Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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Wilcox came up behind him and said something. Bear stabbed a finger at Melanie. "She's the one…"

Brutus turned toward her. She gazed back coldly at him then rose and walked slowly over the wet tiles, almost choking on the smell of gasoline. She stopped and stood directly over Donna Harstrawn. With her finger she gestured Brutus forward. Her eyes locked into Bear's, Melanie lifted the woman's skirt a foot or two, revealing bloody thighs. She nodded at Bear.

"You little bitch!" Bear took a step toward her but Brutus caught his arm, pulled Bear's gun from his belt, tossed it to Stoat.

"You stupid asshole!"

"So? I fucked her, so what?"

Brutus lifted an eyebrow and then pulled a gun from his pocket. He pulled the slide and let it snap forward then pushed a button and took out the little metal tube that held the rest of the bullets. He put the pistol in Melanie's hand. It was cold as a rock, it gave her power like raw electrical current and it terrified her.

Bear was muttering something; in the corner of Melanie's eye she saw his lips moving. But she couldn't take her eyes from the gun. Brutus stood behind her and directed the barrel toward Bear's chest. He wrapped her hands in his. She smelled him, a sour scent of unwashed skin.

"Come on!" Bear's face was grim. "Quit fooling…"

Brutus was speaking to her; she felt the vibrations on the flesh of her face but she couldn't understand him. She sensed he was excited, almost aroused, and she felt it too – like a fever. Bear raised his hands. He was muttering something. Shaking his head.

The gun burned, radioactive. Bear eased away and Brutus adjusted the pistol to keep the muzzle pointed directly at his chest. Melanie pictured him lying atop Mrs. Harstrawn. She pictured him gazing at the twins' thin legs, their flat chests. Pull the trigger, she thought. Pull it! Her hand started to shake.

She again felt the vibrations of Brutus's words. In her mind, she heard his voice, an oddly soothing voice, the phantom voice. "Go ahead," he said.

Why isn't it firing? I'm ordering my finger to pull.

Nothing.

Bear was crying. Tears down his fat cheeks, running into his beard.

Melanie's hand was shaking badly. Brutus's firm hand curled around hers.

Then the gun silently bucked in her hand. Melanie gasped as the hot wind from the muzzle hit her face. A tiny dot appeared in Bear's chest and he gripped the wound with both hands, looked into the air, and fell backwards.

No, it fired by itself! I didn't do it, I didn't!

I swear !

She screamed those words to herself, over and over. And yet… yet she wasn't sure. She wasn't sure at all. For an instant – before the horror of what had happened hit home – she was enraged that she might not have been the one responsible for his death. That Brutus, not she, had applied the final ounce of pressure.

Brutus stepped away and reloaded the gun, pulled a lever, and the slide snapped forward.

Bear's mouth moved, his eyes darkened. She watched his miserable face, which looked as if all the injustice of the earth were conspiring to cheat a good man out of his life. Melanie didn't even try to figure out what he was saying.

She thought: Every once in a while deafness is a blessing.

Handy stepped past Melanie. He looked down at Bear. Muttered something to him. He fired one shot into the man's leg, which kicked violently in reaction. Bear's face contorted with pain. Then Handy fired again – into his other leg. Finally he aimed leisurely at the huge gut; the gun exploded once more. Bear shuddered once, stiffened, and went still.

Melanie sank to the floor, put her arms around Emily and Beverly.

Brutus bent down and pulled her close. His face was only inches away. "I didn't do that 'cause he fucked that woman. I did it 'cause he didn't do what I'd told him. He let those girls get away and was gonna snitch on us. Now you just sit on back there."

How can I understand his words if I can't understand him?

How? Melanie wonders. I hear him so perfectly, just like I hear my father.

So you'll be home -

How? she wonders.

Handy's eyes looked Melanie up and down as if he clearly knew the answer to her question and was simply waiting for her to catch on. Then he looked at his watch, bent down, grabbed Emily by the arm. He dragged the little girl, hands pressed together in desperate prayer, into the main room.

Handy was singing.

Potter had called and said, "Lou, how're things going in there? Thought we heard a few gunshots."

To the tune of "Streets of Laredo" Handy sang in a half-decent voice, "I see by my Timex you got fifteen minutes…"

"You sound like you're in a bright mood, Lou. You doing okay foodwise?"

His voice didn't reveal his concern. Were they gunshots?

"I'm feeling pretty chipper, sure am. But I don't want to talk about my moods. That's fucking boring, isn't it? Tell me about my golden helicopter that's flying through the air right now. You get me one with diamond rotors, Art? Some babe with huge tits in the cockpit?"

What were those shots?

Looking at the monitor, the telescopic camera fixed on the window, he could see ten-year-old Emily Stoddard's waved blond hair, her big eyes, heart-shaped face. The silver glint of Handy's blade rested on her cheek.

"He's going to cut her," Angie whispered. For the first time that day her voice cracked with emotion. Because she, like Potter, knew he'd do it.

"Lou, we have your chopper. It's on its way."

Why won't he wear down? Potter wondered. After this much time most criminal takers're climbing the walls. They'll do anything to cut a deal.

"Hold on, Lou. I think that's the pilot now. I'm going to put you on hold. I'll be right back."

"No need. Just get me that chopper in fourteen minutes."

"Just hold on."

Potter hit the mute button and asked, "What do you think, Angie?"

She gazed out the window. Suddenly she announced, "He's serious. He's going to do it. He's tired of the bargaining. And he's still mad about the assault."

"Tobe?"

"It's ringing, there's no answer."

"Damn it. Doesn't he keep the phone in his pocket?"

"You still there, Lou?"

"Time's awasting, Art."

Potter tried to sound distracted as he asked, "Oh, hey, tell me, Lou. What about those shots?"

A low chuckle. "You sure are curious about that."

" Were they shots?"

"I dunno. Maybe it was all in your head. Maybe you were feeling guilty 'bout that trooper of yours getting accidentally shot after you accidentally tried to attack me. And you heard it, you know, like a delusion."

"Sounded real to us."

"Maybe Sonny accidentally shot himself cleaning his gun."

"That what happened?"

"Be a shame if anybody was counting on him to be a witness and all and what happens but he goes and cleans a Glock without looking to see if there was a round inside."

"There is no deal between him and us, Lou."

"Not now there ain't. I'll guaran-fucking-tee that."

LeBow and Angie looked up at Potter. "Bonner's dead?" the negotiator asked Handy.

Have you ever done anything bad, Art?

"You got twelve minutes," Handy's cheerful voice said.

Click.

Tobe said, "Got him. Budd."

Potter grabbed the offered phone. "Charlie, you there?"

"I'm at the airport and they've got a helicopter here. But I can't find anybody to fly it."

"There's got to be somebody."

"There's a school here – an aviation school – and some guy lives in the back but he won't answer the door."

"I need a chopper here in ten minutes, Charlie. Just buzz the river and set it down in that big field to the west. The one about a half-mile from here. That's all you've got to do."

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