James Burke - White Doves at Morning

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'White doves come at morning Where my soldier sleeps in the ground. I placed my ring in his coffin, The trees o'er his grave have all turned brown.' Set mainly in Louisiana during the years 1861 1868, this passionate novel of men, women and war tells the story of the author's ancestor, Confederate soldier Willie Burke. A classic Burke hero, innately moral to the point of lunacy, Willie is soon in conflict with his superiors. As his best friend Jim Stubblefield observes: 'the juncture of Willie Burke and the Confederate Army is akin to the meeting of a wrecking ball and a crystal shop.' The characters who people these pages, many of them based on real historical figures, are as memorable as any Burke has created. Mulatto, Flower Jamison, victim of terrible abuse that never touches her soul, determined to better herself; Quaker abolitionist Abigail Dowling, whose Unionist sympathies put her in constant danger; Colonel Ira Jamison, rotten to his core yet who would rise from a cesspit smelling of roses; these and many others stay powerfully in the mind in this epic tale. Like all the best war novels, WHITE DOVES AT MORNING concentrates not on battles but on the edges of grand events, the detritus that wars create, the human cost, and, in this case, the terrible aftermath.

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"You going to sign up today, Willie?" a boy said.

"Actually Jefferson Davis was at our home only this morning, asking me the same thing," he replied. "Say, you boys wouldn't be wanting more whiskey or beer, would you?"

One of them almost vomited. Another threw a dried horse turd at his back. But Willie took no offense. Most of them were poor, unlettered, brave and innocent at the same time, imbued with whatever vision of the world others created for them. When he glanced back over his shoulder they were playing mumblety-peg with their pocketknives.

He was on a dirt road now, one that led southward into the sugarcane fields that stretched all the way to the Gulf of Mexico. He passed hog lot and slaughterhouse buzzing with bottle flies and a brick saloon with a railed bar inside, then a paint-skinned, two-story frame house with a sagging gallery that served as New Iberia's only bordello. The owner, Carrie LaRose, who some said had been in prison in the West Indies or France, had added a tent in the side yard, with cots inside, to handle the increase in business from Camp Pratt.

A dark-haired chub of a girl in front of the tent scooped up her dress and lifted it high above her bloomers. "How about a ride, Willie? Only a dollar," she said.

Willie raised himself in the saddle and removed his hat. "It's a terrible temptation, May, but I'd be stricken blind by your beauty and would never find my home or dear mother again," he said. The girl grinned broadly and was about to shout back a rejoinder, when she was startled by a young barefoot man, six and a half feet tall, running hard after Willie Burke.

The tall youth vaulted onto the rump of Willie's horse, grabbing Willie around the sides for purchase while Willie's horse spooked sideways and almost caved with the additional weight.

Willie could smell an odor like milk and freshly mowed hay in the tall youth's clothes.

"You pass by without saying hello to your pal?" the young man said.

"Hello, Jim!"

"Hello there, Willie!"

"You get enough grog in you last night?" Willie asked.

"Hardly," Jim replied. "Are you going to see that nigger girl again?"

"It's a possibility. Care to come along?" Willie said. The young man named Jim had hair the color of straw and an angular, self-confident face that reflected neither judgment of himself nor others. He pulled slightly at the book that protruded from Willie's pocket and flipped his thumb along the edges of the pages.

"What you're about to do is against the law, Willie," Jim said.

Willie looked at the dust blowing out of the new sugarcane, a solitary drop of rain that made a star in the dust. "Smell the salt? It's a fine day, Jim. I think you should stay out of saloons for a spell," he said.

"That girl is owned by Ira Jamison. He's not a man to fool with," Jim said.

"Really, now?"

"Join the Home Guards with me. You should see the Enfield rifles we uncrated yesterday. The Yankees come down here, by God we'll lighten their load."

"I'm sure they're properly frightened at the prospect. You'd better drop off now, Jim. I don't want to get you in trouble with Marse Jamison," Willie said.

