Greg Iles - Turning Angel

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Turning Angel: краткое содержание, описание и аннотация

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Turning Angel marks the long-awaited return of Penn Cage, the lawyer hero of The Quiet Game, and introduces Drew Elliott, the highly respected doctor who saved Penn's life in a hiking accident when they were boys. As two of the most prominent citizens of Natchez, Drew and Penn sit on the school board of their alma mater, St. Stephen's Prep. When the nude body of a young female student is found near the Mississippi River, the entire community is shocked – but no one more than Penn, who discovers that his best friend was entangled in a passionate relationship with the girl and may be accused of her murder.
On the surface, Kate Townsend seems the most unlikely murder victim imaginable. A star student and athlete, she'd been accepted to Harvard and carried the hope and pride of the town on her shoulders. But like her school and her town, Kate also had a secret life – one about which her adult lover knew little. When Drew begs Penn to defend him, Penn allows his sense of obligation to override his instinct and agrees. Yet before he can begin, both men are drawn into a dangerous web of blackmail and violence. Drew reacts like anything but an innocent man, and Penn finds himself doubting his friend's motives and searching for a path out of harm's way.
More dangerous yet is Shad Johnson, the black district attorney whose dream is to send a rich white man to death row in Mississippi. At Shad's order, Drew is jailed, the police cease hunting Kate's killer, and Penn realizes that only by finding Kate's murderer himself can he save his friend's life.
With his daughter's babysitter as his guide, Penn penetrates the secret world of St. Stephen's, a place that parents never see, where reality veers so radically from appearance that Penn risks losing his own moral compass. St. Stephen's is a dark mirror of the adult world, one populated by steroid-crazed jocks, girls desperate for attention, jaded teens flirting with nihilism, and hidden among them all – one true psychopath. It is Penn's journey into the heart of his alma mater that gives Turning Angel its hypnotic power, for on that journey he finds that the intersection of the adult and nearly adult worlds is a dangerous place indeed. By the time Penn arrives at the shattering truth behind Kate Townsend's death, his quiet Southern town will never be the same.

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“Wonderful. Do you know anything else about Kate?”

“No. But I’ve got a theory, if you want to wrap your mind around something scary.”

“I’m listening.”

“She’s wasn’t going there to buy anything. She was there to see Cyrus.”

“You mean…”

“That’s what I mean. Cyrus has a real taste for white girls. A well-documented taste.”

Kate Townsend doing a drug dealer? “That sounds too crazy, Sonny.”

“Cyrus ain’t your average drug dealer. In past years, most Natchez dealers were punks barely out of their teens. Cyrus is thirty-four and smart as a whip. By the time I heard he was in business, all his competition had been wiped out. Ruthlessly. But I couldn’t pin a thing on him.”

Cyrus is thirty-four…Drew is forty. Did Kate have a thing for older men in general?

“Cyrus is a veteran of Desert Storm, if you can believe it,” Sonny continues. “He was in the air force. I’ve been trying to bust him for over a year, but nothing sticks. He’s the Teflon nigger.”

Sonny’s use of the N-word is completely unself-conscious. He belongs to that group of Southerners who modify their vocabulary by the company they’re in. Around whites he knows-and probably suspects he’s busting-Sonny says “nigger” without even a shading of caution. Around strangers, he’s as politically correct as the next guy. But there’s no question how he really sees the most frequent targets of his profession. There’s also no question that his prejudice is part of what makes African-Americans his primary targets, rather than the Kate Townsends of the world. But that prejudice isn’t unique to redneck sheriff’s detectives in Mississippi. It thrives in the blood of the American judicial system, all the way up to Washington.

“Does Sheriff Byrd know about Kate’s connection to Cyrus?” I ask.

The narcotics agent doesn’t answer for some time. Then he says, “It’s not that I don’t trust the sheriff, Penn. I just don’t like him messing around in my cases until it’s time to move on something. He can be a disruptive influence.”

“I hear you, Sonny. I appreciate you telling me all this. Anything else you get on Kate, please let me know.”

“Will do. And I’ll do anything I can to help out Dr. Elliott.”

I hang up, my mind spinning with the new information. How well did Drew really know Kate? Did he see her as an all-American, lily-white virgin, as Sonny described her? Or did he know about her shadow side? If not, that hidden part of her life might hold the key to the second semen sample found in her corpse, and thus the key to freeing Drew.

