Harlan Coben - Just One Look

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Just One Look: краткое содержание, описание и аннотация

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From Publishers Weekly
Just one look at Coben's latest stand-alone thriller (after No Second Chance) highlights the author's customary strengths (swift pacing, strong lead characters) but also his weaknesses, including limited originality and, in this case, a plot so complicated that many final pages are devoted to sorting it out. The premise is simple enough: suburban housewife Grace Lawson collects some pictures at the local Photomat; inexplicably, one is an old print depicting her husband, Jack, with other college students; when Grace shows the photo to Jack, he drives away-and disappears. Grace's hunt for her missing husband, whom we learn has been kidnapped (but why? and Coben fans will note that the author's last novel also hinged on a kidnapped family member), sweeps her back into a nightmare she thought she'd escaped: the evening years ago when she survived a rock concert rampage, occasioned by a shooting that left many dead. Meanwhile, Eric Wu, a-dare we say?-inscrutable martial-arts killer who has snatched Jack for reasons unknown, menaces assorted folk. Eventually Grace, aided by a Gotti-like mobster whose child was killed in the rampage, gloms on to Wu, as well as on to Jack's sister, a high-powered attorney who, it turns out, is representing the guy who started the rampage by firing his gun. Only he didn't start the rampage after all, and then there's the rock star who vanished after the shooting and resultant mayhem-what's he now doing on Grace's doorstep? This is all as complicated as a thousand-piece jigsaw puzzle and about as hard to figure out, although in the midst of the murk there are some wonderful character touches. Coben can write thrillers that lift readers off their seats; this one, alas, will have them slumping.
From Booklist
If the trick of suspense writing is to get readers to identify so passionately with the beleaguered principal character that they disappear into the story, feeling the knife points of tension themselves, then Coben is the Houdini of the form. Coben, who has won the Trifecta of mystery writing-the Edgar, the Anthony, and the Shamus Awards-likes to burst the bubble of suburban security by having his characters' well-ordered, happy lives upended in ways that mirror readers' fears. In his four stand-alone thrillers, the past comes back to bite or haunt the protagonist, or the present vanishes in one fatal moment. In this latest excursion into the dark, a suburban mother finds one picture that does not belong in the pack of family outing photos she's just picked up. The picture, showing a group of college students, seems as if it was taken 20 years ago. One of the group looks like her husband. A girl in the group has an X drawn across her face. When Mrs. Happily Married shows the picture to her husband, he seems shaken, then leaves home. Coben ratchets up the suspense of the wife trying to find her husband with another drama, that of a serial killer in the neighborhood. A tragic accident from the woman's past intersects with her husband's secrets and the movements of the killer in ways that are satisfyingly creepy.

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What had happened to Jack?

She started back toward the house, but then, thinking better of it, she sprinted toward her car and took off. Grace caught up to the bus on Heights Road and followed it the rest of the way to Willard School. She shifted into park and watched the children disembark. When Emma and Max appeared, weighed down by their backpacks, she felt the familiar flutter. She sat and waited until they both headed up the path, up the stairs, and disappeared through the school doors.

And then, for the first time in a long time, Grace cried.

***

Grace expected cops in plainclothes. And she expected two of them. That was how it always worked on television. One would be the gruff veteran. The other would be young and handsome. So much for TV. The town police had sent one officer in the regulation stop-you-for-speeding uniform and matching car.

He had introduced himself as Officer Daley. He was indeed young, very young, with a smattering of acne on his shiny baby face. He was gym muscular. His short sleeves worked like tourniquets on his bloated biceps. Officer Daley spoke with annoying patience, a suburban-cop monotone, as if addressing a class of first graders on bike safety.

He had arrived ten minutes after her call on the non-emergency police line. Normally, the dispatcher told her, they would ask her to come in and fill out a report on her own. But it just so happened that Officer Daley was in the area, so he’d be able to swing by. Lucky her.

Daley took a letter-size sheet of paper and placed it out on the coffee table. He clicked his pen and started asking questions.

“The missing person’s name?”

“John Lawson. But he goes by Jack.”

He started down the list.

“Address and phone number?”

She gave them.

“Place of birth?”

“ Los Angeles, California.”

He asked his height, weight, eye and hair color, sex (yes, he actually asked). He asked if Jack had any scars, marks, or tattoos. He asked for a possible destination.

“I don’t know,” Grace said. “That’s why I called you.”

Officer Daley nodded. “I assume that your husband is over the age of emancipation?”

“Pardon?”

“He is over eighteen years old.”

“Yes.”

“That makes this harder.”

“Why?”

“We got new regulations on filling out a missing person report. It was just updated a couple weeks back.”

“I’m not sure I understand.”

