Daniel Silva - The Kill Artist

“It sends out a beacon with a range of thirty miles. Which means if something goes wrong-if we lose contact with you for some reason-we’ll always be able to find you again.”

Jacqueline removed the lighter from the box and snapped the hammer. The lighter expelled a slender tongue of flame. When she slipped the lighter into the breast pocket of her blouse, Shamron’s face broke into a brief smile. “I feel obligated to inform you that your friend Gabriel has serious reservations about this whole thing.” He was on the move again, this time standing before the landscape by Claude. “Gabriel is afraid you may be walking straight into a trap. Usually I trust Gabriel’s opinion. We have a considerable history between us. But in this case I find myself in respectful disagreement with him.”

“I understand,” Jacqueline murmured, but she was thinking of the night she had brought Yusef to this very room.

“Claude was born in France, but he lived almost his entire life in Venice, if I’m not mistaken.”

“Actually, you’re mistaken. Claude lived and worked in Rome.”

Perhaps he was testing her, even then.

Shamron continued, “I could tell you many things. I could tell you that Tariq is an animal with the blood of hundreds of Jews on his hands. I could remind you that he killed our ambassador and his wife in cold blood in Paris. I could remind you that he murdered a great friend of Israel and his wife in Amsterdam. I could tell you that he’s planning to strike again. That you will be doing a great service to the State of Israel and the Jewish people. I could tell you all these things, but I can’t tell you to do this.”

Jacqueline looked at Gabriel, but he was standing in front of the del Vaga, craning his neck sideways, as if he was looking for flaws in the last restoration. Don’t look at me, he was saying. This is your decision, yours alone.

Shamron left them alone. Gabriel crossed the room and stood where Shamron had been. Jacqueline wanted him closer, but Gabriel seemed to require a buffer zone. His face had already changed. It was the same change that had come over him in Tunis. There had been two Gabriels in Tunis. The Gabriel of the surveillance phase, when they had been lovers, and Gabriel the night of the assassination. She remembered the way he had looked during the drive from the beach to the villa: part grim determination, part dread. He looked the same way now. It was his killing face. When he spoke, he resumed where Shamron had left off. Only the quality of his voice was different. When Shamron spoke Jacqueline could almost hear drums beating. Gabriel spoke softly and quietly, as if he were telling a story to a child at bedtime.

“Your link to the Office will be the telephone in your flat here in London. The line will be routed through to headquarters in Tel Aviv on a secure link. When you arrive at your destination, tell Tariq you need to check your messages. When you call, the people in the Office will see the number you’re dialing from and locate it. If you’re alone you can even talk to them and pass along messages to us. It will be very secure.”

“And what if he refuses to let me use the telephone?”

“Then you throw a fit. You tell him that Yusef never said you wouldn’t be allowed to use the telephone. You tell him Yusef never said you were going to become a prisoner. Tell him that unless you’re allowed to check your messages you’re leaving. Remember, as far as you know, this man is a Palestinian dignitary of some sort. He’s on a diplomatic mission. He’s not someone you’re supposed to fear. If he senses you’re afraid of him, he’ll suspect you know more than you should know.”

“I understand.”

“Don’t be surprised if you hear messages on your machine. We’ll place a few there. Remember, according to the rules laid down by Yusef, no one but Julian Isherwood is allowed to know that you’ve gone away. Perhaps Isherwood will call and ask when you’re planning to return. Perhaps he’ll have some sort of emergency at the gallery that will require your attention. Perhaps a family member or a friend will call from Paris to see how things are going for you in London. Maybe a man will call and ask you to dinner. You’re an attractive woman. It would be suspicious if there weren’t other men pursuing you.”

She thought: So why not you, Gabriel?

“Tonight, before you give him your answer, I want you to express serious doubts about the whole thing one more time. To Jacqueline Delacroix the concept of traveling with a strange man might sound reasonable, but to Dominique Bonard it sounds like utter lunacy. I want you to quarrel with him. I want you to force him to make assurances about your safety. In the end, of course, you’ll agree to go, but not without a fight. Do you understand me?”

Jacqueline nodded slowly, mesmerized by the serene intensity of Gabriel’s voice.

“Make sure you have this conversation in his flat. I want to hear what he has to say. I want to listen to his voice one last time. After you agree to do it, don’t be surprised if he refuses to allow you to leave his presence. Don’t be surprised if he moves you to another location for the night. Dominique Bonard may want to complain about it-she may want to make idle threats about walking out-but Jacqueline Delacroix should not be surprised in any way. And no matter where he takes you, we’ll be close by. We’ll be watching. I’ll be watching.”

He paused for a moment and, like Shamron before him, began to pace the length of the gallery slowly. He paused in front of the Luini and gazed upon the image of Venus. Jacqueline wondered whether he was capable of appreciating the beauty in a piece of art or whether he had been condemned to search only for flaws. He turned around and sat down next to her on the bench. “I want to tell you one more thing. I want you to be prepared for how it’s going to end. It may happen someplace quiet, completely out of sight, or it may happen in the middle of a busy street. The point I’m trying to make is that you’ll never know when it’s going to end. You may see me coming, you may not. If you do see me, you’re not to look at me. You’re not to flinch or call out my name. You’re not to make a sound. You must do nothing that alerts him to my presence. Otherwise we both might end up dead.”

He paused for a moment, then added, “He won’t die right away. A twenty-two-caliber Beretta isn’t that kind of weapon. It takes several shots in the right place. After I knock him down I’ll have to finish the job. There’s only one way to do that.”

He fashioned his hand into the shape of a pistol and placed his forefinger against the side of her temple.

“I don’t want you to watch me when I do this. It’s not who I am.”

She reached up and took his hand away from the side of her head. She folded his forefinger into his palm, so that his hand was no longer shaped like a Beretta. Then, finally, Gabriel leaned forward and kissed her lips.

“How is she?” asked Shamron as Gabriel turned into Oxford Street and headed east.

“She’s resolute.”

“And you?”

“My feelings are immaterial at this point.”

“You’re not excited in any way? You’re not thrilled by the prospect of going into battle? The chase does not make you feel completely alive?”

“I lost those feelings a long time ago.”

“You and I are different, Gabriel. I’m not ashamed to admit it, but I live for this moment. I live for the moment that I can place my foot against the throat of my enemy and crush the wind out of him.”

“You’re right. You and I are very different.”

“If I didn’t know better, I’d say you had feelings for her.”

“I’ve always liked her.”

“You’ve never liked anyone or anything in your life. You feel love, you feel hate, or you feel nothing at all. There’s no middle ground for you.”