It’s that question that occupies me as I sit at my dining room table with Annie in the fading light of dusk. Annie is doing her homework, and now and then she throws a question at me, more out of boredom than from needing help. I’m supposedly working on my new novel, but what I’m really doing is trying to tease out the secret threads of Drew’s and Kate’s lives. My new awareness of Cyrus White has completely changed my perspective on Drew’s situation.

One thing that keeps coming back to me is Drew’s assertion that the blackmailer who called him that first night and told him to leave the money on the football field “sounded like a black kid.” I doubt that a thirty-four-year-old war veteran would sound like a kid, but sometimes people’s voices surprise you. Heavyweight champion and convicted rapist Mike Tyson sounds like a five-year-old boy when he speaks. But the more likely answer is that a big-time drug dealer like Cyrus White probably has dozens of kids working for him. And that’s who he’d get to make a call like that.

It wasn’t just money they wanted, I recall with sudden clarity. The blackmailers wanted drugs from Drew, as well. But does that point toward Cyrus White? Why would a drug dealer ask for drugs? As I ponder this question, my front doorbell chimes. I’m not expecting anyone, but given all that’s happened today, there’s no telling who it might be.

When I open the door, I find the last person I would have expected. Jenny Townsend, Kate’s mother. Jenny is tall and clear-eyed like Kate, and she’s holding a worn Jimmy Choo shoe box in front of her.

“Hello, Penn,” she says in a controlled voice.

“Jenny,” I say awkwardly. “Will you come in?”

She takes a deep breath and seems to gather herself before answering. “No, thank you. I saw Annie through the window. I know you’re busy.”

“It’s all right. Really.”

“No,” she says, shaking her head. “I don’t think I could take it. I used to help Kate with her homework just like that, after her father left.”

What does one say at these moments? There’s nothing appropriate, so I remain silent. Jenny actually looks grateful that I’m not forcing her to make small talk.

“I’ve heard a lot of rumors today,” she says with obvious difficulty. “Some were pretty terrible. One was that you’re representing Drew Elliott.”

So, that’s what this visit is about. “Drew is an old friend, Jenny. You know that. I can’t begin to imagine what you’ve gone through, but I feel obligated to try to help Drew through this.”

“Oh, you misunderstood me,” she says. “I didn’t mean that you representing Drew was terrible. In fact, I was glad to hear that. That’s why I brought you this.” She gestures with the box but doesn’t quite offer it to me.

“What is that?”

“Kate’s things. Her private things. I haven’t looked at all of them. I’m not sure I could bear it, and it wasn’t meant for my eyes anyway.” Jenny brushes a strand of hair out of her eyes, then flinches at some inner pain. “Katie kept this hidden in the attic. There’s a diary, some souvenirs, and some computer disks. I think that’s where she kept her pictures of Drew. I think some of them are probably…intimate pictures.”

“I see,” I say softly.

“Penn, I don’t know what happened to my daughter yesterday. The police tell me she was raped and murdered. I don’t know anything for certain right now, but I do know-or at least I believe-that Drew could not have hurt my Katie.”

A flood of relief washes through me. “I’m so glad to hear that, Jenny. I believe the same thing.”

“That’s why I’m leaving this box with you.”

I nod but say nothing.

She looks down at my welcome mat and speaks with a new tension in her voice. “The police and the sheriff’s department have gotten more aggressive with their questioning. They want to search my house from top to bottom for clues to Kate’s ‘recent lifestyle.’ I don’t want them to see what’s in this box.” Jenny looks up, her chin quivering. “Those men have no right to invade my daughter’s privacy. This is a difficult thing for me to do, Penn. If it turns out that Drew did harm Kate, perhaps without even meaning to, this box contains the only physical evidence of their relationship.”

“Maybe you should keep it, then.”

She shakes her head. “I can’t. And there’s no one else. I have no close family here, and even if I did, I wouldn’t trust them with it. I’m not even sure I trust myself with it. That’s why I’m not putting it in a safe-deposit box. I’m trusting you because of who you are and who your father is. Your father was my doctor when I was young. Tom Cage has more integrity than any man I’ve ever known, and I don’t think the apple fell far from the tree. I respect what you did in solving that old civil rights murder, for not giving a damn what people around here thought about it.” I start to interject, but she motions for me to be quiet and pushes on. “I don’t know what’s going to happen about Katie in the next few weeks, but if somewhere along the way you come to believe that Drew hurt my baby, I expect you to make sure that the right people see what’s in this box.”

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