Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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Outside, two more HRT agents had moved up, covering the two beside the door, who now advanced on Handy and Wilcox.

Did the men have armed grenades on them?

Hidden knives?

It wasn't until they'd been cuffed and patted down that Arthur Potter realized the barricade was over. He'd escaped, alive and unhurt.

And had once again read Handy wrong.

Potter returned to Budd, D'Angelo, and Foster. Told the HRT commander to radio the agents taking the two convicts into custody with orders on how to handle them. Potter remembered that Wilcox was the cowboy in the group, more impulsive than the others. He'd ordered him shackled around the waist as well as cuffed but told them not to do so with Handy. Potter knew Lou would be more willing to cooperate if he retained at least a little control.

Other agents appeared silently and covered the two men. They pulled them to their feet and frisked them again, more carefully, then quickly led them into a gully and hurried them away from the slaughterhouse.

Then the lights went on inside.

A long, long moment of silence, though it was probably just seconds.

Where is she?

"Go ahead," D'Angelo said into his mike. He listened for a minute then said to Potter, "It's secure. No other takers. No traps. There was something rigged in the room but it's been dismantled."

The others rose to their feet too and watched Handy's progress as he approached up the gully.

"And the hostages?" Potter asked urgently.

D'Angelo listened. He said aloud, "Bonner's dead."

Yes, yes, yes ?

"And they found two female hostages. One, white, late thirties. Conscious but incoherent."

For chrissake, what about -

"Second one, white, age mid-twenties. Also conscious." D'Angelo winced. "Seriously hurt, he says."

No. Oh, my God.

"What?" Potter cried. "What happened to her?" The negotiator lifted his own radio and cut into the channel. "How is she? The younger woman?"

The HRT agent inside said, "Handy must've really done a number on her, sir."

"How bad ?" Potter said furiously. Budd and D'Angelo stared at him. Handy was approaching, two agents on either side. Potter found he couldn't look at him.

The agent inside said into the radio, "Well, sir, she doesn't look that badly hurt but the thing is he must've beat the hell out of her. She can't hear a word we're saying."

The surrender had happened so fast he'd forgotten to tell the tactical agents Melanie was deaf.

D'Angelo said something to him and so did Charlie Budd but Potter didn't hear, so loud was his manic, hysterical laughter. Sharon Foster and nearby troopers looked at him uneasily. Potter supposed, without caring, that he sounded like the crazy old man that he was.

"Lou."

"Art, you don't look nothing like what I thought. You do have to lose a few pounds."

Handy stood behind the van, hands cuffed behind him. Sharon Foster was nearby, looking over the prisoners. When Handy glanced at her body, grinning, she stared back contemptuously. Potter knew that after a hard negotiation, particularly one in which there'd been a killing, you felt an urge to insult or belittle your enemy. Potter controlled it himself but she was younger and more emotional. She sneered at Handy, walked away. The convict laughed and turned back to Potter.

"Your picture doesn't do you justice," the negotiator said to him.

"Fuckers never do."

As always, after a surrender, the hostage taker appeared minuscule compared with the image in Potter's mind. Handy's features were hard and compact, his face lean and lined and pale. He knew Handy's height and weight but still he was surprised at how diminished he seemed.

Potter scanned the crowd for Melanie. He didn't see her. Troopers, firemen, medics, and Stillwell's now-disbanded containment force were milling about outside the slaughterhouse. The car and the school bus and the processing plant itself were of course crime scenes and since by agreement this was technically now a state operation Budd had formally arrested Handy and Wilcox and was trying to preserve the site for the forensic teams.

Where is she?

There was a brief incident when Potter arrested Handy on federal charges. Handy's eyes went cold. "What the fuck is this?"

"I'm just preserving our rights," Potter said. SAC Henderson explained that it was a mere technicality, and Roland Marks too confirmed that everyone would adhere to the written agreement, though Potter had a bad moment when he thought Marks was going to take a swing at the convict. The assistant AG muttered, "Fucking child killer," and stormed off. Handy laughed at his receding back.

Shep Wilcox, grinning, looked around, disappointed, it seemed, there were no reporters present.

The older teacher, Donna Harstrawn, was brought out on a gurney. Potter went to her and walked alongside the medics. He looked at one of the techs, eyebrow raised. "She'll be okay," the young man whispered. "Physically, I mean."

"Your husband and children are at the Days Inn," he told her.

"It was…" she began, and fell silent. Shook her head. "I can't see anyone now. Please. No… I don't ever…" Her words dissolved, incoherent.

Potter squeezed her arm and stopped walking, watched them carry her up the hill to the waiting ambulance.

He turned back to the slaughterhouse just as Melanie Charrol was being escorted out. Her blond hair in disarray. She too – like Handy – seemed smaller than Potter expected. He started forward but paused. Melanie hadn't seen him; she was walking quickly, her eyes on Donna Harstrawn. Her clothes were dark – gray skirt, black stockings, burgundy blouse – but it seemed to Potter that they were saturated with blood.

"What's all that blood on her?" he asked one of the HRT agents who'd been inside.

"Not hers," came the response. "Bonner's probably. Man bled out like a gutted twelve-point buck. You want to debrief her?"

He hesitated.

"Later," he said. But in his mind the word was more of a question and the answer was unknown.

Detective Sharon Foster strode up to Potter and shook his hand.

" 'Night, Agent Potter."

"Thanks for everything," he said evenly.

"Piece of cake." She jabbed a blunt finger at him. "Hey, great job with that surrender. Smooth as silk." Then wheeled and returned to her squad car, leaving Potter standing alone. His face burned like that of a rookie dressed down by a tough training sergeant.

Angie Scapello returned momentarily from the Days Inn to collect her bags and say goodbye to Potter and the others. She still had some work ahead of her at the motel, where she would debrief the hostages further and make sure they and their families had the names of therapists who specialized in post-traumatic stress syndrome.

Budd and D'Angelo hitched a ride with Angie to the rear staging area. Potter and two troopers escorted the takers back to the van. Squad cars waited nearby to take them to the state police troop HQ ten miles away.

"Had yourself a fire, looks like," Handy said, looking over the black scorch marks. "You ain't gonna blame that on me, I hope?"

As he gazed at the convict Potter was aware of a man approaching from the shadows of a gully. He paid little mind since there were dozens of troopers milling about. But there was something purposeful about the man's stride, too quick and direct for him to be passing through the crowd casually. He was heading directly for Potter.

"Weapon!" Potter cried as Dan Tremain, twenty feet away, began to lift the gun.

Wilcox and the trooper holding him dove to the ground, as did the second escort trooper, leaving only Handy and Potter standing. Within easy pistol range.

Handy, smiling, turned to face Tremain. Potter drew his own gun, pointed it at the HRU commander, and stepped in front of Handy.

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