going on TV. I didn’t have any control over that. I didn’t even know about it.”

“Hold on.” The detective’s tone cooled. “That was your friend, on TV? Are you that lawyer from Rosato’s office, was in here with her?”

“Yes, and-”

“What were you doing, going on the tube like that?” The detective’s voice turned hostile. “You know how many calls we got already? We won’t be able to get our regular phone calls now, calls we need to get.”

“I’m so sorry. I can imagine.” Mary felt terrible, but couldn’t resist asking, “But were there any leads?”

“Of course not. Every turkey in the tristate area’s calling Homicide. I just hung up on my second drunk dial.”

“I’m so sorry.”

“I’ll give him the message. He’ll definitely want to talk to you. ’Bye.”

Mary hung up, troubled. She should have warned Giulia not to say anything. She should have stayed in control of the situation. What if she had gotten Brinkley in trouble? Missing Persons wouldn’t like Homicide usurping its role. Nobody took jurisdiction more seriously than the police department, except a federal court, or maybe a waitress.

Mary checked her desk clock. 5:15. She hadn’t answered her mail yet and she still had a ton of calls to make. She started to look through her mail, but couldn’t concentrate, preoccupied with Trish and now Brinkley. How could she have let this happen? When was Giulia going to call about the flyer? Soon Bennie and Anne would be back from court. It set Mary’s teeth on edge. She had work to do, no help in sight, and at some level, her clients would pay the price. Dhiren. Mr. Nunez. Trish. She didn’t have the time to do anything. Right when she was feeling sorriest for herself, her phone started ringing.

Mary picked up, hoping it was Brinkley. “Hello?”

“Hey, Mary? It’s Anthony Rotunno.”

“Hey, Anthony.” Mary stifled her dismay. Her new gay friend. She didn’t have time for the Freedom of Information Act right now. She shouldn’t have picked up.

“I was wondering if I could ask you a question or two. I’m really stuck.”

No. “Well-”

“I’m downtown today, only a block from your office. You wanna grab a quick bite? I could really use the help.”

“I’m kind of busy.”

“You have to eat. My mother says.”

Mary’s stomach growled in response. She was too distracted to work and she wanted to be out of the office when Bennie got back. She wouldn’t miss Brinkley because he’d call on her cell, and Giulia might be boycotting her.

“Whaddaya say, counselor? My treat.”

“Be right down.” Mary grabbed her purse.

She needed a friend, about now.

CHAPTER FOURTEEN

M ary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her. She couldn’t pass or fail the date and she hadn’t even bothered freshening her makeup. No matter how hard she tried, Anthony wasn’t falling in love with anyone but the waiter.

“This is fun,” Mary said, and Anthony raised a glass.

“To Italian-American studies.”

“Cent’anni.” Mary raised her glass and they both sipped their wine, which tasted cold and great. She knew nothing about wines, but Anthony had selected it from a bewildering array on the leather-bound list. She said, “Nice choice, sir. That wine list was harder than the bar exam.”

“You could have picked a bottle. It’s not as difficult as people think.”

“Like the Freedom of Information Act.”

“Exactly. You answered all my questions on the way over.” Anthony grinned, his eyes crinkling photogenically. He had on a dark cashmere blazer with a white shirt and khaki slacks, and his smile was as warm and friendly as last night, if even handsomer in the candlelight, which lent his eyes the rich warmth of dark chocolate.

“Were you ever a model, Anthony?”

“No.” He grinned crookedly. “Why?”

“You’re so hot.”

“Thank you.” Anthony smiled, a little surprised.

Mary eyed the menu, feeling the wine affecting her, already. She hadn’t eaten all day and was always a cheap drunk. Giulia, Brinkley, and even Trish floated farther back in her mind. The restaurant, a casual bistro, was dark and uncrowded, and the menu was completely in French. She stumbled over the béarnaise and mumbled, “Why is the menu never in Latin?”

“What did you say?” Anthony leaned over his menu. “You like Latin food?”

“No, forget it.”

“I cook very good Cuban. I learned it in South Beach from a Cuban friend.”

“I feel inferior, with no Cuban friends. I know people from Jersey, however.”

Anthony laughed. “I even went to Havana with him. What a city. Very wild.”

“I’m sure. I saw The Godfather.”

“I memorized The Godfather. I even read the book.”

“That’s hardcore.” Mary smiled. “What’s your favorite line?”

“‘Leave the gun, take the cannoli.’”

“Good one. Mine’s ‘Fredo, you broke my heart.’” Mary smiled again. She was buzzed. Anthony was fun. Gay men were always fun. She wished suddenly that all men were gay. “So you’re a good cook?”

“Excellent. I love to cook. My idea of a perfect night is a wonderful dinner.”

“Me, too. You know, it’s too bad I didn’t know you in high school. The only boys I knew were the ones who needed tutoring.”

“Not me. I studied hard, I was a good boy. In fact, I was an altar boy.” Anthony smiled, and Mary laughed.

“You’re like the male version of me. It’s really too bad we didn’t know each other.” Her thoughts turned to Trish and the boy she did know in high school. Not a good boy, decidedly a bad boy.

“What?” Anthony asked. “Your face just fell.”

“It’s a long story.”

“So, tell me. The waiter’s never coming back anyway.”

“He’d better.” Mary checked her watch but it was too dark to see it. “I have to go back to work and this thing that’s exploding. If you saw the TV news today, you know that Trish Gambone is missing.”

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