Scott Smith - The Ruins

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In 1993, Scott Smith wowed readers with A Simple Plan, his stunning debut thriller about what happens when three men find a wrecked plane and bag stuffed with over 4 million dollars-a book that Stephen King called "Simply the best suspense novel of the year!" Now, thirteen years after writing a novel that turned into a pretty great movie featuring Bill Paxton and Billy Bob Thornton, Smith is back, with The Ruins, a horror-thriller about four Americans traveling in Mexico who stumble across a nightmare in the jungle. Who better to tell readers if Smith has done it again than the undisputed King of Horror (and champion of Smith's first book)? We asked Stephen King to read The Ruins and give us his take. Check out his review below.

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Then it was his left thigh.

His right elbow.

The back of his neck.

There was blood everywhere. He could smell it-a metallic, coppery odor-and knew that he was getting weaker, moment by moment, with its loss. Part of him understood this was a disaster, that he needed to stop, needed never to have begun. But another part was aware only that the vine was inside his body, that he had to get it out, no matter what the cost. They could sew him up when they returned; they could wrap him in bandages, tie tourniquets around his limbs. The important thing was not to stop before he was through, because then all this pain would be for nothing. He had to keep cutting and slicing and probing until he was certain he'd gotten every last tendril.

The vine was in his right ear. This seemed impossible, but when he reached up and touched the lumpy mass of cartilage, he could feel it there, just beneath the skin. He wasn't thinking anymore; he was simply acting. He began to saw at the ear, keeping the knife flat against the side of his head. He'd started to moan, to cry. It wasn't the pain-though that was nearly unbearable-it was how loud it sounded, the blade tearing its way through his flesh.

Next came his left shin.

His right knee.

He was peeling the skin back from his lower rib cage when Mathias reappeared in the clearing. Time had started to move in a strange manner, both very slow and very fast at once. Mathias was yelling, but Eric couldn't grasp what he was saying. He wanted to explain what he was doing to the German, wanted to show him the logic of his actions, yet he knew that it was impossible, that it would take too long, that Mathias would never understand. He had to hurry-that was the thing-he had to get it out of him before he lost consciousness, and he could sense that this terminus was fast approaching.

Then Stacy was in the clearing, too. She said something, called his name, but he hardly heard. He had to keep cutting-that was what mattered-and it was as he was bending to do this that Mathias rushed toward him, reaching for the knife.

Eric heard Stacy shout, "No!"

He was shaky-he didn't feel entirely in control of his body-he was reacting by reflex. All he intended to do was fend Mathias off, push him away, clear enough space to finish what he'd begun. But when he threw out his hands to do this, one of them was still holding the knife. It came as a shock, how easily the blade punched into the German's chest, slipping between two of his ribs, just to the right of his sternum, sticking there.

Mathias's legs gave out on him. He fell backward, away from Eric, and the knife went with him.

Stacy started to scream.

"Warum?" Mathias said, staring up at Eric. " Warum ?"

Eric could hear blood in Mathias's voice, could see it spreading across his shirt. The knife's handle was moving back and forth, jerking, metronomelike. This was from Mathias's heart, Eric knew. He'd shoved the knife straight into it.

Mathias tried to rise. He managed to sit up, leaning back on one hand, but it was obvious that this was as far as he was ever going to get.

"Warum?" he said again.

Then the vines were in motion once more, snaking quickly into the clearing, grabbing at the German, coiling around his body. Stacy jumped forward. She struggled to free him-she did her best-but there were far too many of them.

Eric could feel himself fading. He had to sit, and he did so clumsily, half-falling, dropping into a large puddle of blood-his own and Mathias's. It was absurd, but he still wanted the knife, would've crawled forward and pulled it from the German's chest if only he'd had the strength. He watched it jerk back and forth, back and forth, back and forth.

More and more tendrils kept coming. Stacy was yanking at them, sobbing now.

Soon they'd be reaching for him, too, Eric knew.

He shut his eyes, only for an instant, but it was long enough. By the time he opened them again, the knife had ceased its fretful twitching.

Stacy sat with Eric, his head resting on her lap. The vine had claimed Mathias's corpse, dragging it away. She could still see his right shoe protruding from the mass of green, but otherwise he lay completely covered. The tendrils were quiet, motionless, just the occasional soft rustling as they worked to consume his body.

Stacy couldn't understand why the vine wasn't slithering forth to capture Eric, too. She wouldn't be able to defend him-just as she hadn't been able to defend Mathias-and she was certain the plant must know this. But all it sent out was a single long tendril, which sucked noisily at the immense puddle of blood that surrounded them, slowly draining it.

It left Eric be.

Not that there was any doubt as to where this would end: Stacy could see he was dying. At first, it seemed as if it might be over in a matter of minutes. Blood was seeping and dripping and running in thin strings off him, pooling in the hollows around his clavicles, welling upward from his deeper wounds. There was a strong smell coming off him, vaguely metallic, which, for some reason, reminded Stacy of collecting coins as a child, polishing pennies, sorting them by date.

She stroked his head, and he moaned. "I'm right here," she said. "I'm right here."

He startled her by opening his eyes: he peered up at her, looking scared. When he tried to speak, it came out as a whisper, very hoarse, too soft to hear.

She leaned close. "What?"

Once more, there was that faint whisper. It sounded as if he were saying someone's name.

"Billy?" she asked.

He closed his eyes, dragged them open again.

"Who's Billy, Eric?"

She saw him swallow, and it looked painful. Breathing looked painful, too. Everything did.

"I don't know a Billy."

He gave a slow shake of his head. He was concentrating, she could tell, working to articulate the words. "Kill…me," he said.

Stacy stared down at him. No , she was thinking. No , no, no. She was willing his eyes to drift shut again, willing him to slip back into unconsciousness.

"It…hurts…"

She nodded. "I know. But-"

"Please…"

"Eric-"

"Please…"

Stacy was starting to cry now. This was why the vine had left him untouched, she realized: it was to torment her with his passing. "You'll be okay. I promise. You just have to rest."

Somehow, Eric managed a crooked smile. He reached, found her hand, squeezed. "Beg…ging…you."

That was too much for Stacy; it knocked her into silence.

"The…knife…"

She shook her head. "No, sweetie. Shh."

"Beg…ging…" he said. "Beg…ging…"

He wasn't going to stop, she could tell. He was going to lie there with his head in her lap, bleeding, suffering, beseeching her assistance, while the sun continued its slow climb above them. If she wanted this to end-his bleeding, his suffering, his beseeching-she would have to be the one to do it.

"Beg…ging…"

Stacy carefully shifted his head aside, stood up. I'll get it for him, she was thinking. I'll let him do it. She moved to the edge of the clearing, stepped into the vine; she crouched beside Mathias's body, parted the tendrils. The plant had already stripped the flesh from his right arm, all the way to his shoulder. His face was untouched, though, his eyes open, staring at her. Stacy had to resist the urge to push them shut. The knife was still protruding from his chest. She grasped it, tugged, and it slipped free. She carried it back to Eric.

"Here," she said. She put it in his right hand, closed his fingers over it.

He gave her that lopsided smile again, that slow shake of his head. "Too…weak," he whispered.

"Why don't you rest, then? Just shut your eyes and-"

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