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Lisa Scottoline: Mistaken Identity

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Lisa Scottoline Mistaken Identity

Mistaken Identity: краткое содержание, описание и аннотация

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Amazon.com Review When confronted with the most challenging and the most personal case of her legal career, Bennie Rosato-an expert on police corruption-questions everything she has learned as a criminal attorney, and everyone she considers to be family. During a visit behind the bars of Philadelphia 's Central Corrections facility, Bennie is shocked to discover that an inmate bears a striking physical resemblance to herself. The prisoner, Alice Connolly, stands accused of murdering her cop boyfriend Anthony Della Porta, and the case reeks of a police conspiracy. Connolly convinces Bennie to defend her in court. Bennie feels confused, intrigued, and even somewhat elated by this clone of herself, and dives head first into a bubbling cauldron of corruption, drugs, murder, and assault-mixed in with a thought-provoking subplot that questions the intricacies of legal ethics. Mistaken Identity is Lisa Scottoline's sixth and tastiest dish yet. The book is gripping and smart, and it brings into bloom the highly likable character of Bennie Rosato, who made her debut appearance in Legal Tender. Bennie has her vulnerable moments-we witness this when, in some emotional scenes, she doubts the authenticity of her twin. Still, Ms. Rosato is no shrinking violet, especially when it comes to exposing the questionable goings-on of Philadelphia 's Eleventh Precinct. Scottoline keeps us in a bubble of suspense-is Connolly really Bennie's twin? Did she murder Della Porta? If not, who did and why? The author neatly ties all our unanswered questions together into a perfectly formed bow, and keeps us frantically turning pages until the very end. From Publishers Weekly Double jeopardy is more than just a legal term in this taut and smart courtroom drama by Edgar Award winner Scottoline. Bennie Rosato, the irrepressible head of an all-female Philadelphia law firm, moves to center stage after playing a supporting role in the author's previous novel, Rough Justice. Bennie's client is tough, manipulative Alice Connolly, charged with murdering her police detective boyfriend, who may or may not have been a drug dealer. Complicating matters is Alice 's claim to be Bennie's identical twin sister and to have been visited by their long-lost father. Despite her wrenching emotional reaction to this revelation and her mother's deteriorating health, Bennie puts her personal and professional life on the line, immersing herself in the case. She enlists the aid of her associates, Mary DiNunzio and Judy Carrier, as well as Lou Jacobs, a cantankerous retired cop she hires as an investigator. They discover that a web of corruption may have enveloped the prosecuting attorney and judge who are now trying Alice 's case. Scottoline effectively alternates her settings between prison, law office, courtroom and the streets. Readers familiar with her previous work will enjoy the continuing evolution of the characters' relationships. Judy is still the bolder of the two associates, her experiences highlighted this time by an amusing venture into the seamy world of pro boxing. But Mary, until now a timid and reluctant lawyer ("Maybe I could get a job eating"), emerges from her shell. Scottoline falters occasionally by resorting to ethnic stereotypes, particularly in her dialogue, but generally succeeds in creating a brisk, multilayered thriller that plunges Rosato Associates into a maelstrom of legal, ethical and familial conundrums, culminating in an intricate, dramatic and intense courtroom finale. Agent, Molly Friedrich. Major ad/promo; author tour. (Mar.) FYI: Mistaken Identity is one of the six books excerpted in Diet Coke's marketing campaign.

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“Hey, Star,” said a deep voice to his left, and Star looked over. It was Leo Browning, who managed one of the older heavyweights. Browning was fat, fifty years old, and white, but he talked like a brother and wore double knuckle rings. “It’s comin’ up on Harris, man,” Browning said in his gravelly voice. Anthony always used to say that Browning sounded just like Barry White, but Star didn’t know who Barry White was. “I watched you box that boy, just now. You’re bigger, you got a longer reach, and you’re quicker. Only you got your ass whipped, man.”

“Shut the fuck up,” Star said, though he knew it was true.

“Look, I know Anthony managed your career real good. Took real good care of you. You don’t want to blow it now. You a heavyweight, man. You need a manager. You a boxer, you got to box.”

“Don’t be tellin’ me what I gotta do, asshole.”

“I know you thinkin’ that nobody can do as good by you, but that ain’t right. I can. I know your talent. I know where you want to go. I know how to get you there. The promoters, they know me. You don’t let me manage you, the promoters gonna pull you out of Harris.”

“Bullshit. Contract says I’m top of the card.”

“They find a way out of that. You got to stay strong, like nothin’ changed. It’s like when the president dies, you know, like when JFK got assassinated. You know JFK?”

Star wanted to hit this dick. He hated it when whites talked down to him. Anthony never did that. Anthony knew he was smart. Anthony showed him respect.

“When JFK, the president, got shot, they had to swear in the vice president right that day. Same fuckin’ day. You know why? They had to show the world that just ’cause a great man died, the line of power was okay. The country was in good hands.” Browning shifted closer in his fake alligator shoes. “You know, man, you’re all fucked up over Anthony. You got to get clear, man. You been in a funk for a year, mopin’ like a little baby.”

