Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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"Single-file?"

"Two-man entry but tandem, yeah. They'll have to."

"It's -"

The bang was very soft. Suddenly the van went dark. Frances gave a short scream. Only an eerie yellow glow from the thick windows and the twin blue screens of Henry LeBow's computers illuminated the pungent interior.

"Lost power," Tobe said. "We -"

"Arthur!" LeBow was pointing out the window at the flames that were rolling up the side of the van.

"What happened? Jesus, did Handy hit us?"

Potter ran to the door. He pulled it open and cried out, leaping back from the tongue of flames and the searing heat that flowed into the van. Slammed the door.

"We can't power up," Tobe said. "Backup's gone too."

"How long do I have?" he raged at Derek.

"Answer me or you'll be in jail in an hour. How long from the time the power goes out till they attack?"

"Four minutes," Derek whispered. "Sir, I was just doing what -"

"No, Arthur," Angie called, "don't open it!"

Potter flung the door open. He flew backwards as his sleeves ignited. Outside all they could see was an ocean of flame. Then the black smoke of burning rubber and oil poured inside, sending them to the floor in search of air.

Disengaging his scrambler, Dan Tremain broadcast, "Agent Potter, Agent Potter! This is Captain Tremain. Come in, please. Are you all right?"

Tremain watched the fire on the hill. It was alarming, the orange flames and the black smoke, swirling in a tornado. He knew all about the van, had used it himself often, and knew that those inside were safe as long as they kept the door closed. Still, it was a terrible conflagration.

No time to think about that now. He called again, "Agent Potter… Derek? Is anyone in the command van? Please report."

"This is Sheriff Stillwell, who's calling?"

"Captain Dan Tremain, state police. What's going on?"

"The van's on fire, sir. We don't know. Handy may've made a lucky shot."

Thank you, Sheriff, Tremain thought. The conversations were being recorded at state police headquarters. Stillwell's comment would more than justify Tremain's action.

"Is everyone all right?" the HRU commander asked.

"We can't get close to the van. We don't -"

Tremain cut off the transmission and ordered, on the scrambled frequency, "Alpha team, Bravo team. Code word Filly. Code word Filly. Arm the cutting charges. Sixty seconds to detonation."

"Alpha. Armed."

''Bravo. Armed."

''Fire in the hole," Tremain called, and lowered his head.

Arthur Potter, fifteen pounds overweight and never athletic, rolled to the ground just past the flames that two troopers were trying unsuccessfully to douse with fire extinguishers.

He hit the ground and stared in alarm at his flaming sleeves. One trooper cried out and blasted him with carbon dioxide. The icy spray stung his hands more than the burn had though he saw the wounds on his skin and knew what kind of agony he could anticipate later.

If he lived to later.

No time, no time at all…

He rolled to his feet and ignored the embers smoldering on his jacket, the pain searing his skin. He began to jog, clicking on the bullhorn.

Potter struggled across the field, through the line of police cars and directly toward the slaughterhouse. He gasped as he shouted, "Lou Handy, listen to me! Listen. This is Art Potter. Can you hear me?"

Sixty yards, fifty.

No response. Tremain's men would be moving in at any minute.

"Lou, you're about to be attacked. It's an unauthorized operation. I had nothing to do with it. Repeat: It's a mistake. The officers are in two gullies to the north and the south of the slaughterhouse. You can set up a crossfire from the two windows on those sides. Do you hear me, Lou?"

He was gasping for breath and struggling to call out. A pain shot through his chest and he had to slow down.

A perfect target, he stood on the crest of a hill – the very place where Susan Phillips had been shot in the back – and shouted, 'They're about to blow the side doors but you can stop them before they get inside. Set up crossfire positions in the southeast and the northwest windows. There's a door on the south side you don't know about. It's covered up but it's there. They're going to blow their way in from there too, Lou. Listen to me. I want you to shoot for their legs. They have body armor. Shoot for their legs! Use shotguns. Shoot for their legs."

No movement inside the slaughterhouse.

Oh, please…

"Lou!"

Silence. Except for the urgent wind.

Then he noticed movement from the gully to the north of the slaughterhouse. A helmet rising from a stand of buffalo grass. A flash as a pair of binoculars turned his way.

Or was it the telescopic sight of an H amp;K MP-5?

"Lou, do you hear me?" Potter called again. "This is an unauthorized operation. Set up crossfire positions on the north door and the south door. There'll be plasterboard or something covering the doorway on the south."

Nothing… silence.

Somebody please…

For God's sake, talk to me. Somebody!

Then: movement. Potter looked toward it – just to the north of the slaughterhouse.

On the crest of a hill seventy-five, eighty yards away a man in black stood, his hip cocked, an H amp;K on a strap at his side, staring at Potter. Then one by one the troopers in the gullies on either side of the slaughterhouse rose and slithered away from the doors. The helmeted heads bobbed up and retreated into the bushes. HRU was standing down.

From the slaughterhouse there was nothing but silence. But Arthur Potter still was heartsick. For he knew that there would have to be a reparation. As amoral and cruel as Handy was, the one thing he'd done consistently was keep his word. Handy's world may have run on a justice of his own making, an evil justice, but justice it was nonetheless. And it was the good guys who'd just broken faith.

Potter, LeBow, and Budd stood back, arms crossed, while Tobe desperately ran wires, cutting and splicing.

Potter watched Derek Elb being escorted away by two of Pete Henderson's agents and asked Tobe, "Sabotage?"

Tobe – nearly as good at ballistics as he was at electronics – couldn't say for certain. "Looks like a simple gasoline fire. We were running a lot of juice out of the generator. But somebody could've slipped in an L210 and we'd be none the wiser. Anyway I can't look for anything now." And he stripped, joined, and taped a dozen wires at once, it seemed.

LeBow said, "You know it is, Arthur."

Potter agreed, of course. Tremain had probably left a remote-controlled incendiary device in the generator of the van.

Incredulous, Budd asked, "He'd do something like that? What are you going to do?"

The negotiator said, "Nothing right now." In his heart he lived too far in the past; in his career, he lived there hardly at all. Potter had no time or taste for revenge. Now he had the hostages to think about. Hurry, Tobe, get the lines running again.

Officer Frances Whiting returned to the van. She'd been inhaling oxygen at the medical tent. Her face was smudged and she breathed with some difficulty, but otherwise she was okay.

"Little more excitement than you're used to in Hebron?" Potter asked her.

"Not counting traffic citations, my last collar was when Bush was in office."

The smell of scorch and burnt rubber and plastic was overwhelming. Potter's arms were streaked with burn. The hair on the backs of his hands was gone and one searing patch on his wrist raged with pain. But he couldn't take the time to see the medics just yet. He had to make contact with Handy first, try to minimize whatever payback was undoubtedly fermenting in Handy's mind.

"Okay," Tobe called. "Got it." The miracle worker had run a line from the remote generator truck and the van was up and running again.

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