Harlan Coben - Just One Look

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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Mrs. Lamb. Room 17…

Try directory assistance, stupid. Dial 411.

She hit the digits and the send button. When she reached the end of the aisle, she looked down the row of cashiers.

No sign of the man.

On the phone the thunder-deep voice of James Earl Jones announced: “Verizon Wireless four-one-one.” Then a ding. A woman’s voice now: “For English please stay on the line. Para español, por favor numero dos.

And it was then, listening to this Spanish option, that Grace spotted the man again.

He was outside the store now. She could see him through the plate glass window. He still wore the cap and the black windbreaker. He was strolling casually, too casually, whistling even, swinging his arms. She was about to start moving again when something – something in the man’s hand – made her blood freeze.

It couldn’t be.

Again it did not register immediately. The sight, the stimuli the eye was sending to the brain, would not compute, the information causing some sort of short circuit. Again not for long. Only for a second or two.

Grace’s hand, the one with the phone in it, dropped to her side. The man kept walking. Terror – terror unlike anything she had ever experienced before, terror that made the Boston Massacre feel like an amusement park ride – hardened and banged against her chest. The man was almost out of sight now. There was a smile on his face. He was still whistling. His arms were still swinging.

And in his hand, his right hand, the hand closest to the window, he held a Batman lunchbox.

chapter 30

“Mrs. Lawson,” Sylvia Steiner, the principal of Willard School, said to Grace in that voice that principals use when dealing with hysterical parents, “Emma is fine. So is Max.”

By the time Grace had made it to the door at King’s, the man with the Batman lunchbox was gone. She started screaming, started asking for help, but her fellow shoppers looked at her as if she’d escaped from the county mental facility. There was no time to explain. She did her limp-run to her car, called the school while driving a speed that would have intimidated an Andretti, and burst straight into the main office.

“I spoke to both of their teachers. They’re in class.”

“I want to see them.”

“Of course, that’s your right, but may I make a suggestion?”

Sylvia Steiner spoke so damn slowly that Grace wanted to reach her hand down her throat and rip the words out.

“I’m sure you’ve had a terrible fright, but take a few deep breaths. Calm yourself first. You’ll scare your children if they see you like this.”

Part of Grace wanted to grab her patronizing, smug, over-coiffed ’do and pull it off her head. But another part of her, a bigger part, realized that the woman was speaking the truth.

“I just need to see them,” Grace said.

“I understand. How about this? We can peek in on them from the window at the door. Would that work for you, Mrs. Lawson?”

Grace nodded.

“Come on then, I’ll escort you.” Principal Steiner shot the woman working the desk a look. The woman at the desk, Mrs. Dinsmont, did everything she could not to roll her eyes. Every school has a seen-it-all woman like this at the front desk. State law or something.

The corridors were explosions of color. The artwork of children always broke Grace’s heart. The pieces were like snapshots, a moment that is forever gone, a life-post, never to be repeated. Their artistic abilities will mature and change. The innocence will be gone, captured only in fingerpaint or coloring out of the lines, in uneven handwriting.

They reached Max’s classroom first. Grace put her face to the glass. She spotted her son immediately. Max’s back was to her, his face tilted up. He sat cross-legged in a circle on the floor. His teacher, Miss Lyons, was in a chair. She was reading a picture book, holding it up so the children could see it, while she read.

“Okay?” Principal Steiner asked.

Grace nodded.

They continued down the corridor. Grace saw number 17…

Mrs. Lamb. Room 17…

… on the door. She felt a fresh shiver and tried not to hurry. Principal Steiner, she knew, had noticed the limp. The leg ached in a way it hadn’t in years. She peered through the glass. Her daughter was there, right where she should be. Grace had to fight back the tears. Emma had her head down. The eraser end of her pencil was in her mouth. She chewed on it, deep in thought. Why, Grace wondered, do we find such poignancy in watching our children when they don’t know we’re there? What exactly are we trying to see?

So now what?

Deep breaths. Calm. Her children were okay. That was the key thing. Think it through. Be rational.

Call the police. That was the obvious move.

Principal Steiner faked a cough. Grace looked at her.

“I know this is going to sound nuts,” Grace said, “but I need to see Emma’s lunchbox.”

Grace expected a look of surprise or exasperation, but no, Sylvia Steiner just nodded. She did not ask why – had in fact not questioned her bizarre behavior in any way. Grace was grateful.

“All the lunchboxes are kept in the cafeteria,” she explained. “Each class has their own bucket. Would you like me to show you?”

“Thank you.”

The buckets were all lined up in grade order. They found the big blue bucket marked “Susan Lamb, Room 17” and started going through it.

“What does it look like?” Principal Steiner asked.

Just as she was about to reply Grace saw it. Batman. The word POW! in yellow caps. She slowly lifted it into view. Emma’s name was written on the bottom.

“Is that it?”

Grace nodded.

“A popular one this year.”

It took all her effort not to clutch the lunchbox to her chest. She put it back as though it were Venetian glass. They headed back to the main office in silence. Grace was tempted to pull the kids out of school. It was two-thirty. They’d be let out in a half an hour anyway. But no, that wouldn’t work. That would probably just freak them out. She needed time to think, to consider her response, and when she thought about it, weren’t Emma and Max safest right here, surrounded by others?

Grace thanked the principal again. They shook hands.

“Is there anything else I can do?” the principal asked.

“No, I don’t think so.”

Grace left then. She stood outside on the walk. She closed her eyes for a moment. The fear was not so much dissolving as solidifying, turning into pure, primitive rage. She could feel the heat running up her neck. That bastard. That bastard had threatened her daughter.

Now what?

The police. She should call them. That was the obvious move. The phone was in her hand. She was about to dial when a simple thought stopped her: What exactly would she say?

Hi, I was in the supermarket today, see, and this man near the bologna section? Well, he whispered the name of my kid’s teacher. Right, teacher. Oh, and her classroom number. Yes, at the bologna section, right there with the Oscar Mayer meats. And then the man ran off. But, I saw him later with my daughter’s lunchbox. Outside the supermarket. What was he doing? Just walking, I guess. Well, no, it wasn’t really Emma’s lunchbox. It was the same kind. Batman. No, he didn’t make any overt threats. Sorry? Yes, I’m the same woman who said her husband had been kidnapped yesterday. Right, then my husband called and said he needed space. Yep, that was me, the same hysterical broad…

Was there another option?

She ran it through again. The police already thought she was a whack job. Could she convince them otherwise? Perhaps. What would the cops do anyway? Would they assign a man full time to watch her children? Doubtful, even if she could somehow make them understand the urgency.

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