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Harlan Coben: Just One Look

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Harlan Coben Just One Look

Just One Look: краткое содержание, описание и аннотация

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From Publishers Weekly Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping. From Booklist If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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“Mom?”

She turned. “What’s up, Max?”

“Can I have a granola bar?”

“Let’s grab one for the car,” she said, rising. “We need to take a ride.”

***

Fuzz Pellet was not at the Photomat.

Max checked out the various themed picture frames-“Happy Birthday,” “We Love You, Mom,” that kind of thing. The man behind the counter, resplendent in a polyester tie, pocket protector, and short-sleeve dress shirt flimsy enough to see the V-neck tee beneath it, wore a name tag that informed one and all that he, Bruce, was an assistant manager.

“May I help you?”

“I’m looking for the young man who was here a couple of hours ago,” Grace said.

“Josh is gone for the day. Something I can do for you?”

“I picked up a roll of film a little before three o’clock…”

“Yes?”

Grace had no idea how to put this. “There was a photo in there that shouldn’t have been.”

“I’m not sure I understand.”

“One of the pictures. I didn’t take it.”

He gestured toward Max. “I see you have young children.”

“Excuse me?”

Assistant Manager Bruce pushed his glasses up off the end of his nose. “I was just pointing out that you have young children. Or at least, one young child.”

“What does that have to do with anything?”

“Sometimes a child picks up the camera. When the parent isn’t looking. They snap a picture or two. Then they put the camera back.”

“No, it’s not that. This picture had nothing to do with us.”

“I see. Well, I’m sorry for the inconvenience. Did you get all the photos you took?”

“I think so.”

“None were missing?”

“I really didn’t check that closely, but I think we got them all.”

He opened a drawer. “Here. This is a coupon. Your next roll will be developed for free. Three by fives. If you want the four by sixes, there is a small surcharge.”

Grace ignored his outstretched hand. “The sign on the door says you develop all the pictures on site.”

“That’s right.” He petted the large machine behind him. “Old Betsy here does the job for us.”

“So my roll would have been developed here?”

“Of course.”

Grace handed him the Photomat envelope. “Could you tell me who developed this roll?”

“I’m sure it was just an honest error.”

“I’m not saying it wasn’t. I just want to know who developed my roll.”

He took a look at the envelope. “May I ask why you want to know?”

“Was it Josh?”

“Yes, but-”

“Why did he leave?”

“Pardon me?”

“I picked up the photos a little before three o’clock. You close at six. It’s nearly five now.”

“So?”

“It seems strange that a shift would end between three and six for a store that closes at six.”

Assistant Manager Bruce straightened up a bit. “Josh had a family emergency.”

“What kind of emergency?”

“Look, Miss…”-he checked the envelope-“Lawson, I’m sorry for the error and inconvenience. I’m sure a photograph from another set fell into your packet. I can’t recall it happening before, but none of us are perfect. Oh, wait.”

“What?”

“May I see the photograph in question please?”

Grace was afraid he’d want to keep it. “I didn’t bring it,” she lied.

“What was it a picture of?”

“A group of people.”

He nodded. “I see. And were these people naked?”

“What? No. Why would you ask that?”

“You seem upset. I assumed that the photograph was in some way offensive.”

“No, nothing like that. I just need to speak to Josh. Could you tell me his last name or give me a home phone number?”

“Out of the question. But he’ll be in tomorrow first thing. You can talk to him then.”

Grace chose not to protest. She thanked the man and left. Might be better anyway, she thought. By driving here she had merely reacted. Check that. She had probably overreacted.

Jack would be home in a few hours. She would ask him about it then.

***

Grace had homebound carpool duties for the swim practice. Four girls, ages eight and nine, all delightfully energetic, piled two into the backseat and two into the “way, way” back of the minivan. There was a swirl of giggles, of “Hello, Ms. Lawson,” wet hair, the gentle perfume of both YMCA chlorine and bubble gum, the sound of backpacks being shucked off, of seat belts fastening. No child sat in the front-new safety rules-but despite the chauffeur feel, or maybe because of it, Grace liked doing carpool. It was time spent seeing her child interact with her friends. Children spoke freely during carpool; the driving adult might as well have been in another time zone. A parent could learn much. You could find out who was cool, who was not, who was in, who was out, what teacher was totally rad, what teacher was most assuredly not. You could, if you listened closely enough, decipher where on the pecking order your child was currently perched.

It was also entertaining as all get-out.

Jack was working late again, so when they got home, Grace quickly made Max and Emma dinner-veggie chicken nuggets (purportedly healthier and, once dipped in ketchup, the kids can never tell the difference), Tater Tots, and Jolly Green Giant frozen corn. Grace peeled two oranges for dessert. Emma did her homework-too big a load for an eight-year-old, Grace thought. When she had a free second, Grace headed down the hallway and flipped on the computer.

Grace might not be into digital photography, but she understood the necessity and even advantages of computer graphics and the World Wide Web. There was a site that featured her work, how to buy it, how to commission a portrait. At first, this had hit her as too much like shilling, but as Farley, her agent, reminded her, Michelangelo painted for money and on commission. So did Da Vinci and Raphael and pretty much every great artist the world has ever known. Who was she to be above it?

Grace scanned in her three favorite apple-picking photos for safekeeping and then, more on a whim than anything else, she decided to scan in the strange photograph too. That done, she started bathing the children. Emma went first. She was just getting out of the tub when Grace heard his keys jangle in the back door.

“Hey,” Jack called up in a whisper. “Any hot love monkeys up there waiting for their stud muffin?”

“Children,” she said. “Children are still awake.”

“Oh.”

“Care to join us?”

Jack bounded up the stairs, taking them two at a time. The house shook from the onslaught. He was a big man, six-two, two-ten. She loved the substance of him sleeping beside her, the rise and fall of his chest, the manly smell of him, the soft hairs on his body, the way his arm snaked around her during the night, the feeling of not only intimacy but safety. He made her feel small and protected, and maybe it was un-PC, but she liked that.

Emma said, “Hi, Daddy.”

“Hey, Kitten, how was school?”

“Good.”

“Still have a crush on that Tony boy?”

“Eeuw!”

Satisfied with the reaction, Jack kissed Grace on the cheek. Max came out of his room, stark naked.

“Ready for your bath, mah man?” Jack asked.

“Ready,” Max said.

They high-fived. Jack scooped Max up in a sea of giggles. Grace helped Emma get in her pajamas. Laughter spilled from the bath. Jack was singing a rhyming song with Max where some girl named Jenny Jenkins couldn’t decide what color to wear. Jack would start off with the color and Max filled in the rhyme line. Right now they were singing that Jenny Jenkins couldn’t wear “yellow” because she’d look like a “fellow.” Then they both cracked up anew. They did pretty much the same rhymes every night. And they laughed their asses off over them every night.

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