Greg Iles - Turning Angel

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Turning Angel: краткое содержание, описание и аннотация

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Turning Angel marks the long-awaited return of Penn Cage, the lawyer hero of The Quiet Game, and introduces Drew Elliott, the highly respected doctor who saved Penn's life in a hiking accident when they were boys. As two of the most prominent citizens of Natchez, Drew and Penn sit on the school board of their alma mater, St. Stephen's Prep. When the nude body of a young female student is found near the Mississippi River, the entire community is shocked – but no one more than Penn, who discovers that his best friend was entangled in a passionate relationship with the girl and may be accused of her murder.
On the surface, Kate Townsend seems the most unlikely murder victim imaginable. A star student and athlete, she'd been accepted to Harvard and carried the hope and pride of the town on her shoulders. But like her school and her town, Kate also had a secret life – one about which her adult lover knew little. When Drew begs Penn to defend him, Penn allows his sense of obligation to override his instinct and agrees. Yet before he can begin, both men are drawn into a dangerous web of blackmail and violence. Drew reacts like anything but an innocent man, and Penn finds himself doubting his friend's motives and searching for a path out of harm's way.
More dangerous yet is Shad Johnson, the black district attorney whose dream is to send a rich white man to death row in Mississippi. At Shad's order, Drew is jailed, the police cease hunting Kate's killer, and Penn realizes that only by finding Kate's murderer himself can he save his friend's life.
With his daughter's babysitter as his guide, Penn penetrates the secret world of St. Stephen's, a place that parents never see, where reality veers so radically from appearance that Penn risks losing his own moral compass. St. Stephen's is a dark mirror of the adult world, one populated by steroid-crazed jocks, girls desperate for attention, jaded teens flirting with nihilism, and hidden among them all – one true psychopath. It is Penn's journey into the heart of his alma mater that gives Turning Angel its hypnotic power, for on that journey he finds that the intersection of the adult and nearly adult worlds is a dangerous place indeed. By the time Penn arrives at the shattering truth behind Kate Townsend's death, his quiet Southern town will never be the same.

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The closer I get to Ardenwood, the higher the banks rise around me. If I’m right about the tunnel, it’s possible that Marko and Mia already came out of it, but all I can do is follow my instinct. I try not to splash as I slide my feet along the muddy bottom. With every step I take, unseen creatures scuttle among the roots on the banks, and shining whips uncurl in the water and glide away. Water moccasins. Snakes have always terrified me, but Mia is facing a lot worse than that. Tensing my exhausted leg muscles against the bite of fangs, I push steadily forward.

Ardenwood towers above me now, more like part of the landscape than any man-made thing. If there’s a tunnel leading out of that ruined shell, I should be getting close to its mouth. I stop in the water and listen with the focus of desperation.

Mosquitoes buzz…

Wet leaves rustle…

A turtle splashes-

”If you make a sound, I’ll kill you.“

Unspeakable fear paralyzes me where I stand.

”Did you hear me, bitch?“

”I heard you.“

At the sound of Mia’s small voice, hope flares within me.

”Move your ass, then!“

A splash sounds behind me, much bigger than that made by the turtle. If I move now, Marko will know I’m here. I hear another splash, and then the sound of a siren floats through the trees.

”Fuck!“ curses Marko. ”You lying whore!“

”Run,“ Mia urges him. ”You can get away. I’ll just slow you down.“

”If I leave you here, I leave you dead.“

”Marko, please-“

”Shut up!“

The siren’s getting louder fast.

”This way!“ Marko says harshly.

I hear more splashing, closer to me this time, and getting closer. Marko must be less than ten feet away, yet he’s still walking toward me.

He can’t see me.

It’s so dark at the bottom of the bayou that only the sky is visible. Only night predators can see here. I stand utterly still as the splashes get closer. Marko curses as he works along the left bank, pulling Mia behind him-at least that’s what I picture from the sounds. The water washes against my leg as they pass. They only miss me because they’re walking half in and half out of the narrow stream, while I stand dead in the center.

When they’re ten feet past me, I turn and begin to follow them.

Marko is moving fast now, away from the direction of the road. If I don’t pick up the pace, he’ll lose me. If I do, he may hear me. Twenty feet ahead, two shadows walk through a column of moonlight let in by a space in the trees. Mia’s shorter frame is easily distinguishable from Marko’s. I move faster, fighting a stitch in my side. How long before my legs cramp? How long before I fall again, and Marko runs back and shoots me while I try to rise from the water? As I ask myself these questions, a quick series of splashes sounds behind me. I don’t know what they mean, but it sounds like a horse galloping up the stream.

