Tami Hoag - Cry Wolf

A book in the Doucette series

Anyone familiar with my work knows I have a special affection for that part of Louisiana known as Acadiana. My interest has roots in family, even though it was the music that first drew my attention, and branches into history, linguistics, and a love for unique and fragile environments. In Cry Wolf, as in my previous books set in south Louisiana, I have done my best to bring to you the feel and flavor of bayou country. I have made a special effort to portray some of the cultural diversity of the area through the use of local dialects-in particular, through the use of a number of Cajun French words and phrases. A glossary of these words and phrases can be found at the back of the book.

Cajun French is a distinct language born in France and raised in Louisiana. About sixty percent of the words in the Cajun vocabulary can be found in a standard French dictionary. The rest are unique to the patois, words and phrases that evolved out of necessity to fit the environment and the people living in it.

My sources for the Cajun French used in Cry Wolf include Conversational Cajun French by Harry Jannise and Randall P. Whatley, and A Dictionary of the Cajun Language by the Reverend Monsignor Jules O. Daigle, M.A., S.T.L., a complete source and especially wonderful defense of a language that deserves to live on and flourish.

In a world where we are in reasingly pressured to conform and homogenize, ethnic diversity is a precious gift. My sincere thanks to the people who strive to preserve and nourish such endangered species as the Cajun language. Merci Boucoup.

Tami Hoag

The bâteau slides through the still waters of the bayou. Still, black waters as dark as the night sky. As dark as the heart of a killer. In the water stand the cypress, rank upon rank, tall sentinels as motionless and silent as death. Behind them, on the banks, the weeping willows, boughs bowed as if by grief, and the live oak with their twisted trunks and gnarled branches, looking like enchanted things eternally frozen in a moment of agony. And from their contorted limbs hangs the moss, gray and dusty and tattered, like old feather boas left to rot in the attic of some long-forgotten, long-ruined mansion.

All is gray and black in the night in the swamp. The absence of light, the reflection of light. A sliver of moon is wedged between high clouds, then disappears. Stillness descends all around as the boat passes. Eyes peer out from the reeds, from the trees, from just above the surface of the water. Night is the time of the hunter and the hunted. But all the creatures wait as the bâteau slips past them, its motor purring, low and throaty, like a panther's growl. The air of expectation thickens like the mist that hovers between the trunks of the tupelo and sweet gum trees.

One predator has struck this night, cunning and vicious, with no motivation but the thrill of holding another's life and savoring the power to snuff it out. The creatures of the swamp watch as the predator passes, as the scent of fresh blood mingles with the rank, metallic aroma of the bayou and the sweet perfume of wild honeysuckle, jasmine, and verbena.

The motor dies. The boat skirts a raft of water hyacinth, noses through the cattails and lily pads, and sidles up to the muddy bank, where ferns and creepers grow in a tangled skein. Somewhere in the distance a scream tears through the fabric of the night. Like an echo. Like a memory. The predator smiles, fondly, slyly, thinking not of the nutria that issued the sound, but of the woman lying dead on the floor of the bâteau.

Another kill. Another rush. Another dizzying high. Power, more seductive than sex, more addictive than cocaine. Blood, warm and silky, sweet as wine. The pulse of life rushing with fear, pounding, frantic… ebbing, dying…

The body is dragged to the bank, left near the end of a crushed clamshell path that glows powdery white as the moon flashes down once again like a searchlight-there and gone, there and gone. Its beam illuminates a dark head of hair, damp and disheveled with no trace of the style that had been so painstakingly sculpted and sprayed hours ago; a face, ghostly pale, cheeks rouged clownishly, lipstick smeared, mouth slack, eyes open and staring, unseeing, up at the heavens. Looking for mercy, looking for deliverance. Too late for either.

She will be found. In a day, maybe two. Fishermen will come to fill their creels with bream, bluegill, sac-a-lait. They will find her. But none will find her killer.

Too cunning, too clever, beyond the laws of man, outside the realm of suspicion this predator stalks…

"I'll kill him."

The hound sat in a pile of freshly dug earth, azalea bushes and rosebushes scattered all around like so many tumbleweeds, a streamer of wisteria draped around his shoulders like a priest's amice. Looking up at the people on the veranda with a quizzical expression, he tilted his head to one side, black ears perked like a pair of flags on the sides of his head. A narrow strip of white ran down between his eyes-one pale blue, one green-widening over his muzzle. His coat was a wild blend of blue and black, trimmed in white and mottled with leopard spots, as if Mother Nature hadn't been able to make up her mind as to just what this creature would be. As people spilled out the French doors of the elegant brick house known as Belle Rivière, he let out a mournful howl.

"I swear, I'll kill him," Laurel Chandler snarled, her gaze fixed on the dog.

Rage and fury burned through her in a flash fire that threatened to sear through all slim threads of control. Two days she had been working on that garden. Two days. Needing desperately to do something and see an immediate, positive result, she had thrown herself into the task with the kind of awesome, single-minded determination that had taken her so far so fast as a prosecuting attorney. She had set herself to the towering task of reclaiming Aunt Caroline's courtyard garden in time to surprise her.

Well, Caroline Chandler had returned to Bayou Breaux from her buying trip, and she was surprised all right. She stood to Laurel 's left, a tiny woman with the presence of a Titan. Her black hair was artfully coiffed in a soft cloud of loose curls, makeup applied deftly and sparingly, accenting her dark eyes and feminine mouth. She seemed barely forty, let alone fifty, her heart-shaped face smooth and creamy. She folded the fingers of her right hand gently over Laurel's clenched fist and said calmly, "I'm sure it was looking lovely, darlin'."

Laurel attempted to draw in a slow, calming breath, the way Dr. Pritchard had taught her in relaxation therapy, but it hissed in through her clenched teeth and served only to add to the pressure building in her head and chest.

"I'll kill him," she said again, jerking away from her aunt's hold. Her anger trembled through her body like an earthquake.

"I hep you, Miz Laurel," Mama Pearl said, patting her stubby fingers against her enormous belly.

The old woman sniffed and shifted her ponderous weight back and forth from one tiny foot to the other, the skirt of her red flowered dress swirling around legs as thick and sturdy as small tree trunks. She had been with the Chandler family since Caroline and Jeff Chandler were children. She lived with Caroline not as an employee but as a member of the family, running Belle Rivière like a general and settling comfortably if testily into old age.

"Dat hound make nothin' but trouble, him," she declared. "All the time rootin' in my trash like a pig, stealin' off the clothesline. Nothin' but trouble. Talk about!"