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David Baldacci: Hour Game

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David Baldacci Hour Game

Hour Game: краткое содержание, описание и аннотация

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As a series of brutal murders darkens the Wrightsburg, Virginia countryside, the killer taunts police by leaving watches on the victims set to the hour corresponding with their position on his hit list. What's more, he strives to replicate notorious murders of the past, improving on them through savage attention to detail. Sean King and Michelle Maxwell are already investigating a crime involving an aristocratic and dysfunctional Southern family, but when they're deputized to help in the serial killer hunt they realize the two cases may be connected. Adding to the tension is the appearance of a second killer, this one imitating the murders of the first. Soon, the two killers are playing a game of cat and mouse, with King and Maxwell racing to solve the intricate puzzle of their identities-before the body count escalates.

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"Third question: What made you kill Junior? At first I thought it was because you believed he'd stolen from your mother. Now I know you wouldn't have cared about that. So why?"

"There was a drawing of my brother that got busted up during the burglary."

"Your mother showed me it."

"It was a drawing of Bobby before he got really sick." Eddie paused and put his shackled hands on the wood in front of him. "I was the one who drew it. I loved that picture. And I wanted it in Mom's room so she'd always know what she did. When I saw it smashed up, I knew I'd kill whoever had done it. I thought Junior had broken it. That was his death sentence."

King suppressed a shudder at Eddie's reasoning for murder and said, "In case you're interested, this has all really hit Remmy hard, though she tries not to show it."

"She's just lucky I didn't have the guts to kill her. "

"Did you come up with the plan to impersonate famous serial killers because of Chip Bailey?"

Eddie grinned. "Old Chippy. Bragged all the time about how much smarter he was than everyone else, how much he knew about serial killers, their M.O. He claimed he could run down the smartest of them. Well, I took him up on that challenge. I think the results speak for themselves."

"If your father hadn't been murdered, what would you have done?"

"Killed him. But before I did I was going to tell him about all the people I'd killed and why. I wanted him to know what he'd done. For once in his life I wanted him to take responsibility."

"Last question. Why'd you take something from each of your victims?"

"So I could plant them at Harold Robinson's, to put the blame on him." He paused, his brow wrinkled, and he finally said in a low voice, "I guess I'm just like my old man."

King understood that this was by far the harshest sentence Eddie could have been given, and it was a self-imposed one. That was why he had asked the question.

"So what'd you come here to tell me?"

King sunk his voice low. "That you were right about Sylvia. I confronted her with it all, but I can't prove any of it, though I'll keep trying."

"Did you figure out my ‘Teet' clue?"

"Yeah."

"Found out about him when I went down to the FBI at Quantico with Chip once."

"Sylvia's moved away from Wrightsburg, probably set up a new life under another name."

"Lucky her."

"I haven't told anyone else about it, not even Michelle."

"I guess it doesn't matter."

"It does matter, Eddie, there's just nothing I can do about it right now. I have no proof. She covered her tracks really well, but I'll keep trying." King rose. "I won't be back to see you."

"I know." As Eddie started to rise, he called out, "Hey, Sean, can you tell Michelle I wouldn't have really hurt her that night? And tell her I enjoyed our dance together."

The last image King had of the man was him shuffling off surrounded by the guards. And then Eddie Battle was gone. King hoped forever.

As he was leaving the prison, King was stopped and given a package at the visitor's center. He was only told that it had been mailed here and they were to hold it for him. It was actually addressed to Michelle. He got back in the car.

"What's that?" she asked.

"It's for you. We'll stop for lunch at that diner we passed earlier, and you can open it."

It was truly a greasy spoon full of truckers, but the food was good and the coffee hot. They found a spot near the back and ate their lunch.

"Don't you want to know how he is?" asked King.

"No. Why, did he ask about me?"

King hesitated and said, "No, he never mentioned you."

Michelle swallowed her bite and chased it with some coffee.

"One thing still has me puzzled," she said.

"Really, only one thing?" King attempted a smile.

"What was in her closet safe that Remmy wanted back so badly?"

"I think they were letters from a certain gentleman acquaintance of hers."

"So she was having an affair?"

"No, this was a case of unrequited love. The gentleman in question would have it no other way with a married woman. But she wanted his letters back."

"I wonder who it could have-" She stopped, eyes huge. "Not-"

"Yes," said King quickly. "Yes. But it was a long time ago, and he did nothing to be ashamed of. He simply cared for a woman who turned out not to have deserved it."

"God, that's so sad."

He helped her rip open the package. They both sat staring at the object.

It was the painting of Michelle in the ball gown that Eddie had done.

King looked at her and then at the painting but said nothing. They paid their bill and left. Before they got in the car, Michelle threw the painting in the diner's Dumpster.

"Ready to go home?" King asked as she climbed in the driver's seat.

"Oh, yeah."

Michelle punched the gas, and they drove off in a swirl of dust.

ACKNOWLEDGMENTS

To Michelle, it's hard to believe, novel number ten and counting. I wouldn't have wanted to share the ride with anyone else.

To Rick Horgan, for helping me see the forest and the trees when I really need to.

To Maureen, Jamie and Larry, for all you do, and for being such terrific friends.

To Tina Andreadis, for being a dear friend and a major reason why the public knows who I am.

To the rest of the Warner Books crew for all your hard work and support. I know the books don't sell themselves.

To Aaron Priest, for always being there for me.

To Lucy Childs and Lisa Erbach Vance, for all that you do.

To Maria Rejt, for your thoughtful editorial comments.

To Dr. Monica Smiddy, for all your forensics wizardry. You'd make a great teacher.

To Dr. Marcella Fierro, for patiently answering all of my questions and giving me a behind-the-scenes look at the medical examiner's office in Richmond.

To Dr. Catherine Broome, for making this author seem far more knowledgeable about medical matters than I actually am.

To Bob Schule, my resident wine expert, stellar proofreader and great friend.

To Dr. Alli Guleria and her husband, Dr. Anshu Guleria, for helping me on medical matters, for allowing me to borrow your really cool cars for the story and for being such wonderful friends. Consultants are great, aren't they?

To Jennifer Steinberg, for all your excellent research. I haven't stumped you yet, but I'll keep trying.

To Lynette and Deborah, for all you do every day to keep me straight. I know it's not an easy task.

***
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