As I stand frozen, Marko passes through the column of light again, moving swiftly and soundlessly back toward me. In seconds, he will either pass me or crash into me. If he passes me, whatever is behind me will be a sitting duck for him. If he hits me-

”Watch out!“ Mia screams. ”He’s got a gun!“

Three feet ahead of me, a black form spins out of the dark and fires a gun. The flame spits away from me, though, back toward Mia. Consumed by fury, I crouch in the water and hold out my father’s Browning. Marko fires again, this time in my direction, bracketing the bayou with bullets. I can’t fire for fear of hitting Mia.

”Motherfucker!“ Marko screams, firing like a maniac. ”Izuzetni!“

Then his gun clicks empty.

With all the energy left in my body, I drive my legs upward and swing the Browning in a roundhouse arc. Metal crashes into bone, and Marko goes down in the water. I raise the Browning again and drive it down hard where I heard the splash. This time I hit something softer. An explosion of air hits my face, but then powerful arms whip around my neck and drag me down into the water.

Marko is suddenly above me, trying to shove my head under the water. I’ve got my gun jammed into his gut, but if I pull the trigger-if I kill him-Drew will never be freed.

”Don’t make me kill you!“ I shout.

Marko screams in a guttural language, and the hatred in his voice sends a bolt of terror through my soul. He means to kill me, even if it costs him his life. His jerks one hand from my neck and grabs for my gun. I’m pulling the trigger when a thin red beam arcs across my eyes. A single shot splits the night, and then Marko’s hands fly away as though they never clutched me in a death grip.

Mia screams.

A powerful white light sweeps across me, onto Mia, then goes out.

”It’s Kelly!“ shouts a voice. ”Both of you get down!“

I drop into the water, but I hear Mia splashing toward me.

”Stop, Mia!“ Kelly shouts.

”He threw his phone!“ she yells back. ”There’s something about his phone!“

Kelly charges past me and bellows something in the same guttural language Marko used. Marko screams back at him.

”Shine your light over here!“ Mia says.

Kelly steps on something in the water-Marko, I presume-then obeys Mia’s order. She drops to her knees, scrabbles through the kudzu, then jumps up with a silver cell phone in her hand.

I press my hands down into the mud and slowly get up.

Kelly drags Marko to his feet and binds his wrists with thin plastic restraints. ”You okay, Penn?“

”I think so.“

He lifts his radio and tells Logan how to find us.

Marko groans and doubles over.

”Did you shoot Marko?“ I ask.

”He’ll live,“ says Kelly. ”I had time to pick my shot.“

Fear is draining out of me like bad water. ”I’m glad you thought so. Shit.“

Kelly shines his flashlight on his own face. The sight of his grin beneath the blond hair makes me almost giddy with relief.

”Oh, my God,“ Mia cries. ”Oh no.“

When I turn, I see her face illuminated by the faint glow of a cell phone screen.

”Look at this, Penn,“ she whispers. ”Dear Lord.“

I splash over to her and look down.

Kate Townsend is looking up at me from the screen, but her eyes are no more alive than those of a dead fish. Her face is gray, and the orbits of her eyes are dotted with burst blood vessels.

”Is she dead?“ Mia asks.

”Yes,“ says Kelly, leaning over my shoulder.

Mia fiddles with the phone’s buttons, and another photo appears. This one shows Kate from the knees up. She’s lying naked on the sand, spread-eagled to show her vagina. As I stare, my stomach almost comes up. Kate’s head is turned to the side in the photo, and both her nose and mouth lie beneath the surface of the brown water. Her long blond hair trails downstream.

Mia hands me the phone, then falls to her knees and vomits into the bayou. I reach down and hold her hair so that she doesn’t soil it. While she retches and heaves, I hear a sound like a hammer hitting raw meat. I turn in time to see Marko crumple to the ground.

As I help Mia to her feet, Marko curses Kelly in his own language. Marko’s lying flat on his back, as though pinned there by the beam of Kelly’s flashlight. Kelly stands over him with the MP5, covering him with lazy grace, as oblivious to the words as to the barking of a dog. As I watch them, the echo of excited voices comes down the hill, and three flashlights appear in the distance.

”Can I go home?“ Mia asks. ”I don’t want to be part of this anymore.“

I squeeze her arm and look toward Kelly’s flashlight. ”You mind if I take her out of here?“

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