Star’s neat head snapped around. He didn’t like to be talked to that way.

“You heard me. You need somebody to tell you the truth, man, not like those yes-men you got. You upset about Anthony gettin’ whacked, you do somethin’ about it. You hear me, stop cryin’ and do somethin’. But don’t let it fuck up Harris, man. Lotta money to be made on Harris. A career to be made on Harris.”

“Fuck you!” Star shoved Browning in the chest, and the man flew off his feet and crashed backward into the lockers.

Star stood in the hot shower. Water pounded on his shoulders and coursed down the muscles of his naked body. His skin was sleek as a Thoroughbred’s, a rich, dark chestnut. Thick veins ran close to its surface and snaked down his forearms. Star stood under the water, his head thrown back, trying to keep his mind blank. Trying not to think about Anthony or the bitch who capped him. Or Browning, with the alligator shoes.

You upset about Anthony gettin’ whacked, you do somethin’ about it.

Star twisted the knob on the wall, turning up the water temperature. He let the hot water hit his shoulders. His muscles tingled. His veins opened wide as tunnels. Star imagined blood gushing through them like a red tide, rushing to the muscles. He felt bigger, stronger. Pumped.

You upset about Anthony gettin’ whacked, you do somethin’ about it.

Star squeezed his eyes shut tight and twisted the knob ’til the shower was hot as he could stand it. Then, hotter. Water scorched his biceps and blistered his chest. He opened his mouth and steaming water rushed in. His tongue was on fire. Star could take punishment, everybody said so. Blows that buckled the knees of other men, sending them to the canvas like they were prayin’ to God. But this was a blow that Star never took in the ring. This was a hurt like nothin’ he ever felt. He couldn’t make it stop and he couldn’t take it neither.

You upset about Anthony gettin’ whacked, you do somethin’ about it.

Hot water rained like flames from heaven, and suddenly Star roared. He never made no noise in his life, not in all his fights, but he kept roaring, not knowing where in him the sound came from. He heard it echo off the tile walls, turning the shitty shower into his den. He roared louder and louder until his skin burned like the sun. It made him feel strong and clear like never before. Star got tougher in the fire, like steel.

And then he knew what he had to do.

7

At home, Bennie set the envelope to the side of a makeshift plywood table and arranged the photos while Grady Wells watched. A tall, skinny North Carolinian with light, curly hair, Grady had been Bennie’s associate and was now her live-in lover. They were renovating an old rowhouse together, rebuilding the shell floor by floor, even though Grady was a business lawyer who had as little spare time as Bennie. They talked about getting married in the house if it didn’t collapse first.

“Okay, that’s everything,” Bennie said, whisking sawdust off the plywood with her hand. “You ready to examine Exhibits A, B, and C?”

“Ready,” Grady said. He leaned against the two-by-fours that would reinforce the dining room walls. His gray eyes scanned the photos from behind gold wire-rimmed glasses, and he had already changed into the white DUKE T-shirt and jeans he wore to work on the house. “You say her name’s Alice Connolly?”

“Yes. Now. The first photo, Exhibit A, you saw already. It’s the one with the airmen in front of the plane, the one I showed my mother. Exhibit B, the second photo, is of the same pilot, Bill Winslow, my father. Holding two babies about the same age.”

“The same age?” Grady leaned over the black-and-white picture and compared it with the pilots’ group photo; a young, fair-haired man in a white T-shirt and rolled-up blue jeans was sitting on a brick step, grinning. It did appear to be the same pilot and in his arms were two infants swaddled in white blankets. “I can’t tell if they’re the same age. The photo’s so grainy and the babies so tiny, I can’t see their features.”

“Me neither. They could be twins, but who knows? It’s Winslow, though.”

“How do you know for sure? You never met your father, did you?”

“No, but I think it is. Maybe he came back for this photo, I don’t know. That’s his name and his eyes are like mine. Now, this is Exhibit C.” Bennie picked up the last photo, suppressing the emotion it evoked. It was a picture of her mother and two other young girls, seated on a round stool at the type of luncheonette counter that didn’t exist anymore. Her mother’s eyes were fully made-up and her dark hair pin-curled around her ears. She had a rich mouth, vivid with lipstick, and her body curved amply in a sweater set and a slim skirt with a slit up the back. “Check this out, Grady. The hot number is my mother.”

He grinned. “She looks so pretty. How old you think she was?”

“Sixteen, seventeen. A lot younger than I am now. Isn’t that weird?” Bennie gazed at the photo. She was far too old for it to be a revelation that her mother had a life before she came along. The revelation was that she was ever healthy.

“I don’t think I’ve ever seen a photo of your mother that you haven’t taken. Let me see that.” Grady slid the photo from Bennie’s hand and flipped it over. There were tufts of torn black paper in its four corners and on the back, in a feminine script, was written, FOR BILL. “Interesting,” he said.

“That’s my mother’s handwriting. I’m supposed to believe she gave the photo to Winslow, who gave it to Connolly. Who says she’s my twin.”

“Do you believe her?” He raised a faint eyebrow.

“No, of course not. Although it’s strange that she had these pictures, especially the one of my mother.”

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