Kay Hooper - The Wizard Of Seattle

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In 1984, 16-year-old Serena Smyth appeared on the doorstep of wizard Richard Merlin in Seattle demanding that he take her on as an apprentice. The body of this silly novel picks up nine years later, when Serena and Richard are secretly attracted to each other but still keeping up the pretense of being uncle and niece for the benefit of the "powerless" world. Serena's high jinks prompt a local reporter to write an article about them questioning their relationship, which in turn brings them to the attention of the Council of Elders-a ruling group of wizards. It seems Richard has ignored an age-old law stating that no women be trained to use magic. Richard and Serena then travel far back in time to Atlantis in order to find out why this rule was created and to rectify the situation. There they find male and female wizards living in separate communities, with mutual mistrust and hatred. Common sense says that powerful Richard could fix this ancient war of the sexes with a flick of his impressive staff, so Hooper (The Matchmaker) must continually work at creating suspense through arcane regulations, i.e., time travel is too risky to be attempted more than once.

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The handgrip, about halfway down the staff, was made of brushed gold; immediately above and below the grip was a heavy ridge of large rubies encircling the staff, the stones a brilliant scarlet. Below the handgrip, the staff began to narrow, finishing almost at a point. Along the lower section were three inlaid bands of gold, each set with several radiant sapphires.

Serena understood the significance of the various stones. The crystal was the most obvious; from ancient times it had been used by wizards, seers, and other beings of power to divine the future. Diamonds were known as the "king-gems" and symbolized fearlessness and invincibility, as well as conferring superior strength, fortitude, and courage on one who possessed them. Rubies symbolized command, nobility, and lordship, as well as vengeance. Sapphires, particularly blue ones, represented wisdom, high and magnanimous thoughts, and vigilance.

Gold, in the society of wizards, denoted absolute truth-and absolute power.

Tearing her eyes away from the incredibly beautiful staff, Serena looked across the room at Merlin and almost whispered, "What is it?"

For a moment he didn't move or answer, merely looking back at her with a slight frown and narrowed eyes. But then he left the open doorway and came to the desk, halting to the left of Serena so that no more than a foot of space separated them.

He wasn't looking at her now, but at the staff. With his left hand he lifted it from its box, holding it horizontally, then turning his wrist so that the staff came upright, the crystal at the top gleaming and every gem catching the light and reflecting it in white, red, and blue fire. The gold handgrip fit his hand perfectly.

"The staff of a Master wizard," Merlin said slowly. "Made by his hand, without power. The stones have to be gathered from all over the world, and the gold has to be mined. Everything borrowed from the earth, from the wood of the staff to the crystal crowning it."

Serena turned her head to stare up at him. "You made it? Without any of your powers?"

He met her gaze, his own grave. "With my powers, it would have been easy. But the final step from Advanced wizard to Master is the learning of a very simple lesson. Nothing should be too easy, Serena. We can never forget that we were meant to work at life."

Gazing into his black eyes, she felt… caught. Had they been this close before? Yes, when they danced. But dances were public, and this felt very, very private.

"If you made it without power," she managed to say, "then why can I feel power emanating from it?"

"What you feel is my power." He spoke as quietly as she had, his low voice a little husky. "The staff is a conduit, channeling and focusing energies. In ancient times, it was used like a wand to direct the current of a wizard's energy in a specific direction; now it's more a symbol. But a Master's staff always absorbs and holds a part of his power. A part of himself."

From the corner of her eye, Serena caught movement and realized that he was returning the staff to its box, but she couldn't take her eyes off his face. She had the curious idea that she had never looked at him before.

Merlin half turned toward her and lifted one hand as if to touch her. But then his face changed subtly and he was moving away from her, around to the other side of the desk. Serena was left feeling bereft, struggling silently against the urge to reach out to him or say his name-anything to recapture that instant of closeness.

But she knew it was gone, gone because he had pushed it away. Gone because there were boundaries they weren't supposed to cross, that was what he'd said.

Serena drew a breath. "Do you want me to put the box back on the shelf?"

"No, leave it." He was opening one of several books on the big desk, frowning down at it. "We'll need the copy of Gray's Spells and Incantations . Could you get it, please?"

"Yes, of course." She left the study without another word. Obviously he wanted to be alone for a couple of minutes, she decided. Not a bad idea; she could use a little time to pull herself together.

When she'd gone, Merlin looked after her for a moment and then turned his gaze to the staff in its box. The lid of the box closed silently when he directed it to, and it returned to the shelf where Serena had found it.

He sat down in the chair behind the desk and drew a deep breath. This time the tightness in his chest didn't ease at all. Once again Serena had jarred him with an unprecedented ability. Only a Master wizard could open the box containing his staff, and her ability to open his had caught him completely off guard despite his invitation for her to do it.

What else could she do? Three times now she had gotten closer to him than anyone ever had, twice inside his very consciousness and now this.

The urge to protect himself was almost overwhelming, and his struggle to master that instinctive alarm was a fierce inner battle. In the end all he could do was reach a truce with the primitive emotions Serena had awakened inside him-a momentary peace, but no resolution.

It was enough, he thought as he heard Serena's light step on the stairs. It would have to be enough.

"It doesn't look like a gate," Serena said, contemplating one corner of Merlin's study.

The corner did indeed look quite innocent on this Friday morning, with nothing to mark its importance except for a very slight shimmer in the air-like heat radiating off pavement on a summer's day-which seemed to hold the shape of an arch.

"Why that corner?" she asked. "I mean, why not one of the other corners?"

Merlin leaned back against his desk, one hand resting lightly on the box containing his staff, and shook his head. "We're about to journey back in time to a lost continent-a lost world -and you're worried about why I chose a particular corner among four of them in which to build the gate?"

Serena sighed. "Okay, so I'm nervous. I've never traveled through time before. What do I expect?"

"It won't be like stepping through a doorway," he told her. "There will be a period of… unusual sensation. Darkness probably, and sounds."

She didn't have the nerve to question him for more specifics. "Oh."

Merlin smiled slightly, but went on in the same matter-of-fact tone. "I've set the gate to help us blend into our surroundings once we reach Atlantis. We'll hear the people there speak in English, and they'll hear us respond to them in their own language; that way, if the language is completely unfamiliar to us, we won't be at a disadvantage. And our clothing will be whatever is suitable."

Serena looked down at her sweater and jeans. "Suitable? What if they're nudists?"

"Then we'll be naked."

She wasn't particularly shy, but found that idea appalling. "I hope you aren't serious."

Still smiling faintly, Merlin said, "Serena, communal nudity isn't at all likely. In feet, you'll no doubt think they wear far too many clothes-especially since you'll presumably be in some kind of skirt."

She winced. "Great. Something guaranteed to get in my way for sure. Can't I keep my jeans and call it a new style?"

"No."

She watched him pick up the box containing his staff and tuck it underneath one arm, and felt a wave of panic. They were going. They were really going, right now. "Um… are you sure I'm ready for this?"

"Certain. Your mask of powerlessness is perfect, Serena. No wizard we encounter will be able to sense anything else."

"Maybe, but I could always use another lesson. For instance, I'm not quite sure-"

"Serena."

She looked at him, then drew a breath. "All right. I'm as ready as I'll ever be, I guess."

He held out his free hand to her, and when she took it, twined their fingers together securely. "Hold on," he instructed.

That was something Serena didn't need to be told. She wasn't about to let go of him. The reality of what they were about to do had hit her only last night when she was supposed to be resting for the trip, and now only her trust in Merlin enabled her to walk to the gate beside him.

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