Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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"Crap," Sara hissed as the cabinet tilted forward. The top drawer was full to overflowing, and she had to use her free hand to keep the whole cabinet from falling.

Quickly, Sara ran her fingers along the file tabs, reading off Weaver on her second run through. She pushed the cabinet back, slamming the drawer into the unit. The sound was loud in the small office. Sara was tempted to open it and slam it again, just to make some noise.

She snapped on her desk lamp as she sat, her sweaty legs skidding on the vinyl seat. Probably it would have been wiser to take the chart home. At the very least, it would be more comfortable. Sara did not want comfort, though. She considered it a small penance to sit in the heat and try to find what she had missed over the last three years.

Her wire-rimmed reading glasses were in the breast pocket of her shirt, and Sara felt a moment of panic, thinking she had broken them when she sat down. They were bent, but otherwise fine. She slipped on her glasses, took a deep breath, and opened the chart.

Jenny Weaver had first come to the clinic three years ago. At ten years old, the child's weight had been within normal ranges in relation to her height. Her first ailment had been a persistent sore throat that a round of antibiotics had evidently cured. There was a follow-up notation in the chart, and from what Sara could barely decipher from her own handwriting, Dottie Weaver had been contacted a week later by phone to make sure Jenny was responding to treatment. She had been.

About two years ago, Jenny had started to put on weight. Unfortunately, this was not uncommon these days, especially for girls like Jenny, who had gotten her first menstrual period shortly after her eleventh birthday. Their lives were more sedentary, and fast food was more readily available than it should be. Hormones in meat and dairy products helped the process along. Case studies in some of the journals Sara read were already dealing with ways to treat girls who entered puberty as early as eight years old.

Sara continued reading through Jenny's chart. Shortly after the weight gain began, Jenny had been diagnosed with a urinary tract infection. Three months later, the girl had come in with a yeast infection. According to Sara's notes, there was nothing suspicious about this at the time. In retrospect, Sara questioned her judgment. The infections could have been the beginning of a pattern. She turned to the next page, noting the date. Jenny had come in a year later with another urinary tract infection. A year was a long time, but Sara pulled out a sheet of paper and made notes of the dates, as well as the two other visits Jenny had made after, both for sore throats. Perhaps Jenny's parents shared custody. They could trace the dates to see if they corresponded with visits to her father.

Sara set down her pen, trying to recall what she knew about Jenny Weaver's father. Mothers were more likely to bring their children into the clinic, and as far as Sara could remember she had never met Jenny's father. Some women, especially women who were recently divorced, would volunteer information about their husbands as if their children were not in the room. Sara was always uncomfortable when this happened, and she usually managed to cut it off before it could really start, but some women talked over her, bringing up the kind of personal information that a child should never know about either parent. Dottie Weaver had never done this. She was talkative enough, even chatty, but Dottie had never disparaged her ex-husband at the clinic, even though Sara had gathered from the sporadic way the single mother paid her insurance balance that money was tight.

Sara's glasses slipped up as she rubbed her eyes. She glanced at the clock on the wall. Sunday lunch at her parents' was at eleven, then Jeffrey was expecting her at the station around one-thirty.

Sara shook her head, skipping over any thoughts of Jeffrey. A headache had settled into the base of her neck and the dull throbbing made it difficult to concentrate. She took off her glasses and cleaned them with her shirttail, hoping this might help her see things more clearly.

"Hello?" Sara called, throwing open the door to her parents' house. The cold air inside brought welcome goose bumps to her clammy skin.

"In here," her mother said from the kitchen.

Sara dropped her briefcase by the door and kicked off her tennis shoes before walking to the back of the house. Billy trotted in front of her, giving Sara a hard look, as if to ask why they had spent all that time in the hot clinic when they could have been here in the air-conditioning. To punctuate his displeasure, he collapsed onto his side halfway down the hallway so that Sara had to step over him to get to the back of the house.

When Sara walked into the kitchen, Cathy was standing at the stove frying chicken. Her mother was still dressed in her church clothes, but had taken off her shoes and panty-hose. A white apron that read don't mess with the chef was tied loosely around her waist.

"Hey, Mama," Sara offered, kissing her cheek. Sara was the tallest person in her family, and she could rest her chin on her mother's head without straining her neck. Tessa had inherited Cathy Linton's petite build and blonde hair. Sara had inherited her pragmatism.

Cathy gave Sara a disapproving look. "Did you forget to put on a bra this morning?"

Sara felt her face redden as she untied the shirt she was wearing around her waist. She slipped it on over her T-shirt, offering, "I was in the clinic. I didn't think I'd be there long enough to turn on the air."

"It's too hot to be frying," Cathy countered. "But your father wanted chicken."

Sara got the lesson on sacrificing things for your family, but answered instead, "You should have told him to go to Chick's."

"He doesn't need to eat that trash."

Sara let this go, sighing much as Billy had. She buttoned the shirt to the top, giving her mother a tight smile as she asked, "Better?"

Cathy nodded, taking a paper napkin off the counter and wiping her forehead. "It's not even noon and it's already ninety degrees out."

"I know," Sara answered, tucking a foot underneath her as she sat on the kitchen stool. She watched her mother move around the kitchen, glad for the normalcy. Cathy was wearing a linen dress with thin, vertical green stripes. Her blonde hair, which was only slightly streaked with gray, was pulled up behind her head in a loose ponytail, much the same way Sara wore hers.

Cathy blew her nose into the napkin, then threw it in the trash. "Tell me about last night," she said, returning to the stove.

Sara shrugged. "Jeffrey didn't have a choice."

"I never doubted that. I want to know how you're holding up."

Sara considered the question. The truth was, she was not holding up well at all.

Cathy seemed to sense this. She slipped a fresh piece of battered chicken into the hot oil and turned to face her daughter. "I called you last night to check in with you."

Sara stared at her mother, forcing herself not to look away. "I was at Jeffrey's."

"I figured that, but your father drove by his house just to make sure."

"Daddy did?" Sara asked, surprised. "Why?"

"We thought you would come here," Cathy answered. "When you weren't at home, that was the obvious place to check."

Sara crossed her arms. "Don't you think that's a little intrusive?"

"Not nearly as intrusive as childbirth," Cathy snapped, pointing at Sara with her fork. "Next time, call."

After almost forty years, Cathy could still make Sara feel like a child. Sara looked out the window, feeling as if she had been caught doing something wrong.

"Sara?"

Sara mumbled a quiet, "Yes, ma'am."

"I worry about you."

"I know, Mama."

"Is everything okay?"

Sara felt her color rise again, but for a different reason. "Where's Tessa?"

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