Lawrence Block - Everybody Dies

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Matthew Scudder is finally leading a comfortable life. He's sober, he's married, and the state just gave him a private investigator's license. He's growing older, and he's even getting respectable. Then Scudder signs on to help his closest and most unlikely friend, the larger-than-life Hell's Kitchen hoodlum Mick Ballou. And all hell breaks loose. Scudder finds out he's not so respectable after all. He learns the spruced-up sidewalks of New York are as mean as they ever were, dark and gritty and stained with blood. And he discovers he's living in a world where the past is a minefield, the present is a war zone, and the future's an open question.

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"It's so you'll have your hands free," I said, "although I'm not sure that's an advantage. And put it in back, not in front, so that it doesn't spoil the lines of your shirt."

"Already planning on it," he said.

When he was out of earshot, I said, "I've been thinking about your list, Danny Boy."

"Just so you stay off it."

"How's your health?"

He gave me a look. "What did you hear?"

"Not a thing."

"Then what's the matter? Don't I look good?"

"You look fine. The question is Elaine's, as a matter of fact. It was her first reaction when I told her about your little list."

"She was always a perceptive woman," he said. "She's the real detective in the family, you know."

"I know."

"Well," he said, and folded his hands on the table. "I had this little operation."

"Oh?"

"Colon cancer," he said, "and they got it all. Caught it early and got it all."

"That's good news."

"It is," he agreed. "The surgery got it before it could spread, and they wanted to do chemo afterward just in case, and I let them. I mean, who's gonna roll the dice on that one, right?"

"Right."

"But it was the kind of chemo where you get to keep your hair, so it wasn't all that bad. The worst part was the colostomy bag, but there was a second operation to reattach the colon- Jesus, you don't want to hear this, do you?"

"No, go on."

"That's it, really. I felt a lot better about life after the second operation. A colostomy bag puts a crimp in a man's love life. There may be girls who are turned on by that sort of thing, but I hope I never meet one."

"I never heard a word, Danny Boy."

"Nobody did."

"You didn't want visitors?"

"Or cards in the mail, or phone calls, or any of that shit. Funny, because information's my life, but I wanted a lid on this. I trust you'll keep it quiet. You'll tell Elaine but that's all."

"Absolutely."

"There's always a chance of a recurrence," he said, "but they assure me it's slim. No reason I can't live to be a hundred. 'You'll die on someone else's specialty,' the doc tells me. I thought it was a nice way to put it." He poured himself some more vodka and left the glass on the table in front of him. "But it gets your attention," he said.

"It must."

"It does. That's when I started making the list. I knew all along that nobody lives forever, but I guess I didn't quite believe that it applied to me. And then I did."

"So you started writing down names."

"I suppose every name I put down was one more person I'd outlasted. I don't know what I thought that would prove. No matter how long your list gets, sooner or later you get to be the final entry on it."

"If I made a list," I said, "it'd be a long one."

"They all keep getting longer," he said, "until they don't. Here comes TJ, so we'll talk about something else. He's a good boy. Keep his name off the list, will you? And your own, too."

The rain had quit, at least for the time being. There were cabs cruising on Amsterdam and I hailed one. "Waste of time," TJ said. "He ain't about to go to Brooklyn."

I told the driver Ninth and Fifty-seventh. TJ said, "Why we goin' there, Claire?"

"Because I don't happen to have two grand on me," I said, "and Chilton Purvis might want a look at it."

"'Show me the money!' Mean to say we actually gonna pay him that much?"

"We're going to say so."

"Oh," he said, and thought it over. "You keep that kind of money 'round your house? I'da knowed that, I'da stuck you up."

We got out of the cab on the northeast corner and walked to the hotel entrance. "Let's go up for a minute," I said. "I want to use the phone to make sure I haven't got cops in the living room. And you can get that envelope for me. I'll leave it across the street."

Upstairs in his room he said, "If you was all along meanin' to leave the envelope at your house, why'd I have to stick it up under my shirt?"

"To make sure you wouldn't leave it in the cab."

"You wanted to talk private with Danny Boy."

"Go to the head of the class."

"I been at the head of the class all along, so ain't no need for me to go there. Wha'd you an' him talk about?"

"If I'd wanted to share it with you," I said, "I wouldn't have sent you to the men's room."

I called across the street, and talked to the machine until Elaine picked up and said the coast was clear. TJ and I went downstairs, and he waited at the hotel entrance while I crossed the street and entered the Parc Vendôme lobby. I went upstairs, got twenty hundred-dollar bills from our emergency stash, and told Elaine not to wait up.

Three cabbies in a row passed up the added incentive of a twenty-dollar tip for a ride to Brooklyn. There's a regulation, they have to take you anywhere in the five boroughs, but what are you going to do if they won't?

"That dude just now," TJ said. "He was tempted. He wouldn't do it for twenty, but he'da done it for fifty."

"The city'll do it for a buck and a half each," I said, and we walked over to Eighth and caught the subway.

There may have been a closer subway stop than the one where we got off. We wound up walking eight or ten blocks on East New York Avenue. It wasn't the best neighborhood in town, nor was this the best time to be in it- well after midnight when we left the subway station, and close to one by the time we found Tapscott Avenue.

Number 117 was a brick-and-frame house three stories tall. The siding salesman had evidently missed this part of town, and his efforts might have helped. As it was, the structure and the ones on either side of it looked abandoned, the ground-floor windows covered with plywood, some of the other windows broken, and a sour air of neglect that hovered like fog.

"Nice," TJ said.

The front door was open, the lock missing. The hall lights were out, but it wasn't pitch black inside. A little light filtered in from the street. I could see from the buzzers and mailboxes that there were two apartments on each of the three floors. Third-floor rear shouldn't be all that hard to find.

We gave our eyes time to get accustomed to the dim light, then found the stairs and climbed the two flights. The building may have been abandoned but that didn't mean it was empty. Light seeped from under the front and rear doors on the second floor, and someone had either cooked an Italian meal or ordered in a pizza. The smell was there, along with the smells of mice and urine. There was also what I took at first for conversation, but then they cut to a commercial and I realized it was a radio or TV set.

There was more light on the top floor. The front apartment was dark and silent, but the door of the rear apartment was ajar, and light poured through the inch-wide gap. There was music playing at low volume, too, something with an insistent beat.

"Reggae," TJ murmured. "He supposed to be from the islands?"

I approached the door, listened, and heard nothing but the music. I weighed my options, then knocked on the door. No answer. I knocked again, a little louder.

"Yes, come on in," a man said. "You can see it is open."

I pushed the door open and walked in, TJ right behind me. A slender dark-skinned man rose to his feet from a broken-down easy chair. He had an egg-shaped head topped with short hair and a button nose over a pencil-line mustache. He was wearing a Georgetown University sweatshirt and powder-blue double-pleated slacks.

"I fell asleep," he explained, "listening to the music. Who the hell are you? What are you doing in my house?"

He came across as more curious than outraged. The accent may have had something to do with it. He would have sounded West Indian even without the background music.

I said, "If you're Chilton Purvis, then I'm the man you've been hoping to see."

"Tell me more," he said. "And tell me who is your darker companion. Can he be your shadow?"

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