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Lisa Gardner: Alone

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Lisa Gardner Alone

Alone: краткое содержание, описание и аннотация

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NYPD sharp-shooter Bobby is called to a domestic incident. It's an address the police have visited before – a volatile husband and wife who routinely battle out their marriage. But this time it's different. Through his sights from the building opposite, Bobby can see the husband pointing a gun at his wife and child. As the husband moves to shoot his wife, Bobby gets a clear shot and shoots the man in the head. The wife, shaking and terrified, turns to face Bobby through the shattered window and mouths the words 'thank you'. Then all hell breaks loose. The man Bobby has shot is the son of one the city's most important judges. His wife, Catherine, has long been suspected of abusing their son. It seems Bobby has just killed the only man who could have protected the child. Meanwhile, Mr Bosu is back on the streets. A man who committed a crime so heinous, he was sentenced to life in prison at the tender age of twenty-two. A man so seriously committed to death and destruction, he found a way to continue to commit murder, even while behind bars. A man so feared, his fellow prisoners consider him a sort of inmate bogeyman. Now he's been "accidentally" released. In the past, Mr. Bosu has preyed on children. Now, as a freshly released felon, he's trying something new – murder for hire. He figures he's good at killing, and he always needs money, so why not combine the two interests? He's smart, he's unbelievably strong, and after spending twenty-five years locked behind bars, he possesses just a little bit of rage… Bobby, Catherine, Mr Bosu – all three tied together in a devil's pact, in a way they can't imagine…

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Again, Bobby searched for signs of the wife and child, and again came up empty. Somewhere in that room, though, or the man would be moving. Bobby wished he could see the man's face.

With nothing immediately happening, Bobby returned to diagramming the building for his team. Following protocol, he labeled each side of the brownstone with a letter, A,, C, or D. Given that the brownstone had adjoining units on both sides and the back, that left only the front, which he labeled A. Then he numbered each level of the townhouse, one through five, plus basement. Finally, he recorded each opening of side A, describing whether it was a window or door, giving its approximate size and numbering it left to right starting with the number one.

This yielded a uniformed chart for everyone to follow. The man was standing in front of French doors, side A, level four, opening three, or in quick shorthand when things got hopping, lone male A-four-three. No sorting through whose left or whose right. In three quick coordinates, boom, you got the job done.

The diagram completed, Bobby did his own personal check, things he'd learned from years on the job. Any sign of advanced preparation in the home? Doors barricaded, slats of wood nailed across windows? Any sign of someone trying to hide misdeeds? Blinds pulled, or furniture blocking the view, etc.? Advanced preparation was a warning sign. So were shots fired out the window or open threats of violence.

So far, everything remained quiet. No one was visible in the entire building except a lone male subject, standing four feet inside French doors, A-four-three.

Bobby took the binoculars away from his eyes and returned to viewing the room through the scope of his rifle.

With the sliders cracked he was getting a cold breeze, chilling his face and stiffening his fingers. When a spotter showed up, he'd have the guy close the sliders, but sit close enough to crack them again at a moment's notice. For now, he was okay, though. His breathing was steady, his muscles relaxed. He was finding that zone. Calm but prepared. Alert but relaxed. Aim small, miss small. He wasn't even really thinking about the card table anymore, or the cold November wind, or the fact that Mr. Harlow still lingered in the doorway behind him, eager for some kind of show.

Soon, the hostage negotiator would arrive, get the subject on the phone, and try to work out a peaceful resolution. If no one was hurt yet, the negotiator would probably convince the man to quit now, while the worst he would suffer was a little embarrassment. If the family was injured, or worse, dead, then things would get trickier. But the crisis management team was good. Just last year, Bobby had watched the lead negotiator, Al Hanson, convince three escaped felons to surrender peacefully, when all three criminals were facing life in prison and had nothing to lose by shooting it out.

Afterwards, Bobby's LT had gone up to each prisoner, clapped them on the shoulder, and thanked them sincerely for giving up.

These situations always started with so much adrenaline, testosterone, and generally nutty hype. Then Bobby's team showed up and worked on toning it all back down. No reason for rash action. No need for violence. Let's just go through the paces, my man, and it'll all work out fine.

