Tami Hoag - A Thin Dark Line

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Amazon.com Review
Vigilantism can be swift and lethal, but it does not always carry the banner of justice. For Deputy Sheriff Annie Broussard, an attempt to honor the law traps her between the prime suspect in a vicious crime and her own colleagues on the force. And she's unsure which side, if either, is to be trusted. Set in the bayou country of Louisiana, A Thin Dark Line explores dark psychological territory while weaving through a complex plot rife with sordid characters and unlikely heroes. As the author of Night Sins and Guilty as Sin, Tami Hoag lives up to her reputation as a master of suspense.
From Library Journal
Coming off her best-selling hit, Guilty As Sin (LJ 2/1/96), Hoag sets her latest in Bayou Breaux, a fictional Cajun town. A woman is brutally murdered, and everyone, from cops to citizenry, is convinced that the deed was done by Marcus Renard, a fellow she charged with stalking shortly before her death. Renard is set free on a technicality only to be beaten insensible by the chief detective on the case, Nick Fourcade, a patois-speaking recluse with a dark past. Fourcade is arrested by Annie Broussard, an idealistic young sheriff's deputy and the only woman on the force. Because she stands up for what she believes is right, Annie is hounded from her job by the good-ol'-boy cop network. She then joins forces with Fourcade to solve the murder and a series of rapes. Hoag almost scuttles her own story by making the first 200 pages dull and repetitive before finally settling down to let the characters evolve and the story take its own dark, satisfying turns. This doesn't work completely, but her fans won't mind. For popular collections.

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And yet, she had bent rules, had made concessions for Fourcade she wouldn't have made with a civilian. She should have called a unit to the scene, but she hadn't. The jurisdiction was City of Bayou Breaux, not Partout Parish, but it seemed like betrayal to turn Fourcade over to another department. She had called an ambulance for Renard, explained nothing to the paramedics, and hauled Fourcade to the station in her own vehicle. She hadn't even called in to dispatch to warn them, because she didn't want it on the radio.

She had made concessions to Fourcade because he was a cop, and still she was being made the heavy. Men she would have joked with last night suddenly looked at her as if she were a hostile and unwelcome stranger.

She started the Jeep and rolled out of the parking lot as two cars turned in. Deputies coming on for the midnight shift. The news of Fourcade's run-in would spread like hot oil in a skillet. Her world had suddenly turned 180 degrees.

Everything simple had become complex. Everything familiar had become unfamiliar. Everything light had gone dark. She looked at the rain and remembered Fourcade's whispered word: Shadowland.

The streets were deserted, making the traffic lights seem an extravagance. The majority of Bayou Breaux's seven thousand residents were working-class people who went to bed at a decent hour weeknights and saved their hell-raising for the weekends. Commercial fishermen, oil workers, cane farmers. What industry there was in town supported those same professions.

The core of Bayou Breaux was old. A couple of the buildings on La Rue Dumas had been standing there since before the first Acadians got off the boats from le grand derangement in the eighteenth century, when the British confiscated their property in Nova Scotia and kicked them out. Many more buildings dated to the nineteenth century- some clapboard, some brick with false fronts, some in good shape, some not. Annie drove past them, temporarily oblivious to their history.

A neon light for Dixie beer glowed red in the window of T-Neg's, the nightspot in what was still called the colored part of town. The modern rage for political correctness had yet to sift into the deeper recesses of South Louisiana. She hung a right at Canray's Garage, a tumbledown filling station that looked like something from a bleak postapocalyptic sci-fi movie, with junked cars and disemboweled engines abandoned all around. The houses down this street didn't look much better. Tatty one-story cottages rose off the ground on leaning brick pilings, the houses crammed shoulder to shoulder with yards the size of postage stamps.

The properties gradually became larger, the homes more respectable and more modern the farther west she drove. The old neighborhoods gave way to subdivisions on the southwest side of town, where contractors had lined cul-de-sacs with brick pseudo-Acadian and pseudo-Caribbean plantation cottages. A.J. lived out here.

