Tami Hoag - A Thin Dark Line

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Amazon.com Review
Vigilantism can be swift and lethal, but it does not always carry the banner of justice. For Deputy Sheriff Annie Broussard, an attempt to honor the law traps her between the prime suspect in a vicious crime and her own colleagues on the force. And she's unsure which side, if either, is to be trusted. Set in the bayou country of Louisiana, A Thin Dark Line explores dark psychological territory while weaving through a complex plot rife with sordid characters and unlikely heroes. As the author of Night Sins and Guilty as Sin, Tami Hoag lives up to her reputation as a master of suspense.
From Library Journal
Coming off her best-selling hit, Guilty As Sin (LJ 2/1/96), Hoag sets her latest in Bayou Breaux, a fictional Cajun town. A woman is brutally murdered, and everyone, from cops to citizenry, is convinced that the deed was done by Marcus Renard, a fellow she charged with stalking shortly before her death. Renard is set free on a technicality only to be beaten insensible by the chief detective on the case, Nick Fourcade, a patois-speaking recluse with a dark past. Fourcade is arrested by Annie Broussard, an idealistic young sheriff's deputy and the only woman on the force. Because she stands up for what she believes is right, Annie is hounded from her job by the good-ol'-boy cop network. She then joins forces with Fourcade to solve the murder and a series of rapes. Hoag almost scuttles her own story by making the first 200 pages dull and repetitive before finally settling down to let the characters evolve and the story take its own dark, satisfying turns. This doesn't work completely, but her fans won't mind. For popular collections.

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She had left a light on in the apartment and added more to it as she made a systematic check of the rooms, gun in hand. Only after that task was finished did she put the Sig Sauer away and let go the anxiety that had gathered in tight knots in her shoulders. She pulled a bottle of Abita from the refrigerator, toed off her sneakers, and went to the answering machine.

With all the angry calls since the Fourcade incident hit the airwaves, she had considered unplugging the thing. What was the sense of offering convenience to people who wanted only to abuse her? But there was always the chance of a call on the case, or so she hoped.

The tape spilled its secrets one at a time. Two reporters wanting interviews, two verbal-abuse calls, a breather, and three hang-ups. Each call was unnerving in its own way, but only one ran a shiver down her back.

"Annie? It's Marcus." His voice was almost intimate, as if he had called from his bed. "I just wanted to say how pleased I was that you stopped by today. You can't know what it means to me that you're willing to help. Everyone's been against me. I haven't had an ally except for my lawyer. Just to have you listen… to know you care about the truth… You can't know how special-"

"I don't want to know," she said, but stopped herself from touching the reset button and pulled the cassette out instead. Fourcade would want to hear it. If things progressed with Renard, it could conceivably be deemed evidence. If he became infatuated with her… If the attraction evolved into obsession… Already he thought she was his friend.

"Don't you help him, 'Toinette… Don't let him use you."

"And just what do you think you're doing, Fourcade?" she murmured, slipping the tape into her sweater pocket.

The faint scent of smoke clung to her sweater. She let herself out the French doors onto the balcony for a breath of cool air.

Far out in the swamp an eerie green glow wobbled in the darkness-gases that had been ignited by nature and were burning off untended. Nearer, something splashed near the shore. Probably a coon washing his midnight snack, she told herself. But the explanation had the hollow ring of wishful thinking and the sense of a larger presence touched her like eyes.

Hair rising on the back of her neck, Annie did a slow scan of the yard-what she could see of it-from Sos and Fanchon's house, along the bank and past the dock where the swamp tour pontoons were tied up, to the south side of the building, where a pair of rusty Dumpsters stood. Only the finest grains of illumination from the parking-lot security light reached back here. Nothing moved. And still the sensation of a presence closed like a hand on her throat.

Slowly, Annie backed into the apartment, then dropped to her belly on the floor and crawled back onto the balcony to peer between the balusters. She did the scan again, following the same route, slowly, her pulse thumping in her ears.

