Daniel Silva - The Kill Artist

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Amazon.com Review
Fans of Daniel Silva's well-received earlier novels, especially The Marching Season, will welcome his newest novel of espionage, revenge, and Middle Eastern politics. Gabriel Allon is an art restorer who's persuaded out of retirement by Ari Shamron, the crafty Israeli spymaster bent on a deadly mission: killing a Palestinian agent named Tariq before he can carry out his plan to assassinate an old comrade-in-arms, the treacherous peacemaker Yasir Arafat.
Tariq's role in the murder of Gabriel's wife and son draws both Gabriel and Sarah Halevy, the beautiful French model whose affair with Gabriel led to the assassination of his family. Still in love with Gabriel, Sarah allows herself to be set up with a cover and infiltrated into Tariq's inner circle. But before Gabriel can rescue her and fulfill his mission, Tariq turns the tables to get his old adversary as well as Arafat in his own sights. A particularly resonant scene in which Tariq and Arafat confront each other and discuss their former friendship, as well as the change in tactics that has brought Tariq to the ultimate betrayal, reveals Silva's deep comprehension of Palestinian rivalries. He puts a clever little fillip on the ending that adds to the brio of this strongly paced thriller. Silva creates complex, fascinating characters in Gabe, Ari, and Tariq, and more than fulfills the promise of his earlier books.
From Publishers Weekly
The tragedy of the Palestinian-Israeli conflict and despair of its resolution provide the backdrop for Silva's (The Unlikely Spy) heart-stopping, complex yarn of international terrorism and intrigue. Israeli master spy Ari Shamron sets an intricate plot in motion to lure deadly Palestinian assassin Tariq al-Hourani into his net. Art restorer Gabriel Allon, a former Israeli agent whose family was killed by Tariq, is lured back into the fray by Shamron and teamed with Jacqueline Delacroix, a French supermodel/Israeli secret agent whose grandparents died in the Holocaust. Gabriel sets up in London to monitor Yusef, Tariq's fellow terrorist and confidant. Jacqueline is assigned to seduce him in hopes of intercepting Tariq, who is devising a plan to kill Israel's prime minister during peace talks with Arafat in New YorkDand he has similar plans for Gabriel. The tortuous plot leading the various parties to the showdown in Manhattan is a thrilling roller-coaster ride, keeping readers guessing until the mind-bending conclusion. Sensitive to both sides of the conflict, the narrative manages to walk a political tightrope while examining the motivations of Palestinians and Israelis alike. The duplicity and secret financial juggling to keep government hands clean is personified in publishing mogul Benjamin Stone, who backs the Israeli efforts. He is just one of many larger-than-life characters (both real and invented) thrown into the mixDArafat himself has a tense encounter with Tariq that underscores the volatility of terrorist loyalty. An array of global locales adds to the complexity and authenticity of the dizzying, cinematic plot. (Dec.) Forecast: The popular success of Silva's first two novels and the timeliness of this one suggest escalating sales. Random is backing the title with major ad/promo, including a six-city author tour.

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“Where?”

“A council estate in Hounslow near the airport.”

“And the team?”

“In place, well hidden. They’ll spend the night with her.”

“I’d feel better if I were there.”

“You have a long day ahead of you tomorrow. I suggest you get a few hours’ sleep.”

But Gabriel went into the bedroom and returned a moment later, jacket on, nylon rucksack over his shoulder.

Shamron said, “Where are you going?”

“I need to take care of something personal.”

“Where are you going? When will you be back?”

But Gabriel walked out without another word and followed the stairs down to the street. As he walked past the front of the building, he thought he saw Shamron eyeing him through a slit in the blinds. And as he moved closer to the Edgware Road, he had the uncomfortable feeling that Shamron had one of his teams watching him too.

THIRTY-FOUR

Hounslow, England

The Toyota dropped them and then sped away. A car park bathed in yellow sodium light, a colony of stout redbrick council flats that looked like an industrial complex fallen on hard times. Jacqueline offered to carry her own bag, but Yusef wouldn’t hear of it. He took her hand and led her across the car park, then across a common strewn with crushed beer cans and bits of broken toys. A red wagon with no front wheels. A headless baby with no clothing. A plastic pistol. Gabriel’s pistol, thought Jacqueline, remembering the night in the hills of Provence, when he had tested her ability to shoot. Seemed like ages ago. A lifetime ago. A cat spit at them from the shadows. Jacqueline grabbed Yusef’s elbow and nearly screamed. Then a dog began to bark, and the cat scampered along the sidewalk and slithered beneath a fence.

“This is lovely, Yusef. Why didn’t you tell me you kept a place in the country?”

“Please don’t talk until we’re inside.”

