Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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But now it was time to end this.

Jack’s autopsy.

Some would say that the autopsy, when she read and understood it, was what sent Grace’s world off kilter again. But that really wasn’t it. The autopsy was merely independent confirmation of what she already knew. Jack had been her husband. She had loved him. They had been together for thirteen years. They had two children together. And while he had clearly kept secrets, there were some things a man cannot hide.

Some things must truly remain on the surface.

So Grace knew.

She knew his body. She knew his skin. She knew every muscle on his back. So she really did not need the autopsy. She did not need to see the results of the full-exterior examination to tell her what she already knew.

Jack had no major scars.

And that meant that – despite what Jimmy had said, despite what Gordon MacKenzie had told Wade Larue – Jack had never been shot.

***

First Grace visited the Photomat and found Fuzz Pellet Josh. Then she drove back down to Bedminster, to the condominium development where Shane Alworth’s mother resided. After that, she plowed through the legal work on Jack’s family trust. Grace knew a lawyer from Livingston who now worked as a sports agent in Manhattan. He set up plenty of trusts for his wealthy athletes. He went through the paperwork and explained enough for her to understand.

And then, when she had all the facts pretty much down, she visited Sandra Koval, her dear sister-in-law, at the offices of Burton and Crimstein in New York City.

***

Sandra Koval did not meet her in the reception area this time. Grace was inspecting the photo gallery, stopping again at the shot of the wrestler, Little Pocahontas, when a peasant-bloused woman told her to come this way. She led Grace down the corridor and into the exact same conference room where she and Sandra had first talked a lifetime ago.

“Ms. Koval will be with you shortly.”

“Great.”

She left her alone. The room was set up exactly the same as last time, except now there was a yellow legal pad and a Bic pen in front of each seat. Grace did not want to sit. She did her own version of a pace, more a limp-pace, and ran it over in her head again. Her cell phone buzzed. She spoke briefly and then snapped it off. She kept it close. Just in case.

“Hi, Grace.”

Sandra Koval swept into the room like a turbulent weather front. She headed straight for the little refrigerator, opened it and peered inside.

“Can I get you something to drink?”

“No.”

With her head still in the mini-fridge, she asked, “How are the children?”

Grace did not reply. Sandra Koval dug out a Perrier. She twisted the top off and sat.

“So what’s up?”

Should she test the temperature with her toe or just jump in? Grace chose the latter. “You didn’t take on Wade Larue as a client because of me,” she began without preamble. “You took him on because you wanted to stay close to him.”

Sandra Koval poured the Perrier into a glass. “That might – hypothetically – be true.”

“Hypothetically?”

“Yes. I may, in a hypothetical world, have represented Wade Larue to protect a certain family member. But if I had, I would have still made sure that I represented my client to the best of my ability.”

“Two birds with one stone?”

“Perhaps.”

“And the certain family member. That would be your brother?”

“It would be possible.”

“Possible,” Grace said. “But that wasn’t what happened here. You weren’t out to protect your brother.”

Their eyes met.

“I know,” Grace said.

“Oh?” Sandra took a sip. “Then why don’t you clue me in.”

“You were, what, twenty-seven years old? Fresh out of law school and working as a criminal lawyer?”

“Yes.”

“You were married. Your daughter was two years old. You were on your way to a promising career. And then your brother messed it all up for you. You were there that night, Sandra. At the Boston Garden. You were the other woman backstage, not Geri Duncan.”

“I see,” she said without a trace of worry. “And you know this how?”

“Jimmy X said one woman was a redhead – that’s Sheila Lambert – and the other, the one who was egging him on, had dark hair. Geri Duncan was a blonde. You, Sandra, had dark hair.”

She laughed. “And that’s supposed to be proof of something?”

“No, not in and of itself. I’m not even sure it’s relevant. Geri Duncan was probably there too. She might have been the one who distracted Gordon MacKenzie so you three could sneak backstage.”

Sandra Koval gave her a vague wave of the hand. “Go on, this is interesting.”

“Shall I just get to the heart of the matter?”

“Please do.”

“According to both Jimmy X and Gordon MacKenzie, your brother was shot that night.”

“He was,” Sandra said. “He was in the hospital for three weeks.”

“Which hospital?”

There was no hesitation, no eye twitch, no give at all. “Mass General.”

Grace shook her head.

Sandra made a face. “Are you telling me you checked every hospital in the Boston area?”

“No need,” Grace said. “There was no scar.”

Silence.

“You see, the bullet wound would have left a scar, Sandra. It’s simple logic. Your brother was shot. My husband had no scar. There’s only one way that can be so.” Grace put her hands on the table. They were quaking.

“I was never married to your brother.”

Sandra Koval said nothing.

“Your brother, John Lawson, was shot that day. You and Sheila Lambert helped drag him out during the melee. But his wounds were lethal. At least I hope they were, because the alternative is that you killed him.”

“And why would I do that?”

“Because if you took him to a hospital, they would have to report the shooting. If you showed up with a dead body – or even if you just dumped him on the street – someone would investigate and realize where and how he was shot. You, the promising lawyer, were terrified. I bet Sheila Lambert was too. The world went crazy when this happened. The Boston DA – hell, Carl Vespa – was on television demanding blood. So were all the families. If you got caught up in that, you’d be arrested or worse.”

Sandra Koval stayed quiet.

“Did you call your father? Did you ask him what to do? Did you contact one of your old criminal clients to help you? Or did you just get rid of the body on your own?”

She chuckled. “You have some imagination, Grace. Can I ask you something now?”

“Sure.”

“If John Lawson died fifteen years ago, who did you marry?”

“I married Jack Lawson,” Grace said. “Who used to be known as Shane Alworth.”

Eric Wu hadn’t held two men in the basement, Grace now realized. Just one. One who had sacrificed himself to save her. One who probably knew that he was going to die and wanted to scratch out some last truth in the only way left to him.

Sandra Koval almost smiled. “That’s a hell of a theory.”

“One that will be easy to prove.”

She leaned back and folded her arms. “I don’t understand something about your scenario. Why didn’t I just hide my brother’s body and pretend he ran away?”

“Too many people would ask questions,” Grace said.

“But that’s what happened to Shane Alworth and Sheila Lambert. They just disappeared.”

“True enough,” Grace admitted. “And maybe the answer has to do with your family trust.”

That made Sandra’s face freeze. “The trust?”

“I found the papers on the trust in Jack’s desk. I took them to a friend who’s a lawyer. It seems your grandfather set up six trusts. He had two children and four grandchildren. Forget the money for a second. Let’s talk about voting power. All of you got equal voting shares, divided six ways, with your father getting the extra four percent. That way your side of the family kept control of the business, fifty-two percent to forty-eight. But-and I’m not good with this stuff so bear with me-Grandpa wanted to keep it all in the family. If any of you died before the age of twenty-five, the voting power would be divided equally among the five survivors. If your brother died the night of the concert, for example, that would mean that your side of the family, you and your father, would no longer hold a majority position.”

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