Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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LeBow listed under the weight of two huge shoulder bags.

The men shook hands warmly and Potter introduced him to Henderson and Budd.

"Look what we have here, Henry. An Airstream trailer to call our very own."

"My. And a river to catch fish in. What is that?"

"The river? The Arkansas," Budd said, with the emphasis on the second syllable.

"Takes me back to my youth," LeBow offered.

At Potter's request Henderson returned to his car to radio the FBI resident agency in Wichita and find out when Tobe Geller and Angie Scapello would arrive. Potter, LeBow, and Budd climbed into the van. LeBow shook Derek's hand then opened his satchels, extracting two laptop computers. He turned them on, plugged them into a wall socket, and then connected a small laser printer.

"Dedicated line?" LeBow asked Derek.

"Right there."

LeBow plugged in and no sooner had he gotten all his equipment on line than the printer started to groan.

"Goodies already?" Potter asked.

LeBow read the incoming fax, saying, "Prison department profiles, probation reports, yellow sheets and indictments. Very preliminary, Arthur. Very raw ." Potter handed him the material delivered by the agents in Chicago and the voluminous notes he'd begun jotting on the plane. In terse words they described the escape of Lou Handy and two other inmates from a federal prison in southern Kansas, their murder of a couple in a wheat field several miles from the slaughterhouse and the taking of the hostages. The intelligence officer looked over the hard copies and then began typing the data into one of his computers.

The door opened and Peter Henderson entered. He announced that Tobe Geller would be here momentarily and Angie Scapello would be arriving within the hour. Tobe had been flown in via Air Force F-16 from Boston, where he'd been teaching a course in computer-programming profiling as a way to establish the identity of criminal hackers. He should arrive any minute. Angie was taking a Marine DomTran jet from Quantico.

"Angie?" LeBow said. "I'm pleased about that. Very pleased."

Agent Scapello resembled Geena Davis and had huge, brown eyes that no amount of failing to wear makeup could make less seductive. Still, LeBow's excitement had nothing to do with her appearance and everything to do with her specialty – hostage psychology.

En route to the barricade Angie would stop at the Laurent Clerc School and gather as much information about the hostages as she could. If Potter knew her at all he guessed she was already on the horn to the school, writing up profiles of the girls.

LeBow taped a large sheet of blank paper on the wall above the desk and hung a black marker by a string from it. The sheet was divided in half. The left was headed "Promises," the right, "Deceptions." On it LeBow would record everything Potter offered to Handy and every lie he told the man. This was standard procedure in hostage negotiations. The use of the crib sheet could be explained best by Mark Twain, who'd said that a man needs a good memory to be an effective liar. Surprised, Budd asked, "You really going to lie to him?" LeBow smiled.

"But what exactly is a lie, Charlie?" Potter asked. "The truth's a pretty slippery thing. Are any words ever one hundred percent honest?" He tore pages from his notebook and handed them to LeBow, who took the small sheets, along with the faxes that were spewing from the printer, and began typing on the keyboard of the computer that was labeled "Profiles," the word written long ago on a piece of now dirty masking tape. The label on the second computer read "Chronology." The latter screen contained only two entries:

0840 hours. Hostages taken .

1050 hours. Threat Management TeamPotter, LeBowin place .

The backlit liquid-crystal screens poured eerie blue light onto the man's round face; he looked like an Arthur Rackham rendering of the man in the moon. Charlie Budd gazed at the man's fingers, flying invisibly over the keys. "Lookit that. He's worn off half the letters."

LeBow grumbled to Potter, "Saw the building. Lousy situation. Too well shielded for SatSurv and not enough windows for infrared or mikes. The wind's a problem too."

As in most barricades the bulk of information here would have to come from traditional sources – released or escaped hostages and the troopers who took food and drinks to the HTs and stole a glance inside. LeBow tapped computer buttons and created a small window on the chronology computer. Two digital stopwatches appeared. One was headed "Elapsed"; the other, "Deadline."

LeBow set the elapsed time clock to two hours, ten minutes and pushed a button. It began moving. He glanced at Potter with a raised eyebrow.

"I know, Henry." If you don't contact the hostage taker soon after the taking they get nervous and begin to wonder if you're planning an assault. The negotiator added, "We'll give Tobe a few minutes then have the briefing." He looked out over the fields behind them, the tall pale blanket of grass waving in the chill breeze. A half-mile away the combines moved in gentle, symmetrical patterns, cropping the wheat fields like a new recruit's scalp.

Potter examined a map of the area. "All these roads sealed off?"

"Yessir," Budd said. "And they're the only way in."

"Set up a rear staging area there, Charlie." He pointed to the bend in the road a mile south of the slaughterhouse. "I want a press tent set up near there. Out of sight of the barricade. Do you have a press officer?"

"Nup," Budd said. "I usually give statements 'bout incidents around here if somebody's got to. Suppose I'll have to here."

"No. I want you with me. Delegate it. Find a low-ranking officer."

Henderson interrupted. "This is a federal operation, Arthur. I think I should make any statements."

"No, I want somebody state and without much rank. That way we'll keep the press in the tent, waiting. They'll be expecting somebody with the answers to show up. And they'll be less likely to go poking around where they shouldn't."

"Well, I don't exactly know who'd be good at it," Budd said uncertainly, looking out the window, as if a trooper resembling Dan Rather might just wander past.

"They won't have to be good," Potter muttered. "All they have to do is say that I'll make a statement later. Period. Nothing else. Pick somebody who's not afraid to say 'No comment.' "

"They won't like that. The press boys and gals. I mean, there's a fender-bender over on Route 14 and reporters here're all over the scene. Something like this, I'll bet they'll be coming in from Kansas City even."

SAC Henderson, who'd served a stint in the District, laughed.

"Charlie -" Potter controlled his own smile – "CNN and ABC networks are already here. So's the New York Times , the Washington Post , and the L.A. Times . Sky TV from Europe, the BBC, and Reuters. The rest of the big boys're on their way. We're sitting in the middle of the week's media big bang."

"No kidding. Brokaw, too, you think? Man, I'd like to meet him."

"And set up a press-free perimeter one mile around the slaughterhouse, both sides of the river." " What ?"

"Put five or six officers in four-by-fours and start cruising. You find any reporter in that zone – anybody with a camera – you arrest them and confiscate the camera."

"Arrest a reporter? We can't do that. Can we? I mean, look at 'em all out there now. Look at 'em."

"Really, Arthur," Henderson began, "we don't want to do that, do we? Remember Waco."

Potter smiled blandly at the SAC. He was thinking of a hundred other matters, sorting, calculating. "And no press choppers. Pete, could you get a couple Hueys down here from McConnell in Wichita? Set up a no-fly zone for a three-mile radius."

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