Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“Good,” Mary said.

“Not really.” Giulia snorted. “We told ’em what happened, and they said she mighta eloped, which we know she didn’t. They said they couldn’t do nothin’ about it because it wasn’t forty-eight hours yet. They said, what if they went on a vacation? Or a cruise?”

“You believe that?” Missy muttered, disgusted. “They were all about that baby girl who got kidnapped, Amber Alert.”

Mary didn’t enlighten her. “Giulia, did you tell the police that he was in the Mob?”

“Totally. We thought it would get them interested, but with that dumb baby, it’s like T don’t even matter.” Giulia threw up her hands, nonplussed. “They had like fifty million phones ringin’. The cop said, if she isn’t a little kid or an old guy, she has to wait the forty-eight hours.”

Yolanda shook her head, gravely. “T’s dead, I can feel it. I had a dream.”

Mary’s gut tightened, but she knew enough not to ask anybody from South Philly about their dreams. She wanted to finish today. “You called the salon, and she’s not there?”

“We didn’t have to call. We all work there. T got us our jobs. She didn’t show up today, and we didn’t either. The boss said it was okay.”

Yolanda sniffed. “On the other hand, if we don’t show, the world don’t end. We only do manicures, except for G, who’s gettin’ into waxin’. She’s movin’ up. Or down.”

“Shut up!” Giulia shoved her, but didn’t miss a beat. “Mare, if T didn’t go to work, something’s wrong. She’d never ditch a full book. Plus it’s not like her. No matter how hungover she was, she always went in. I’m scared, Mare. Real scared.” Giulia’s eyes glistened, and she wasn’t so streetwise anymore. She was just a girl whose best friend could be dead. She wiped her eye with the side of an index finger, and Mary handed her a Kleenex box from the credenza, but Giulia waved it off. “I’m not cryin’.”

“It’s to wipe your mascara, then.”

“I don’t wear mascara, it’s eyelash extensions. T has ’em, too.” Giulia drew an airy circle around her eyes. “Plus, see, my eyeliner ain’t runnin’. It’s permanent. Me and T got it tattooed on, together.”

“Tattooed on your eyes?” Judy interrupted, incredulous, and Giulia nodded.

“Yeah, sure. You never have to reapply, and your eyeliner always looks good, even when you wake up.”

“My lipliner’s permanent,” Missy added, and Yolanda nodded.

“So’s my eyebrows.”

Judy looked, dumbstruck, from Giulia with her tattooed eyes, to Missy with her tattooed lips, and finally to Yolanda with her tattooed eyebrows. Mary was too upset to care. She put down the Kleenex box.

“Didn’t it hurt?” Judy asked, astounded, and Giulia shrugged.

“No more than a Brazilian.”

Mary couldn’t hear anymore. Catholics shouldn’t get Brazilians. In fact, the words Catholic and Brazilian should never appear in the same sentence, except for: Brazilians are very good Catholics.

“Anyways, I’m not like some very negative people.” Giulia jerked a spiked thumb toward Yolanda. “I’m not saying he killed her. I can’t go there, not yet. Alls I know is she never woulda gone away without tellin’ us. That means she’s in trouble, real trouble.”

Mary felt it, too. It was too coincidental to be otherwise. “Has anyone seen him?”

“No, he’s gone, too. They’re both gone.”

“Does he go to work?” Judy interjected.

“Whaddaya think, blondie?” Giulia looked at her like she was crazy. “He packs a peanut-butter-and-jelly in a paper bag?”

“There’s no call for that,” Mary said. “She’s only asking if he has a regular job, on the side. A front or whatever you call it.”

“No, he doesn’t.” Giulia leaned forward in the chair, her eyes meeting Mary’s directly. “You gotta help us find T.”

“I’m in,” Mary said, her chest tight.

“Great.” Giulia smiled briefly, and Missy sniffled.

“Preciate it, Mare.”

“Me, too,” Yolanda said, grim.

Judy touched Mary’s elbow. “Can I talk to you a minute?” she asked, then turned to the Mean Girls. “Would you wait for us in the reception area, please?”

“We get the message.” Giulia rose with a smirk, pushing out her chair, and so did the others.

“Thanks,” Mary said, and both she and Judy waited while the Mean Girls left the conference room. In the next minute, low laughter came from down the hall. Judy cringed, then turned to her.

“Mary, don’t let them guilt you into this. This isn’t your problem, and it could be dangerous. He’s in the Mob.”

“I can’t not.” Mary felt a tug in her chest. She had a full day of work, including calls for Dhiren and another for Dean Martin, but Trish was out there somewhere. She couldn’t help but feel responsible. “I have to help, this time.”

“Why? They’re using you, don’t you see that?” Judy gestured outside the door. “They’re laughing at us, right now. Didn’t you hear?”

“It’s not for them, it’s for Trish.”

“What do you owe her? She was horrible to you.”

“This is life and death, Jude. You saw them. They need help. They’re…”

“Dumb?”

“A little.”

“Rude?”

“Okay.”

“Bitchy?”

“All of the above.” Mary met Judy’s eye, so blue and clear, and she could see the love there, and the loyalty. “I have a deposition to defend at ten today. It should take an hour, tops. It’s a contracts case, a roof that leaks. The client’s a sweet old guy, Roberto Nunez. Will you go for me?”

“This is crazy.”

“I prepared him last week. I even gave him a list of questions, so he’s good to go.”

“Mary, they tattoo their faces.”

“And you pierced your you-know-what.”

“Touché.” Judy smiled. “Anyway I let it close.”

“The point remains.”

Judy rolled her eyes. “Okay, get me the file, you loser.”

CHAPTER EIGHT

“K eep the change.” Mary handed the aged cabdriver a ten, and he accepted it without taking his rheumy eyes from the butts of the Mean Girls piling out of the backseat. She climbed out of the cab while they took their first drags on their cigarettes, and she surveyed the block. It was typical South Philly, a little grimy even in full sun, with identical brick rowhouses differentiated by their stoops, awnings, and bumper-sticker front windows. The Korean grocery store Trish had mentioned was to the left of the house, a dingy stuccoed affair with its windows covered by painted plywood and a faded Dietz amp; Watson sign that read HOAGIES CHEESE FRIES PLATTERS.

Next to the grocery, Trish’s house was well maintained, of newly painted brick with shiny black bars over the glass door and a black-framed bay window. Nothing was in the windowsill. Mary eyed the cars parked in front, a dusty lineup of older American cars, except for a shiny white Miata with a vanity plate that read DYE JOB. She pointed at the Miata. “Is that Trish’s?”

“Ya think?” Giulia laughed, emitting an acrid puff of smoke, and the others joined her.

“What’s he drive?” Mary asked, trying not to breathe.

“A BMW, what else?”

“Where’s he park it?”

“Anywhere he wants to,” Giulia answered, and they all laughed again. She pointed at an empty slot behind the Miata. “That’s his spot. You wanna be the jerk who takes it?”

“What color and year is his car?”

“Black. New.”

“Does he have a vanity plate, too, like DYE JOB?”

“Yeah, WHACK JOB,” Giulia answered.

“BLOW JOB,” Missy said.

“HAND JOB,” Yolanda added, and they all started laughing again except Mary, whose exasperation got the best of her.

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