The movement came at the Dumpsters. Faint, with a whisper of sound. The shape of a head. An arm reaching out. Black-all of it. A solid shadow. Moving toward the side of the building, toward the stairs to her apartment.

Annie scuttled backward into the apartment, pushed the doors shut, and scrambled to her bedroom, where she had left the Sig. Sitting on the floor, she checked the load in the gun as she called 911 and reported the prowler. Then she waited and listened. And waited. And waited. Five minutes ticked past.

She thought about the prowler, what his intentions might be. He could have been the rapist, but he could as easily have been a thief. A convenience store on the edge of nowhere would seem an easy target, and had been a target several times in the past. Uncle Sos had taken to keeping the cash box under his bed and a loaded shotgun in the closet- all against Annie's advice. If this was a burglar and he didn't find what he wanted in the store… if he went to the house in search of the money…

The potential for disaster turned Annie's stomach. She'd seen people shotgunned for fifty bucks in a liquor-store cash register. When she worked patrol in Lafayette, she'd seen a sixteen-year-old with his skull caved in because another kid wanted his starter jacket. She couldn't sit in her apartment and wait while some creep drew a bead on the only family she'd ever had.

She slipped her sneakers on and padded quietly to the bathroom and to the door behind the old claw-foot tub. The hinges groaned as she eased it open. She slipped through the door onto the seldom-used staircase that dropped steeply down into the stockroom of the store. Back pressed to the wall, gun in hand, raised and ready, she strained to listen for any sound of an intruder. Nothing. Slowly she descended one step at a time.

The light from the parking lot fell in the store's front windows like artificial moonlight. Annie moved down the short rows of goods like a prowling cat. Her hands were sweating against the Sig. She quickly dried one and then the other on the leg of her jeans.

The front door seemed the least risky place to exit. A thief would try to break in through the stockroom door on the south side, out of sight from the house and from the road. And if this wasn't a thief, if he was looking to gain access to the apartment, the only way up was the stairs on the south side of the building.

Annie let herself out quickly and slipped around the corner to the north side of the building. Where the hell was the radio car? It had to have been fifteen minutes since the call. They could have sent the cavalry from New Iberia in less time.

She made her way along the building, ducking beneath the gallery as soon as she could, hoping she was putting herself between the prowler and the house. She wanted to drive him away from it, not toward it. To scare him off toward the levee road seemed safest, though that was a likely spot for him to have hidden his vehicle.

The smell of dead fish was strong as she crept down the slope, holding herself steady against the foundation of the building with one hand and stepping with caution to keep from skidding on the crushed rock and clamshell. At the corner post of the gallery a cat hunched over scavenged fish entrails, growling low in its throat.

Annie could see no movement in the direction of the house. Adjusting her grip on the gun, she took a deep breath and stuck her head out around the corner. Nothing. Another deep breath and she turned the corner, leading with the Sig. The Dumpsters sat past the south end of the gallery.

She moved quickly toward them, still close to the building. Sweat beaded on her forehead and she resisted the urge to wipe it away. She was close now, she could feel it, could feel the presence of another being. Her senses sharpened, heightened. The sound of water dripping somewhere near seemed loud in her ears. The stench of gutted fish nearly made her gag. The scent seemed wrong somehow, but this wasn't the time to process that information.

She held up at the southeastern corner of the building, listening for the scrape of a foot on the ground or on the staircase to her apartment. She gathered herself to move around the corner, her mind racing ahead to visualize leading with the gun, focusing on her target, shouting out the warning to hold it. But as she drew breath to call out, a voice boomed behind her.

"Sheriff's deputy! Drop the gun!"

"I'm on the job!" Annie yelled, uncocking the Sig and tossing it to the side.

"On the ground! Now! Down on the ground!"

"I live here!" she called, dropping to her knees. "The prowler's around the side!"

The cop didn't want to hear it. He rushed up like a charging bull and clocked her between the shoulders with his stick. "I said, get down! Get the fuck down!"

Annie sprawled headlong on the ground, starbursts lighting up behind her eyes. The deputy yanked her left hand around behind her back and slapped on the cuff, twisted her right arm back and did the same.

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