He gave a theatrical sigh. “See, in order to put someone in the computer, he needs to meet the criteria.” Daley pulled out another sheet of paper. “Is your husband disabled?”

“No.”

“Endangered?”

“What do you mean?”

Daley read from the sheet. “ ‘A person of age who is missing and in the company of another person under circumstances indicating that his/her physical safety is in danger.’ ”

“I don’t know. I told you. He left here last night…”

“Then that would be a no,” Daley said. He scanned down the sheet. “Number three. Involuntary. Like a kidnapping or abduction.”

“I don’t know.”

“Right. Number four. Catastrophe victim. Like in a fire or airplane crash.”

“No.”

“And the last category. Is he a juvenile? Well, we covered that already.” He put the sheet down. “That’s it. You can’t put the person into the system unless he fits in one of those categories.”

“So if someone goes missing like this, you do nothing?”

“I wouldn’t put it that way, ma’am.”

“How would you put it?”

“We have no evidence that there was any foul play. If we receive any, we will immediately upgrade the investigation.”

“So for now you do nothing?”

Daley put down the pen. He leaned forward, his forearms on his thighs. His breathing was heavy. “May I speak frankly, Mrs. Lawson?”

“Please.”

“Most of these cases-no, more than that, I’d say ninety-nine out of a hundred-the husband is just running around. There are marital problems. There is a mistress. The husband doesn’t want to be found.”

“That’s not the case here.”

He nodded. “And in ninety-nine out of a hundred cases, that’s what we hear from the wife.”

The patronizing tone was starting to piss her off. Grace hadn’t felt comfortable confiding in this youth. She’d held back, as if she feared telling the entire truth would be a betrayal. Plus, when you really thought about it, how would it sound?

Well, see, I found this weird photo from the Photomat in the middle of my pack from Apple Orchard, in Chester, right, and my husband said it wasn’t him and really, it’s hard to tell because the picture is old and then Jack left the house…

“Mrs. Lawson?”

“Yes.”

“Do you understand what I’m telling you?”

“I think so. That I’m hysterical. My husband ran off. I’m trying to use the police to drag him back. That sound about right?”

He remained unruffled. “You have to understand. We can’t fully investigate until we have some evidence that a crime has been committed. Those are the rules set up by the NCIC.” He pointed to the sheet of paper again and said in his gravest tone: “That’s the National Crime Information Center.”

She almost rolled her eyes.

“Even if we find your husband, we wouldn’t tell you where he was. This is a free country. He is of age. We can’t force him to come back.”

“I’m aware of that.”

“We could make a few calls, maybe make a few discreet inquiries.”

“Great.”

“I’ll need the vehicle make and license plate number.”

“It’s a Ford Windstar.”

“Color?”

“Dark blue.”

“Year?”

She didn’t remember.

“License plate?”

“It begins with an M.”

Officer Daley looked up. Grace felt like a moron.

“I have a copy of the registration upstairs,” she said. “I can check.”

“Do you use E-ZPass at tollbooths?”

“Yes.”

Officer Daley nodded and wrote that down. Grace headed upstairs and found the file. She made a copy with her scanner and gave it to Officer Daley. He wrote something down. He asked a few questions. She stuck with the facts: Jack had come home from work, helped put the children to bed, gone out, probably for groceries… and that was it.

After about five minutes, Daley seemed satisfied. He smiled and told her not to worry. She stared at him.

“We’ll check back with you in a few hours. If we hear nothing by then, let’s talk some more.”

He left. Grace tried Jack’s office again. Still no answer. She checked the clock. It was nearly 10 A.M. The Photomat would be opening now. Good.

She had some questions for Josh the Fuzz Pellet.

chapter 6

Charlaine Swain slipped on her new online lingerie purchase-a Regal Lace babydoll with matching G-string-and pulled up her bedroom shade.

Something was wrong.

The day was Tuesday. The time was 10:30 A.M. Charlaine’s children were at school. Her husband Mike would be at his desk in the city, the phone wedged between shoulder and ear, his fingers busy rolling and unrolling his shirtsleeves, his collar tighter by the day but his ego too proud to admit the need for a bigger size.

Her neighbor, the scuzzy creepazoid named Freddy Sykes, should be home by now.

Charlaine glanced toward the mirror. She didn’t do that often. There was no need to remind herself that she was over forty. The image that stared back was still shapely, she guessed, helped no doubt by the babydoll’s underwired support-but what had once been considered buxom and curvaceous had weakened and loosened. Oh, Charlaine worked out. There was yoga class-yoga being this year’s Tae Bo or Step-three mornings a week. She stayed fit, battling against the obvious and unbeatable, holding tight even as it slipped away.

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