Tess Gerritsen - The Mephisto Club

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Evil exists. Evil walks the streets. And evil has spawned a diabolical new disciple in this white-knuckle thriller from New York Times bestselling author Tess Gerritsen.
PECCAVI
The Latin is scrawled in blood at the scene of a young woman's brutal murder: I HAVE SINNED. It's a chilling Christmas greeting for Boston medical examiner Maura Isles and Detective Jane Rizzoli, who swiftly link the victim to controversial celebrity psychiatrist Joyce O'Donnell – Jane's professional nemesis and member of a sinister cabal called the Mephisto Club.
On tony Beacon Hill, the club's acolytes devote themselves to the analysis of evil: Can it be explained by science? Does it have a physical presence? Do demons walk the earth? Drawing on a wealth of dark historical data and mysterious religious symbolism, the Mephisto scholars aim to prove a startling theory: that Satan himself exists among us. With the grisly appearance of a corpse on their doorstep, it's clear that someone – or something – is indeed prowling the city. Soon, the members of the club begin to fear the very subject of their study. Could this maniacal killer be one of their own – or have they inadvertently summoned an evil entity from the darkness?
Delving deep into the most baffling and unusual case of their careers, Maura and Jane embark on a terrifying journey to the very heart of evil, where they encounter a malevolent foe more dangerous than any they have ever faced… one whose work is only just beginning.
***
In this brisk, deftly plotted thriller from bestseller Gerritsen (Vanish), Boston medical examiner Maura Isles and police detective Jane Rizzoli look into the murder of 28-year-old Lori-Ann Tucker, whose body is found Christmas morning in her apartment amid an unholy mess of severed limbs, black candles and satanic symbols rendered in blood. "Peccavi," reads one word scrawled across Tucker's wall-Latin for "I have sinned." Isles and Rizzoli must sort sinner from innocent among suspects who can be found on several continents and include a group of sophisticates-scholars, an anthropologist, a psychiatrist-who are either cult members or crusaders against evil straight from the pages of Revelation. Other murders follow, all gruesome, all involving apocalyptic messages. On occasion, the action shifts to Europe, to a young woman running from a man she's convinced is descended from a race of fallen angels. Gerritsen has a knack for stretching believability just short of the breaking point-and for amassing details that produce an atmosphere in which the most terrible possibilities can and, indeed, should occur.

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“First, you tell me. What’s the significance of a seashell?”

“What kind of shell? A bivalve, a cone?”

“Does it make a difference?”

“Yes.”

Jane paused. “It’s sort of a spiral. A cone, I guess.”

“It was left at a death scene?”

“You might say that.”

“Describe the shell.”

“Look, there’s nothing special about it. The guy I spoke to says it’s a common species found all over the Mediterranean.” She paused as her cell phone rang. “Excuse me,” she said, and walked out of the room. For a moment no one said anything. The three members of the Mephisto Foundation looked at one another.

“Well,” Edwina said softly, “I’d say this just about clinches it.”

“Clinches what?” said Frost.

“The seashell,” said Oliver, “is on Anthony’s family crest.”

Sansone rose from his chair and crossed to the window. There he stood gazing out at the street, his broad back framed in black by the window. “The symbols were drawn in red ocher, mined from Cyprus,” he said. “Do you know the significance of that, Detective Frost?”

“We have no idea,” Frost admitted.

“This killer isn’t playing games with the police. He’s playing games with me. With the Mephisto Foundation.” He turned to face them, but the morning glare made his expression impossible to read. “On Christmas Eve, he kills a woman and leaves satanic symbols at the scene-the candles, the ocher circle. But the single most significant thing he does that night is place a phone call to Joyce O’Donnell, a member of our foundation. That was the tug on our sleeve. It was meant to get our attention.”

“Your attention? It seems to me this has always been about O’Donnell.”

“Then Eve Kassovitz was killed in my garden. On a night we were meeting.”

“It’s also the night O’Donnell was your dinner guest. She was the one he stalked, the one he had his eye on.”

“I would have agreed with you last night. All the signs, up till then, pointed to Joyce as the target. But these symbols on Maura’s door tell us the killer hasn’t completed his work. He’s still hunting.”

“He knows about us, Anthony,” said Edwina. “He’s cutting down our circle. Joyce was the first. The question is, who’s next?”

Sansone looked at Maura. “I’m afraid he thinks you’re one of us.”