But how could she go to him? He worked for the DA. The cops and the prosecutors may have technically been on the same big team for justice, but the reality was often more adversarial than congenial. If she went over the sheriff's head and crossed the line into the DA's camp, there would be hell to pay with Noblier, and the rest of the department would see it only as further proof that she had turned on them.

And if she went to A.J. as a friend, then what? Could she expect him to separate who they were from what they did when a possible felony charge hung in the balance?

Annie pulled a U-turn and headed for the hospital. Marcus Renard's beating was her case until someone told her differently. She had a victim's statement to take.

Apristine white statue of the Virgin Mary welcomed the afflicted to Our Lady of Mercy with open arms. Spotlights nestled in the hibiscus shrubs at the base of her pedestal illuminated her all night long, a beacon to the battered. The hospital itself had been built in the seventies, during the oil boom, when ready money and philanthropy were in abundant supply. A two-story brick L, it sprawled over a manicured lawn that was set back just far enough from the bayou to be both scenic and prudent in flood season.

Annie parked in the red zone in front of the ER entrance, flipping down her visor with the insignia of the sheriff's department clipped to it. Notebook in hand, she headed into the hospital, wondering if Renard would be in any condition to speak to her. If he died, would that make life easier or harder?

"We just got him moved into a room." Nurse Jolie led her down a corridor that glowed like pearl under the soft night lighting. "I voted for the boiler room-the boiler itself, to be precise. Do you know who beat him up? I wanna kiss that man all over."

"He's in jail," Annie lied.

Nurse Jolie arched a finely curved brow. "What for?"

Annie bit back a sigh as they stopped before the door to room 118. "Is he awake? Sedated? Can he talk?"

"He can talk through what's left of his teeth. Dr. Van Allen used a local on his nose and jaw. He hasn't been given any painkillers." A slyly sadistic smile turned the nurse's mouth. "We don't want to mask the symptoms of a serious head trauma with narcotics."

"Never piss off medical people," Annie said, pretending to jot herself a note.

"Damn straight, girl."

Jolie pushed open the door to Renard's room and held it. The room was set up as a double, but only one bed was occupied. Renard lay with the head of the bed tipped up slightly, the fluorescent light glaring down into his eyes, which were nearly swollen shut. His face looked like a mutant pomegranate. Just two hours after his beating and already the swelling and bruising made him unrecognizable. One eyebrow was stitched together. Another line of stitches ran up his chin and over his lower lip like a millipede. Cotton had been crammed up his nostrils, and what was left of his nose was swathed in bandaging and adhesive tape.

"Not a plug to be pulled," the nurse said regretfully. She cut a glance at Annie. "You couldn't have just hung back until Whoever put this asshole in a coma?"

"Timing has never been my strong suit," Annie muttered with bitter irony.

"Too bad."

Annie watched her glide away, heading back for the nurses' station.

"Mr. Renard, I'm Deputy Broussard," she said, uncapping her pen as she moved toward the bed. "If it's at all possible, I'd like to get a statement from you as to what happened this evening."

Marcus studied her through the slits left open in the swelling around his eyes. His angel of mercy. Beside the elevated hospital bed, she looked small. The denim jacket she wore swallowed her up. She was pretty in a tomboy-next-door kind of way, with a blackening bruise high on one cheek and her brown hair hanging in disarray. Her eyes were the color of cafe noir, slightly exotic in shape, their expression dead serious as she waited for him to speak.

"You were there," he whispered, setting off a stabbing pain in his face. What little lidocaine the doctor had bothered to use was wearing off. The packing in his nose forced him to breathe through his mouth, and only added to the feeling that his head was twice its normal size. His sinuses were draining down the back of his throat, half choking him.

"I need to know what happened before I got there," she said. "What precipitated the fight?"

"Attack."

"You're saying Detective Fourcade simply attacked you? No words were exchanged?"

"I came out… of the building," he said haltingly. Tape bound his cracked ribs so tightly he wasn't able to take in more than a teaspoon of air at a time. "He was there. Angry… about the ruling. Said it wasn't over. Hit me. Again… and again."

"You didn't say anything to him?"

"He wants me dead."

She glanced up at him from her notebook. "He's hardly the only one, Mr. Renard."

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