Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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Grace hesitated. “Where does she live?”

“A condo in Bedminster. Shouldn’t take us more than thirty minutes to get there.”

Cram came back into view. Scott Duncan nodded toward him.

“So what’s with that scary guy?” Duncan asked.

“I can’t go with you now.”

“Why not?”

“I have the kids. I can’t just leave them here.”

“Bring them along. There’s a playground right there. We won’t take long.”

Cram came to the door now. He beckoned with his hand for Grace. She said, “Excuse me” and headed toward Cram. Scott Duncan stayed where he was.

“What is it?” she asked Cram.

“Emma. She’s upstairs crying.”

Grace found her daughter in classic cry position – facedown on her bed, pillow over her head. The sound was muted. It had been a while since Emma had cried like this. Grace sat on the edge of the bed. She knew what was coming. When Emma could speak, she asked where Daddy was. Grace told her that he was on a business trip. Emma said that she didn’t believe her. That it was a lie. Emma demanded to know the truth. Grace repeated that Jack was just on a business trip. That everything was fine. Emma pushed. Where was he? Why hadn’t Daddy called? When was he coming home? Grace made up rationales that sounded pretty believable in her ears – he was really busy, he was traveling in Europe, London right now, didn’t know how long he’d be gone, he had called but Emma had been sleeping, remember that London is in a different time zone.

Did Emma buy it? Who knew?

Child-rearing experts – those namby-pamby, lobotomy-voiced Ph.D.s on cable TV – would probably tsk-tsk, but Grace was not one of those tell-kids-everything parents. Above all else a mother’s job was to protect. Emma was not old enough to handle the truth. Plain and simple. Deception was a necessary part of parenting. Of course Grace could be wrong – she knew that – but the old adage is true: Kids don’t come with instructions. We all mess up. Raising a child is pure impromptu.

A few minutes later she told Max and Emma to get ready. They were going for a ride. Both children grabbed their Game Boys and piled into the back of the car. Scott Duncan moved toward the passenger seat. Cram cut him off.

“Problem?” Duncan said.

“I want to talk to Ms. Lawson before you go. Stay here.”

Duncan snapped a sarcastic salute. Cram gave him a look that could have held back a weather front. He and Grace stepped into the back room. Cram closed the door.

“You know you shouldn’t go with him.”

“Maybe not. But I have to.”

Cram chewed on his lower lip. He didn’t like it, but he understood. “Do you carry a purse?”

“Yes.”

“Let me see it.”

She showed it to him. Cram pulled a gun out of his waist. It was small, almost toylike. “This is a Glock nine-millimeter, model 26.”

Grace held up her hands. “I don’t want that.”

“Keep it in your purse. You can also wear it in an ankle holster but you’ll need long pants.”

“I’ve never fired a gun in my life.”

“Experience is overrated. You aim for the middle of the chest, you squeeze the trigger. It’s not complicated.”

“I don’t like weapons.”

Cram shook his head.

“What?”

“Maybe I’m mistaken, but didn’t somebody threaten your daughter today?”

That made her pause. Cram put the gun in her purse. She did not fight him.

“How long are you going to be gone?” Cram asked.

“Couple of hours, tops.”

“Mr. Vespa will be here at 7 P.M. He says it’s important that he speaks to you.”

“I’ll be here.”

“You sure you trust this Duncan guy?”

“I’m not sure. But I think we’re safe with him.”

Cram nodded. “Let me add a little insurance on that front.”

“How?”

Cram said nothing. He escorted her back. Scott Duncan was on his cell phone. Grace did not like what she saw on Duncan ’s face. He finished up his call when he spotted them.

“What?”

Scott Duncan shook his head. “Can we go now?”

Cram walked toward him. Duncan did not back down, but there was definitely an understandable flinch. Cram stopped directly in front of him, stuck out his hand, wiggled his fingers. “Let me see your wallet.”

“Pardon me?”

“Do I look like the kind of guy who enjoys repeating himself?”

Scott Duncan glanced at Grace. She nodded. Cram still had the fingers wiggling. Duncan handed Cram his wallet. Cram brought it over to a table and sat down. He quickly rifled through the contents, taking notes.

“What are you doing?” Duncan asked.

“While you’re gone, Mr. Duncan, I’m going to learn everything about you.” He looked up. “If Ms. Lawson is harmed in any way, my response will be” – Cram stopped, looked up as though searching for the word – “disproportionate. I make myself clear?”

Duncan looked at Grace. “Who the hell is this guy?”

Grace was already moving toward the door. “We’ll be fine, Cram.”

Cram shrugged, tossed Duncan his wallet. “Have a delightful drive.”

No one talked for the first five minutes of the ride. Max and Emma used their headphones with the Game Boys. Grace had bought the headphones recently because the beeps and buzzes and Luigi shouting “Mamma Mia!” every two minutes gave her a headache. Scott Duncan sat next to her with his hands in his lap.

“So who was on the phone?” Grace asked.

“A coroner.”

Grace waited.

“Remember how I told you that I had my sister’s body exhumed?” he said.

“Yes.”

“The police didn’t really see a need for it. Too expensive. I understand, I guess. Anyway I paid for it myself. I know this person, used to work for a country M.E., who does private autopsies.”

“And he’s the one who called you?”

“It’s a she. Her name is Sally Li.”

“And?”

“And she says she needs to see me right away.” Duncan looked over at her. “Her office is in Livingston. We can hit it on the way back.” He turned back away. “I’d like you to come with me, if that’s okay.”

“To a morgue?”

“No, nothing like that. Sally does the actual autopsy work at St. Barnabas Hospital. This is just an office where she does her paperwork. There’s a waiting room we can stick the kids in.”

Grace did not reply.

The Bedminster condos were generic, which, when you’re talking about condos, is something of a repetition in terms. They had the prefab light-brown aluminum siding, three levels, garages underneath, every building identical to the one to its right and to its left and behind it and in front of it. The complex was huge and sprawling, a khaki-coated ocean stretching as far as the eye could see.

For Grace, the route here had been familiar. Jack drove by this on his way to work. They had, for a very brief moment, debated moving into this condo development. Neither Jack nor Grace was particularly good with their hands or enjoyed fix-the-old-home shows on cable. Condos held that appeal – you pay a monthly fee, you don’t worry about the roof or an addition or the landscaping or any of that. There were tennis courts and a swimming pool and, yes, a playground for children. But in the end there was just so much conformity one could take. Suburbia is already a subworld of sameness. Why add insult to injury by making your physical abode conform too?

Max spotted the complicated, brightly hued playground before the car had come to a complete stop. He was raring to sprint for the swing set. Emma looked more bored with the prospect. She held onto her Game Boy. Normally Grace would have protested – Game Boy in the car only, especially when the alternative was fresh air – but again now did not seem the time.

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