Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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In the impending darkness, the villa looked small, a low-slung farmhouse made of fieldstone, with cypress and olive trees clustered around its reddish roofs and a couple of leaning stone posts to mark a front walk. Light glowed in the windows on the first floor, and I found myself suddenly hungry, tired, filled with a young crankiness I would have to hide in front of our hosts. My father took our bags from the trunk of the car and I followed him up the walk. “Even the bell’s still here,” he said, satisfied, pulling on a short rope by the entryway and smoothing his hair back in the gloom.

The man who answered came out like a tornado, hugging my father, slapping him hard on the back, kissing him soundly on both cheeks, bending over a little too far to shake my hand. His own hand was enormous and warm and he put it on my shoulder to lead me in with him. In the front hall, which was low beamed and full of ancient furniture, he bellowed like a farm animal. “Giulia! Giulia! Quickly! The big arrival! Come here!” His English was ferocious and sure, strong, loud.

The smiling tall woman who came in pleased me at once. Her hair was gray but it gleamed silver, pinned back from a long face. She smiled at me first and didn’t bend over to meet me. Her hand was warm, like her husband’s, and she kissed my father on each cheek, shaking her head through a gentle stream of Italian. “And you,” she said to me in English, “must have your own room, a good one, okay?”

“Okay,” I agreed, liking the sound of that and hoping it would be safely near my father’s and would have a view of the surrounding valley from which we’d climbed so precipitously.

After dinner in the flagstoned dining room, all the grown-ups leaned back and sighed. “Giulia,” my father said, “you become a greater cook every year. One of the great cooks of Italy.”

“Nonsense, Paolo.” Her English breathed Oxford and Cambridge. “You always talk nonsense.”

“Maybe it’s the Chianti. Let me look at that bottle.”

“Let me fill your glass again,” Massimo interjected. “And what are you studying, lovely daughter?”

“We study all subjects at my school,” I said primly.

“She likes history, I think,” my father told them. “She’s a good sightseer, too.”

“History?” Massimo filled Giulia’s glass again, and then his own, with wine the color of garnets, or dark blood. “Like you and me, Paolo. We gave your father this name,” he explained to me, aside, “because I can’t stand those boring Anglo names you all have. Sorry, I just can’t. Paolo, my friend, you know I could have dropped dead when they told me you gave up your life in the academy toparley-vous all over the world. So he likes to talk more than he likes to read, I said to myself. A great scholar lost to the world, that’s your father.” He gave me half a glass of wine without asking my father and poured some water into it from the jug on the table. I felt fond of him now.

“Now you’re talking nonsense,” my father said contentedly. “I like to travel, that’s what I like.”

“Ah.” Massimo shook his head. “And you, Signor Professor, once said you’d be the greatest of them all. Not that your foundation isn’t a wonderful success, I know.”

“We need peace and diplomatic enlightenment, not more research on tiny questions no one else cares about,” my father countered, smiling. Giulia lit a lantern on the sideboard, turning off the electric light. She brought the lantern to the table and began to cut up atorta I’d been trying not to stare at earlier. Its surface gleamed like obsidian under the knife.

“In history, there are no tiny questions.” Massimo winked at me. “Besides, even the great Rossi said you were his best student. And the rest of us could hardly please the fellow.”

“Rossi!”

It was out of my mouth before I could stop myself. My father glanced uneasily at me over his cake.

“So you know the legends of your father’s academic successes, young lady?” Massimo filled his mouth hugely with chocolate.

My father gave me another glance. “I’ve told her a few stories about those days,” he said. I didn’t miss the undercurrent of warning in his voice. A moment later, however, I thought it might have been directed at Massimo, not me, since Massimo’s next comment shot a chill through me before my father quashed it with a quick shift to politics.

“Poor Rossi,” Massimo said. “Tragic, wonderful man. Strange to think anyone one has known personally can just-poof-disappear.”

The next morning we sat on the sun-washed piazza at the town’s summit, jackets firmly buttoned and brochures in hand, watching two boys who should, like me, have been at school. They shrieked and punted their soccer ball back and forth in front of the church, and I waited patiently. I had been waiting all morning, through the tour of dark little chapels “with elements of Brunelleschi,” according to the vague and bored guide, and the Palazzo Pubblico, with its reception chamber that had served for centuries as a town granary. My father sighed and gave me one of two Oranginas in dainty bottles. “You’re going to ask me something,” he said a little glumly.

“No, I just want to know about Professor Rossi.” I put my straw into the neck of the bottle.

“I thought so. Massimo was tactless to bring that up.”

I dreaded the answer, but I had to ask. “Did Professor Rossi die? Is that what Massimo meant when he saiddisappear? ”

My father looked across the sun-filled square to the cafés and butcher shops on the other side. “Yes. No. Well, it was a very sad thing. Do you really want to hear about that?”

I nodded. My father glanced around, quickly. We were sitting on a stone bench that projected from one of the fine old palazzi, alone except for the fleet-footed boys on the square. “All right,” he said at last.

Chapter 6

You see, my father said, that night when Rossi gave me the package of papers, I left him smiling at his office door, and as I turned away I was seized by the feeling that I should detain him, or turn back to talk with him a little longer. I knew it was merely the result of our strange conversation, the strangest of my life, and I buried it at once. Two other graduate students in our department came by, deep in conversation, greeting Rossi before he shut his door and walking briskly down the stairs behind me. Their animated talk gave me the sensation that life was going on around us as usual, but I still felt uneasy. My book, ornamented with the dragon, was a burning presence in my briefcase, and now Rossi had added this sealed packet of notes. I wondered if I should look through them later that night, sitting alone at the desk in my tiny apartment. I was exhausted; I felt I couldn’t face whatever they held.

I suspected, also, that daylight, morning, would bring a return of confidence and reason. Perhaps I wouldn’t even believe Rossi’s story by the time I awoke, although I also felt sure it would haunt me whether I actually believed it or not. And how, I asked myself-outside now, passing under Rossi’s windows and glancing up involuntarily to where his lamp still shone-how could I not believe my adviser on any point related to his own scholarship? Wouldn’t that call into question all the work we had done together? I thought of the first chapters of my dissertation, sitting in piles of neatly edited typescript on my desk at home, and shuddered. If I didn’t believe Rossi’s story, could we go on working together? Would I have to assume he was mad?

Maybe it was because Rossi was on my mind as I passed under his windows that I became acutely aware of his lamp still shining there. In any case, I was actually stepping into the puddles of light thrown from them onto the street, heading toward my own neighborhood, when they-the pools of light-went out quite literally under my feet. It happened in a fraction of a second, but a thrill of horror washed over me, head to foot. One moment I was lost in thought, stepping into the pool of brightness his light threw on the pavement, and the next moment I was frozen to the spot. I had realized two strange things almost simultaneously. One was that I had never seen this light on the pavement there, between the Gothic classroom buildings, although I’d walked up the street perhaps a thousand times. I had never seen it before because it had never been visible there before. It was visible now because all the streetlights had suddenly gone off. I was alone on the street, my last footstep the only sound lingering there. And except for those broken patches of light from the study where we’d sat talking ten minutes earlier, the street was dark.

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