Jim's silence made Willie truly wish for the first time that day he'd kept his own counsel. He felt Jim's hands let go of his sides, then heard his weight hit the dirt road. Willie turned to wave good-bye to his friend, sorry for his condescending attitude, even sorrier for the fear in his breast that he could barely conceal. But his friend did not look back.

THE last house on the road was a ramshackle laundry owned by Ira Jamison, set between two spreading oaks, behind which Flower sat in an open-air wash shed, scrubbing stains out of a man's nightshirt, her face beaded with perspiration from the iron pots steaming around her. Her hair was black and straight, like an Indian's, her cheekbones pronounced, her skin the color of coffee with milk poured in it.

She looked at the sun's place in the sky and set the shirt down in the boiling water again and went into the cypress cabin where she lived by the coulee and wiped her face and neck and underarms with a rag she dipped into a cypress bucket.

From under her bed she removed the lined tablet and dictionary Willie had given her and sat in a chair by the window and read the lines she had written in the tablet:

A owl flown acrost the moon late last night.

A cricket sleeped on the pillow by my head.

The gator down in the coulee look like dark stone when the sunlite turn red and spill out on the land.

There is talk of a war. A free man of color who have a big house on the bayou say for the rest of us not to listen to no such talk. He own slaves hisself and makes bricks in a big oven.

I learned to spell 3 new words this morning. Mr. Willie say not to write down hard words lessen I look them up first.

A band played on the big lawn on the bayou yesterday. A man in a silk hat and purple suit tole the young soldiers they do not haf to worry about the Yankees cause the Yankees is cowards. The brass horns were gold in the sunshine. So was the sword the man in the silk hat and purple suit carry on his side.

Mr. Willie say not to say aint. Not to say he dont or she dont either.

This is all my thoughts for the day.

Signed, Flower Jamison

She heard Willie's horse in the yard and glanced around her cabin at the wildflowers she had cut and placed in a water jar that morning, her clean Sunday dress, which hung on a wood peg, the bedspread given to her by a white woman on Main, now tucked around the moss-stuffed mattress pad on her bed. When she stepped out the door Willie was swinging down from his horse, slipping a bag of dirty clothes loose from the pommel of his saddle.

He smiled at her, then squinted up at the sunlight through the trees and glanced back casually at the house, as though he were simply taking in the morning and his surroundings with no particular thought in mind.

"You by yourself today?" he asked.

"Some other girls are ironing inside the big house. We iron inside so the dust don't get on the clothes," she said.

"Could you give a fellow a drink of water?" he said.

"I done made some lemonade," she replied, and waited for him to enter the cabin first.

He removed his hat as though he were entering a white person's home, then sat in the chair at the table by the window and gazed wistfully out onto the young sugarcane bending in the breeze off the Gulf. His hair was combed but uncut and grew in black locks on his neck.

"What did you write for us today, Flower?" he asked, his gaze still focused outside the cabin.

She handed him her tablet, then stood motionlessly, her hands behind her.

He put the tablet flat on the table and read what she had written, his elbows on the table, his fingers propped on his temples. His cheeks were shaved and pooled with color that never seemed to change in hue.

"You look at the world only as a poet can," he said.

He saw her lips say the word "poet" silently.

"That's a person who sees radiance when others only see objects. That's you, Flower," he said.

But she disregarded the compliment and felt the most important line she had written in the notebook was one he had not understood. In fact, she was not quite sure what she had meant when she made the entry. But the martial speech of the man in the silk hat still rang in her ears, and the hard gold light beating on his sword and the brass instruments of the band hovered before her eyes like the angry reflection off a heliograph.

"Is there gonna be a war, Mr. Willie?" she asked.

"Why don't you sit down? I'm getting a crick in my neck looking up at you," he said. "Look, y'all are going to be free one day. Peace or war, it's just a matter of time."

"You gonna join the army, ain't you, suh?"

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