Movement. Across the street, the suspect suddenly twisted, walking to the right in an agitated fashion. Bobby finally caught a glimpse of a handgun.

"White male subject, moving in front of French doors, A-four-three. I see what appears to be a nine-millimeter handgun in right hand. White female," Bobby declared suddenly, voice slightly triumphant.

"Long black hair, dark red top, appears to be kneeling or sitting behind bed, fifteen feet inside French doors, A-four-three. White child, dark hair, pressed against the female. Small, maybe two or three years of age."

Lieutenant Jachrimo's voice came over the receiver.

"Is the woman or child moving? Any sign of injuries?"

Bobby frowned. Harder to tell. The man cut in front of his view again, pacing rapidly now, right hand waving his gun. Bobby zeroed in on the man's weapon, seeking more details. Tough, with the man moving. Bobby zoomed back out, trying to get a sense of the lone male subject instead, how he held the nine-millimeter, how he moved around the room. An experienced gun handler? An agitated amateur? Also hard to determine.

The man shifted right and now Bobby could tell that the woman was yelling something. She had the child-a boy, maybe?-held tight against her, his face turned into her chest, her hands covering his ears.

Things were happening. Sudden, fast. Bobby couldn't tell what had sparked the commotion, but now the man was screaming. Through the scope Bobby could see the spittle flying from the man's lips, muscles cording on his neck. It was surreal: to watch such explosive rage and never hear a sound.

The woman stood up, child still clutched against her chest. Now she'd stopped yelling, seeming to have reached some sort of conclusion. The man screamed violently; she simply stared at him.

Abruptly, the man leveled his gun at the woman's head. He held out his left hand, as if motioning for the child.

"Male subject drawing down on female," Bobby heard himself report.

"Male subject pointing a handgun. The man still had his gun aimed at the woman's head, but was now rounding the bed, fast, furious. She didn't say a word, didn't budge a step. Then the man was right there, yelling ferociously and, with his left hand, tugging at the child.

The boy peeled away from his mother's chest. Bobby had a sudden, fleeting glimpse of a small, pale face with dark, wild eyes. The kid was scared out of his mind.

"Male subject has child. Male subject is shoving child across the room."

Away from his mother. Away from whatever was about to happen next.

Bobby was in the now, part of the moment, but outside the moment. He worked the scope, minor adjustments as natural to him as taking a breath. Shifting slightly left, inducing a fraction of lead as the male subject pushed his son to the end of the bed, then stepped back toward his wife.

The child disappeared into the gauze of floating white fabric. Now it was just the man and woman, husband and wife. Jimmy Gagnon was no longer screaming, but his chest jerked up and down, breathing hard.

The woman finally spoke. Her lips were easy to follow in the magnified world of Bobby's Leupold scope.

"What now, Jimmy? What's left?"

Jimmy suddenly smiled, and in that smile, Bobby knew exactly what was going to happen next.

Jimmy Gagnon's finger tightened on the trigger. And from fifty yards away, in the darkened bedroom of a neighbor's townhouse, Bobby Dodge blew him away. Panting. breathing hard. Feeling an unbearable tightness suddenly burst, then deflate his chest. Bobby pulled his finger away from the trigger, jerking back the way a man might release a live rattler. His eye remained on the scope, however. He saw the woman rush to the end of the bed and scoop up the child, saw her turn the boy's head away from the spray of his father's body.

For a moment, mother and son stood entwined, one unit of curving arms and legs, the side of her cheek pressed against the top of his head. Then the woman's head came up. She gazed across the street. She peered into her neighbor's home. She looked straight at Bobby Dodge and he felt a tingle he couldn't explain.

"Thank you," the woman mouthed.

Bobby stood up from the table, realizing for the first time that he was breathing very hard and his face was covered in sweat.

"Holy crap," Mr. Harlow said from the doorway.

Then the rest of the world finally came into focus. Footsteps pounding. Sirens blaring. Men coming. Some for her, some for him.

Bobby tucked his hands behind his back, planted his feet, and waited as he was trained. He had done his job. He had taken a life to save a life.

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