Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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"Lee?" Hank interrupted her thoughts, holding out a pack of gum. She shook her head no, watching him try to hold the wheel and retrieve a stick of Juicy Fruit. The sleeves of his dress shirt were rolled up, and she could see the track marks lining his pasty white forearms. They were hideous, these scars, and they reminded Lena of Jenny Weaver. Last night, Jeffrey had kept asking why anyone would purposefully cut herself, but Lena understood how pain could be a comfort. About six weeks after being released from the hospital, Lena had accidentally slammed her fingers in the door of her car. Searing hot pain had radiated up her arm, and for the briefest moment, Lena had caught herself enjoying it, thinking, This is what it's like to feel again .

She closed her eyes, clasping her hands in her lap. As usual, her fingers found the scars and she traced the circumference of one, then the other. There had been no pain when it had happened. The drug had convinced her that she was floating on the ocean, that she was safe. Her mind had created an alternate reality from the one her rapist created. When he touched her, Lena 's mind had told her it was Greg Mitchell, her old boyfriend, inside of her. Lena 's body had responded to Greg, not him .

Yet, the few times since then that Lena had been able to sleep long enough to dream, she had dreamed of her rapist touching her, not Greg. It was his hands on her breasts. It was him inside of her. And when she awakened, startled and scared, it was not Greg that she looked for in her dark, empty room.

Lena clenched her fists when the sickly sweet smell of Hank's chewing gum hit her. Without warning, her stomach pitched.

"Pull over," she managed, using one hand to cover her mouth, grabbing the door handle with the other. Hank abruptly swerved the car to the side of the road just as Lena lost it. She had only had a cup of coffee for breakfast, but that and more came up quickly. Soon, she was dry heaving, her stomach clenching. Tears came to her eyes from the exertion, and her body shook hard as she tried to hold herself up.

After what seemed like several minutes, the nausea finally passed. Lena wiped her mouth with the back of her hand just as Hank tapped her on the shoulder, offering his handkerchief. The cloth was warm and smelled of his sweat, but she used it anyway.

"Your gum," she mumbled, grasping the dashboard as she tried to sit up. "I don't know why-"

"It's okay," he answered abruptly. The window sucked down at the press of a button, and he spit out the gum before pulling onto the road again. Hank stared straight ahead, his jaw a straight line.

"I'm sorry," she said, not knowing why she was apologizing even as she said the words. Hank seemed angry, but she knew his animosity was directed toward himself for not knowing how to help, not at Lena. It was a familiar scene that had played out every day since she had come home from the hospital.

Lena reached around to retrieve her purse from the back seat. There were Pepto Bismol tablets and Altoids in there for this very occasion. She hated her days off from work. When she was on the job, she was too busy to allow the luxury of these episodes. There were reports to fill out, and calls to make. She knew who she was at the station, and riding around with Brad, an assignment she had balked at initially, made her feel competent and safe.

It wasn't that she was throwing herself into her job because being a cop was the only thing keeping her alive. Lena knew better than that. She would feel the same way if she were a cashier at the hardware store or a janitor at the high school. Crime and criminals had as much meaning to her as giving out the correct change would, or getting a stain off the cafeteria floor. What her job gave her these days was structure. She had to show up at eight in the morning. Certain tasks were expected of her. Brad needed direction. At noon, they had lunch, or, rather, Brad did. Lena did not have an appetite lately. Around three, they stopped for coffee at the Donut King over in Madison. They were back at the station by six and Lena 's world fell apart until it was time to go back to work the next day. On the rare nights-nights like last night-when Jeffrey allowed her to take overtime, she nearly wept with relief.

Hank asked, "You okay now?" the accusatory tone still in his voice.

She gave it right back to him. "Just drop it."

"Yeah, okay," he answered, thumping the turning signal down as he stopped behind a line of cars in front of the church. They were both silent as the car inched closer to the parking lot.

Lena looked up at the small white building, resenting it for being there. She had never liked church and had even been thrown out of Sunday school at the age of twelve for ripping out the pages of a Bible. When Hank had confronted her, she had told him she had done it out of boredom, but the truth was that even then Lena had resented rules. She hated being told what to do. She could not follow an authority that had not proven itself to her. The only reason she was good at being a cop was she had a certain degree of autonomy in the field, and everyone had to listen to her when she told them to.

"That girl," Hank said, picking up the conversation as if the last ten minutes had not happened. "It's a sad thing, what she did."

"Yeah," Lena shrugged, not really wanting to think about it.

"People get lost along the way, I guess," Hank said. "Don't ask nobody for help until it's too late." He paused, then, "Not until it's too late."

She knew what he was doing, making a comparison between the dead girl and herself. Some bullshit A.A. pamphlet probably had the directions for doing this on the back, right beside a little space where you could fill in your sponsor's name and phone number.

Lena snapped, "If I was going to kill myself, I would have done it my first day home."

"I wasn't talking about you," Hank shot back.

"Bullshit," she hissed. She waited a beat, then said, "I thought you were going home soon."

"I am," he answered.

"Good," she told him, and for the moment, she really meant it. Hank had been living with her since she came home from the hospital, and Lena was over having him pry into every part of her life.

"I got a business to run," he told her, as if the dilapidated bar he owned on the outskirts of Reece was IBM. "I need to get back to it. I'll leave tonight if you want me to."

"Fine," she said, but her heart started pounding at the thought of being alone at night. Lena did not want Hank in her home, but she knew that she would never feel safe if he left. Even during the daytime when she was working and Hank went to check on his bar, she felt an aching fear that he would get into a car accident or just decide not to come back at all, and Lena would have to come home to a dark, empty house. Hank was not just an unwanted house guest. He was her shield.

He told her, "I got better things I could be doing."

She was quiet, though in her mind, she repeated her mantra-please don't leave me, please don't leave me. Her throat was closing up with the need to say it out loud.

The car jerked as Hank accelerated, taking a parking space close to the chapel. He slammed the gear into park and the old sedan rocked back and forth several times before it settled.

He glanced at her, and she could tell that he knew he had her. "You want me to go? Tell me to go, then. You never had a hard time telling me to leave before."

She bit her lip hard, wanting to taste blood. Instead of her flesh giving, her front teeth moved, and she put her hand to her mouth, startled by the reminder.

"What? You can't talk now?"

Lena choked a sob, overcome with emotion.

Hank looked away from her, waiting for her to get hold of herself. She knew that he could listen to a room full of strangers whine about wanting needles in their arms or double shots of whiskey, but could not handle Lena 's tears. Part of her also knew that he hated Lena for crying. Sibyl had been his baby, the one he had taken care of. Lena was the strong one who didn't need anybody. The role reversal had knocked him on his ass.

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