Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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"Good luck," Marks said. He hesitated, as if thinking of something else he might say. He settled for "God save those girls" and left the van.

"DEA's on the way," Tobe announced. "They've got the cash. Coming in by confiscated turbo helicopter. They get the best toys, those pricks."

"Hey," Budd said, "they're bringing a hundred thousand, right?"

Potter nodded.

"Where're we gonna keep the fifty that we don't give him? That's a lot of cash to store."

Potter held his finger to his lips. "We'll split it, Charlie, you and me."

Budd blinked in shock.

At last Potter winked.

The captain laughed hard, as did Angie and Frances.

Tobe and LeBow were more restrained. Those who knew Arthur Potter understood that he rarely made jokes. He tended to do so only when he was at his most nervous.

10:01 P.M.

The killing room had become cold as a freezer.

Beverly and Emily huddled against Melanie as they all watched Mrs. Harstrawn lying ten feet away: eyes open, breathing, but otherwise dead as Bear, who still blocked the entrance to the room and whose body was sending three long fingers of black blood reaching slowly toward them.

Beverly, air rasping into her lungs, as if she'd never breathe again, could not take her eyes off the streams.

Something was going on in the other room. Melanie couldn't see clearly but it seemed that Brutus and Stoat were packing up – guns and bullets and the tiny TV set. They were walking through the large room, looking around. Why? It was as if they felt sentimental about the place.

Maybe they were going to give up…

Then she thought, No way. They're going to get into that helicopter, drag us along with them, and escape. We'll live this same nightmare over and over and over again. Fly to someplace else. There'll be other hostages, other deaths. More dark rooms.

Melanie found her hand once more at her hair, uneasily entwining a finger in the strands, which were now damp and filthy. No "shine" now. No light. No hope. She lowered her hand.

Brutus strode into the room and gazed at Mrs. Harstrawn, looking down at her creased brow. He had that slight smile on his face, the smile Melanie had come to recognize and to hate. He pulled Beverly after him.

"She's going home. Going home." Brutus pushed her out of the door of the killing room. He turned back, pulled a knife from his pocket, opened it, and cut the wire that had run to the canister of gasoline. He tied Melanie's hands behind her back and then her feet. Emily's too.

Brutus laughed. "Tying your hands up – that's like gagging you too. How 'bout that?"

Then he was gone, leaving the three remaining hostages.

All right, she thought. The twins had done it; they would too. They'd get out by following the scent of the river. Melanie turned around, her back toward Emily's, offered her bound hands. The little girl understood and struggled with the knots. But it was useless; Emily admired long fingernails but had none of her own.

Try harder, come on!

Suddenly Melanie shivered as Emily's fingers dug deep into her wrists. She cringed as the little girl's hands tugged once desperately at her fingers then suddenly disappeared. Someone had the girl, was dragging her away!

What's going on?

Frowning, Melanie twisted around.

Bear!

His face bubbling with blood and twisting in rage, he pulled Emily to the wall. He shoved her against the tile. She fell, stunned. Melanie opened her mouth to scream but Bear lunged forward, stuffing a filthy rag into her mouth and clamping his bloody hand on her shoulder.

Melanie fell backward. Bear's huge face dropped down onto her breast and kissed her, wet and bloody. She felt the moisture through her blouse. His blurry eyes looked over her body as she tried to spit the rag from her mouth. He pulled a knife from his pocket. He opened it with a bloody hand and his teeth.

She tried to squirm away but he continued to clutch her breast. He rose up on one elbow and rolled off her. She kicked hard but her bound feet rose only an inch or two. A stream of blood poured from his slacks, where it had been pooling for the past hour, and covered her legs with the cold, thick liquid.

Melanie, sobbing in terror, tried to push away from him, but he gripped the cloth over her breasts with a desperate strength. He threw his leg over her calves, pinning her to the ground as more blood cascaded over her.

Please, help me. Somebody. De l'Epée…

Somebody! Please -

Oh, no… She shivered in horror. Not this. Please, no.

He tugged her skirt above her waist with his knife hand. Yanked down her black tights. The knife started up along her thigh to her pink cotton panties.

No! She tried to struggle away, her ears roaring from the effort. But there was no escape. His huge bulk lay upon her and dripped his heavy blood onto her legs. The blade touched her mound, cut through one seam of the underwear. Through the sparse hair between her legs she felt the cold steel and recoiled.

A hideous grin on his face, he looked at her with icy disks of eyes. The metal sliced the other side of the panties. They fell away.

Her vision grew dim. Don't faint! Don't lose your sight too!

Pinned to the ground by his weight. Afraid to move anyway; the knife hovered an inch above her pink cleft, the faint hair, the pale skin.

With his free hand Bear reached down to his crotch and unzipped. He coughed, spraying more blood upon her, spattering her chest and neck. As he reached in his pants the knife dipped and she groaned, nearly gagging on the rag, as the cold metal slipped in between her legs.

Then the blade rose again as he guided his huge, glistening penis out. She struggled away from him but he let go of himself and once more grabbed her breast, holding her still.

He rubbed against her leg, blood pouring off his twitching organ and running onto her bare thigh. He pressed against her skin once, twice, and then shifted his weight to move further along her body.

And then…

Then…

Nothing.

She was breathing faster than she believed possible, her chest trembling. Bear was frozen, eyes inches from hers, one hand on her chest, the other holding the blade, point down, poised between her legs, millimeters from her flesh.

She spit the rag from her mouth, smelled his putrid stink, the rich, rusty smell of blood. Sucked in air.

Felt the cold knife twitch against her skin once, twice, and then it went still.

It took a full minute before she realized that he was dead.

Melanie fought down the nausea, sure that she'd be sick. But then slowly the sensation passed. Her legs were numb; his bulk had cut off her circulation. She planted her bound hands firmly on the concrete beneath her and pushed. A huge effort. But the blood was slick, like fresh enamel, and she managed to slide several inches away from him. Try again. Then once more. Soon her legs were almost out from under him.

One more time…

Her feet popped out and came to rest exactly where he held the knife. Tensing her stomach muscles, she lifted her feet slightly and began sawing the wire against the steel blade of the knife.

She glanced toward the doorway. No sign of Brutus or Stoat. Her stomach muscles screamed as she sawed against the wire.

Finally… snap. It gave way. Melanie climbed to her feet. She kicked Bear's left hand once, then again. The blade fell to the ground. She kicked it to Emily. Gestured for her to pick it up. The little girl sat up, crying silently. She looked at the knife, which was resting in a pool of blood, and shook her head no. Melanie responded with a fierce nod. Emily closed her eyes, turned, and groped in the slick red pool for the weapon. Finally she gripped it, wincing, and held the blade up. Melanie turned and began rubbing the wire binding her wrists against the blade. A few minutes later she felt the strands break. She grabbed the knife and then cut Emily's wire as well.

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