Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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Mary blinked, surprised. There had to be at least ten maps squeezed in there, which was nine more than most people from the neighborhood had, and ten more than most women, especially from the neighborhood. She herself had one map of Pennsylvania in her car, which her father had given her and she’d never used. She pulled out the maps, wondering if the gun was hidden behind them. It wasn’t, but sitting in the glove box was a slim clothbound book, also black.

Mary reached for it and opened it up. The first page read, Patricia Maria Gambone, and it was written in ballpoint in perfect Palmer method, with detached capital letters. She opened the book near the front and read the page:

I know he’ll just love it and I can’t wait to see his face when he opens it! I never thought I’d be this happy in my life!

The diary! In a car? Mary considered it, and it made sense. Trish couldn’t leave her diary in the house, where it could be found. Her car would be the second-best place, both secure and private. She flipped ahead, scanning the entries. Evidently, Trish didn’t write in it every day, only from time to time. God knows what we’ll do for Valentine’s Day. He’s drinking again, and when I called him out, he blew up. He started screaming that I was a lying whore and that he was going to kill me with his bare hands. Mary turned the page and a Polaroid picture fell out, and she picked it up.

It was a horrifying photo of Trish, and it looked as if it had been taken in the bathroom. A hideous red bruise, just beginning to go purple and black, covered her upper arm. The edge of the photo caught her profile, and she had obviously been crying. Mary’s mouth went dry. She replaced the photos and read ahead a few pages, picking up words here and there. Terrified. Scared. Screaming. Punched. Hurt. Bruised. Cut. Gun. There were more photos. Red bruises to a taut stomach, and one that made a cut near her navel. It sickened Mary, and she put them back with care. It was the perfect set of proofs for a lawsuit that would never go to trial. She felt disgusted and bitter at the law, at justice, and most of all, at herself.

She skipped to the most recent entry, praying it could provide a clue about where Trish had been taken. She turned to the last page, and her cheeks flushed hot: I went to see Mary but she didn’t do anything. Now I don’t know what to do. If you’re reading this now, whoever you are, I’m already dead. But at least this can prove he did it.

“Hey, Mare, yo!” somebody shouted, and Mary slapped the diary closed with the photos inside and looked through the windshield.

“MARE!” It was Giulia, hollering from down the street, because South Philly was a neighborhood without volume controls.

Mary waved to Giulia through the windshield, shoved the diary in her purse, and slipped the maps back in the glove box. She gave the car one last look around, got out, and chirped it locked, while the Mean Girls clack-clacked down the sidewalk like a tiny black locomotive, puffing smoke.

And it looked as if they’d picked up a passenger.

CHAPTER TEN

G iulia, Yolanda, and Missy stood beaming in Trish’s living room, surrounding an older Asian man who had a lined face and a delighted, if slightly bewildered, expression. He wore baggy black pants and a thin plaid shirt buttoned up to his neck wattle, and his hair was thin, steel gray, and slicked back. He was very short and never took his eyes from Giulia’s face. Okay, chest.

“Mare, look.” Giulia looped her arm around the tiny man and squeezed him close. “This is Fung Lee. He’s Oriental.”

“Chinese,” the man corrected good-naturedly, in thickly accented English.

“We went up and down the street like you said, and nobody saw nothin’ except Fung.”

“Good work, ladies.” Mary introduced herself and shook Fung’s hand, though his attention remained glued to Giulia. He nestled next to her body, fitting neatly beside her breasts, obviously enjoying his new best friends.

Giulia smiled down at the man. “Fung goes to the corner store the same time each night to buy a lottery ticket. He always goes at six thirty, right before they announce the winner, because he thinks that’s good luck.”

Fung nodded, ensconced.

“So I showed him the photo, and he recognized T because he sees her all the time, goin’ in and out of the house. He lives around the corner with his daughter and her husband.”

“Got it.” Mary held up a hand. “Let’s let him say what he saw, in his own words, okay?”

“Sure, Mare.” Giulia bristled, but Mary didn’t want words put in Fung’s mouth.

“Fung, what did you see last night?” she asked. “Can you tell me?”

But Fung only smiled up at Giulia, his free arm encircling her waist.

“Fung?” Mary repeated.

“Talk louder, Mare,” Giulia said, snuggling him, but Mary suspected his hearing wasn’t the problem, unless a breast blocked his ear. She raised her voice before he reached orgasm.

“Fung! What did you see? Did you see something at the house last night?”

“Tell her what you told us, doll,” Giulia said, gesturing at Mary. “It’s okay. She’s a lawyer. She can’t help being mean.”

Fung answered, “I see woman. Woman from picture.”

Giulia interjected, “I showed him Trish’s picture.”

Fung continued, “Woman very pretty. She with man. Leave with man and go in car.”

“What kind of car, do you know?”

“Black.”

“Was anyone else with them?”

“No. Woman and man only.” Fung looked up at Giulia.

“Did they seem happy or unhappy?”

“Not happy. Man very angry. Door close. Bang!”

Mary felt her gut tense. “Did the man yell? Shout?”

“Yes.”

“What did he say?”

“Wo bu zhi dao. Don’t know.” Fung pointed to his ear, and Mary understood he didn’t hear that well.

“What was the woman doing?”

Fung shook his head.

“Nothing?”

“Nothing.”

“Was she crying?”

“No.”

“Did she call to you, or anybody?”

“No.”

Mary got a bad feeling. “What time was this, about?”

“Six thirty exact. I go store.”

Giulia interjected, “I told you, he goes to the store at six thirty because the luck is better.”

Mary asked, “Did the woman have a purse?” She held up her purse. “Purse?”

Fung thought a minute. “Yes.”

“Did they have a suitcase?”

Fung frowned, not understanding.

“A suitcase is like a big purse.” Mary wanted to double-check and played charades for a second. “Like for a trip, for vacation.”

Fung frowned, not understanding.

Giulia held up her huge purse. “Suitcase.”

Fung shook his head, with a smile for her. “No.”

Good. “And they drove away?”

“Yes.”

“Which way?”

Fung pointed north.

It told Mary nothing. She didn’t know why she’d even asked. “Did the woman see you, do you think?”

“Don’t know. I go corner. She go car.”

“Did she try to signal you? Show you a sign?”

“No.”

“Were other people on the street?”

“Yes. Family. Baby.”

Mary looked at Giulia. “I thought you said nobody saw anything.”

“Like I said, you wanna be the one who IDs him?”

Good point. Mary paused. “Fung, is there anything else you can remember about what you saw?”

“No.”

“Okay, thank you.” Mary stuck a hand in her purse and extracted her wallet, then slipped out a business card and handed it to him. “This has my phone number. Please feel free to call if you remember anything else.”

Fung took the card, then looked up at Giulia. “You have?”

“Awww,” Giulia said, and kissed him on the cheek.

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