He led her into a stairwell. Dead leaves and old newspaper in the corners, lime green walls, yellow light fixture overhead. The collision of color made them both look nauseated. They climbed two flights, then passed through a connecting door and walked the length of a long corridor. A cacophony of disharmonious sounds greeted them. A child screaming for its mother. A couple quarreling in Caribbean-accented English. A crackling radio blaring a play on the BBC, Tom Stoppard’s The Real Thing. Yusef stopped in front of a doorway with the number 23 mounted below a security peephole. He unlocked the door, led her inside, switched on a small parchment-shaded lamp.

The living room was empty except for one molting armchair and a television set. Its cord wound across the linoleum like a dead garden snake. Through a half-open door she could see a bedroom with a mattress on the floor. Through another doorway a small kitchen, a bag of groceries resting on the counter. Despite the absence of furnishings, the flat was impeccably clean and smelled of lemon air deodorizer.

She opened the window; cold air poured in. Below the window ran a fence, and beyond the fence lay a football pitch. A half-dozen young men, dressed in colorful warm-up suits and woolen caps, kicked a ball about in the headlights of a car parked along the sideline. Their long shadows played over brick walls below Jacqueline’s window. In the distance she could hear the soggy grumble of the motorway. An empty train rattled past on an elevated track. A jetliner screamed overhead.

“I like what your friend’s done with the place, Yusef, but it’s not really my style. Why don’t we check into one of the hotels at the airport? Someplace with room service and a decent bar.”

Yusef was in the kitchen, unpacking the bag of groceries. “If you’re hungry I can make you something. There’s some bread, cheese, eggs, a bottle of wine, and coffee and milk for the morning.”

Jacqueline walked into the kitchen. There was barely enough room for the two of them in the cramped space. “Don’t be so literal. But this is a shithole. Why is it empty?”

“My friend just got the place. He hasn’t had a chance to move his things. He’s been living with his parents.”

“He must be very happy, but I still don’t know why we have to stay here tonight.”

“I told you, Dominique. We came here for reasons of security.”

“Security from who? Security from what?”

“Perhaps you’ve heard of the British security service, better known as MI5. They make it their business to infiltrate exile and dissident communities. They watch people like us.”

“Like us?”

“Like me. And then there are the guys from Tel Aviv.”

“You lost me there, Yusef. Who are the guys from Tel Aviv?”

Yusef looked up and stared at her incredulously. “Who are the guys from Tel Aviv? The most ruthless, murderous intelligence service in the world. A gang of hired killers might be a more appropriate description.”

“And why would the Israelis be a threat here in Britain?”

“The Israelis are everywhere that we are. National boundaries are of no concern to them.”

Yusef emptied the bag and used it to line the wastebasket. “Are you hungry?” he asked.

“No, just extremely tired. It’s late.”

“Go to bed. I have some business to take care of.”

“You’re not leaving me here alone, are you?”

He held up a mobile phone. “I just have to make a couple of calls.”

Jacqueline put her arms around his waist. Yusef drew her forehead to his lips and kissed her softly.

“I wish you wouldn’t make me do this.”

“It’ll just be for a few days. And when you come back, we can be together.”

“I wish I could believe you, but I don’t know what to believe anymore.”

He kissed her again, then placed a finger beneath her chin and lifted her face so he could look into her eyes. “I wouldn’t say it if I didn’t mean it. Go to bed. Try to get some sleep.”

She entered the bedroom. She didn’t bother to turn on the light; it would feel less depressing if she had only a vague sense of her surroundings. She reached down, grabbed a handful of the bedding, and sniffed. Newly laundered. Still, she decided to sleep in her clothing. She lay down and carefully placed her head on the pillow so that it touched no portion of her face or neck. She left on her shoes. She smoked a last cigarette to cover up the overpowering smell of the disinfectant. She thought of Gabriel, her dance school in Valbonne. She listened to the jetliners and the trains and the resounding thump of a foot making solid contact with a leather ball out on the football pitch. She watched the shadows of high-stepping athletes dancing on her wall like marionettes.

Then she heard Yusef, speaking in a low murmur over his mobile phone. She couldn’t quite make out what he was saying. She didn’t care. Indeed, her last thought before drifting into a feverish sleep was that Yusef, her Palestinian lover, probably did not have long to live.

* * *

Isherwood opened the door of his home in Onslow Gardens a few inches and eyed Gabriel malevolently through the security chain. “Do you have any idea what time it is?” He unchained the door. “Come inside before we both get pneumonia.”

Isherwood wore pajamas, leather slippers, a silk dressing gown. He led Gabriel into the drawing room, then disappeared into the kitchen. He returned a moment later with a pot of coffee and a couple of mugs. “I hope you take your coffee black, because I’m afraid the milk in the fridge was purchased during the Thatcher government.”

“Black is fine.”

“So, Gabriel, my love. What brings you here at”-he paused to look at his watch and grimaced-“Christ, at two forty-five in the morning.”

“You’re going to lose Dominique.”

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