“But I’m not,” she said. “I don’t want anything to do with your group delusion.”

“Doc?” said Jane. Maura had not heard her come back into the room. Jane was standing in the doorway, holding her cell phone. “Can you come into the kitchen? We need to talk in private.”

Maura rose and followed her up the hallway. “What is it?” she asked as they stepped into the kitchen.

“Could you arrange to take the day off tomorrow? Because you and I need to go out of town tonight. I’m going home to pack an overnight bag. I’ll be back to pick you up around noon.”

“Are you telling me I should run and hide? Just because someone’s written on my door?”

“This has nothing to do with your door. I just got a call from a cop out in upstate New York. Last night they found a woman’s body. It’s clearly a homicide.”

“Why should a murder in New York concern us?”

“She’s missing her left hand.”

TWENTY-FOUR

August 8. Phase of the moon: Last Quarter.

Every day, Teddy goes down to the lake.

In the morning, I hear the squeal and slap of the screen door, and then I hear his shoes thump down the porch steps. From my window, I watch him walk from the house and head down toward the water, fishing pole propped on his thin shoulder, tackle box in hand. It is a strange ritual, and useless, I think, because he never brings back any fruits of his labor. Every afternoon, he returns empty-handed but cheerful.

Today, I follow him.

He does not see me as he rambles through the woods toward the water. I stay far enough behind him so that he can’t hear my footsteps. He is singing anyway, in his high and childish voice, an off-key version of the “Kookaburra” song, and is oblivious to the fact he is being watched. He reaches the water’s edge, baits his hook, and throws in his line. As the minutes pass, he settles onto the grassy bank and gazes across water so calm that not even a whisper of wind ruffles the mirrored surface.

The fishing pole gives a twitch.

I move closer as Teddy reels in his catch. It is a brownish fish and it writhes on the line, every muscle twitching in mortal terror. I wait for the fatal blow, for that sacred instant in time when the divine spark flickers out. But to my surprise, Teddy grasps his catch, pulls the hook from its mouth, and gently lowers the fish back into the water. He crouches close, murmuring to it, as though in apology for having inconvenienced its morning.

“Why didn’t you keep it?” I ask.

Teddy jerks straight, startled by my voice. “Oh,” he says. “It’s you.”

“You let it go.”

“I don’t like to kill them. It’s only a bass, anyway.”

“So you throw them all back?”

“Uh-huh.” Teddy baits his hook again and casts it into the water.

“What’s the point of catching them, then?”

“It’s fun. It’s like a game between us. Me and the fish.”

I sit down beside him on the bank. Gnats buzz around our heads and Teddy waves them away. He has just turned eleven years old, but he still has a child’s perfectly smooth skin, and the golden baby fuzz on his face catches the sun’s glint. I am close enough to hear his breathing, to see the pulse throb in his slender neck. He does not seem bothered by my presence; in fact, he gives me a shy smile, as though this is a special treat, sharing the lazy morning with his older cousin.

“You want to try?” he says, offering me the pole.

I take it. But my attention remains on Teddy, on the fine sheen of perspiration on his forehead, on the shadows cast by his eyelashes.

The pole gives a tug.

“You’ve got one!”

I begin to reel it in, and the fish’s struggles make my hands sweat in anticipation. I can feel its thrashings, its desperation to live, transmitted through the pole. At last it breaks the water, its tail flapping as I swing it over the bank. I grab hold of slimy scales.

“Now take out the hook,” says Teddy. “But be careful not to hurt him.”

I look into the open tackle box and see a knife.

“He can’t breathe out of water. Hurry.” Teddy urges me.

I think about reaching for the knife, about holding the wriggling fish down against the grass and piercing it behind the gills. About slitting it open, all the way down the belly. I want to feel the fish give a last twitch, want to feel its life force leap directly into me in a bracing jolt-the same jolt I felt when I was ten years old and took the oath of Herem. When my mother at last brought me into the circle and handed me the knife. “You have reached the age,” she said. “It’s time to be one of us.” I think of the sacrificial goat’s final shudder, and I remember the pride in my mother’s eyes and the murmurs of approval from the circle of robed men. I want to feel that thrill again.

A fish will not do.

I remove the hook and drop the wriggling bass back into the lake. It gives a splash of its tail and darts away. The whisper of a breeze ruffles the water and dragonflies tremble on the reeds. I turn to Teddy.

And he says, “Why are you looking at me like that?”

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