Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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She organized her thoughts, then said, "I think Handy's big issue is control. He says he's killed people because they didn't do what he wanted. I've heard that before. A convenience store clerk didn't put the money in the robber's bag as fast as he wanted so she's the one guilty of an offense, not him. That gave him, in effect, permission to kill her."

"Is that why he killed Susan?" Budd asked.

Potter rose and paced. "Ah, a very good question, Charlie."

"I agree," Angie said. "A key question."

"Why her?" Potter continued.

"Well, what I actually meant," Budd said, "was why did he kill her? Why go to that extreme?"

"Oh, when somebody breaks his rules, however slightly," Angie said, "any punishment's fair. Death, torture, rape. In Handy's world, even misdemeanors are capital offenses. But let's ask Arthur's question. Why her ? Why Susan Phillips? That's the important issue. Henry, tell us about the girl."

LeBow's finger clattered. He read from the screen. "Seventeen. Born of deaf parents. IQ of one hundred and forty-six."

"This is hard to listen to," Budd muttered. Potter nodded for LeBow to go on.

"First in her class at the Laurent Clerc School. And listen to this. She's got a record."

"What?"

"She was a protestor last year at Topeka School for the Deaf, a part of Hammersmith College. They wanted a deaf dean. Fifty students got arrested and Susan slugged a cop. They dropped the charges for assault but gave her a suspended for trespass."

LeBow continued, "Volunteered at the Midwest Bicultural/Bilingual Center. There's an article here – in the material Angie brought." He skimmed it. "Apparently it's an organization that opposes something called 'mainstreaming.' "

Angie said, "The dean of the Clerc School told me about that. It's a movement to force the Deaf into regular schools. It's very controversial. Deaf activists oppose it."

"All right," Potter said. "Let's file that away for a moment. Now, who's Handy given up so far?"

"Jocylyn and Shannon," Angie said.

"Anything in common about them?"

"Doesn't seem to be," Budd said. "In fact, looks like they're opposites. Jocylyn's a timid little thing. Shannon's feisty. She's a little Susan Phillips."

"Angie?" Potter said. "What do you think."

"Control again. Susan was a direct threat to him. She had an in-your-face attitude. She probably challenged his control directly. Now, Shannon, with her kicking Bonner… Handy'd sense the same threat but on a smaller scale. He wouldn't feel the need to kill her – to reassert control in the most extreme way possible – but he'd want her out. Jocylyn? She was crying all the time. Sniveling. She got on his nerves. That's a way to eat at his control too."

"What about the adults?" LeBow asked. "I'd think they'd be more of a threat than the children."

"Oh, not necessarily," Angie said. "The older teacher, Donna Harstrawn, is half-comatose, it sounds like. No threat there."

"And Melanie Charrol?"

Angie said, "The dean at the school told me that she's got a reputation for being very timid."

"But look at what she just did," Potter said. "Getting Kielle out."

"A fluke, I'd guess. Probably impulse." She gazed out the window. "He's an odd one, Handy is."

"Unique in my experience," Potter said. "Say, Henry, read to us from your opus. Tell us what we know about him so far."

LeBow sat up slightly and read in a stiff voice. "Louis Jeremiah Handy is thirty-five years old. Mother raised him after his alcoholic father went to jail when the baby was six months. The mother drank too. Child protective services considered placing him and his brothers in foster homes several times but nothing ever came of it. No evidence he was abused or beaten, though when his father returned from prison – Lou was eight – the man was arrested several times for beating up his neighbors. The father finally took off when Handy was thirteen and was killed a year later in a barroom fight. His mother died a year after that."

Officer Frances Whiting shook her head with undirected sympathy.

"Handy killed his first victim at age fifteen. He used a knife though he apparently had a gun on him and could have used the more merciful weapon. It took the victim, a boy his age, a long time to die. Six years in juvenile for that then out long enough to earn a string of GTA arrests, carjackings, assault, D amp;D. Suspected in ATM stickups and bank robberies. Was almost convicted twice for major jobs but the witnesses were killed before trial. No link to him could be proved.

"His two brothers were in and out of trouble with the law over the years. The eldest was killed five years ago, as I mentioned before. It was thought Handy might have done it. No known whereabouts for the younger brother.

"As Handy's career's progressed," LeBow said to his audience, "he's gotten more violent." It was the severity and randomness of his crimes that seemed to escalate, the intelligence officer explained. Recently he'd taken to killing for no apparent reason and – in the robbery in which he'd most recently been convicted – started committing arson.

Potter interrupted to say, "Tell us specifically what happened at the Wichita robbery. The Farmers amp; Merchants S amp;L."

Henry LeBow scrolled through the screen, then continued, "Handy, Wilcox, a two-time felon named Fred Laskey, and Priscilla Gunder – Handy's girlfriend – robbed the Farmers amp; Merchants S amp;L in Wichita. Handy ordered a teller to take him into the vault but she moved too slow for him. Handy lost his temper, beat her, and locked her and another woman teller inside the vault, then went outside and got a can of gas. Doused the inside of the bank and lit it. The fire was the reason he was caught. If they'd just run with the twenty thousand they'd have made it but it took him another five minutes or so to torch the place. That gave the cops and Pete Henderson's men time to roll up, silent."

He summarized the rest of the drama: There was a shootout in front of the bank. The girlfriend got away and Handy, Wilcox, and Laskey stole another car but got stopped by a roadblock a mile away. They'd climbed out and walked toward the cops. Handy fired a hidden gun through Laskey's back, killing him and wounding two of the arresting officers before being wounded himself.

"Pointless." Budd shook his head. "That fire. Burning up those women."

"Oh, no, the fire was one way to regain control of the situation," Angie said.

Potter quoted, " 'They didn't do what I wanted. When I wanted it.' "

"Maybe people like Handy'll become your specialty, Arthur," Tobe said.

Two years until retirement; as if I need a specialty, thought Potter. And one that includes the Lou Handys of the world.

Budd sighed.

"You all right, Captain?" Potter asked.

"I don't know if I'm exactly made for this kind of work."

"Ah, you're doing fine."

But of course the young trooper was right. He wasn't made for this line of work; nobody was.

"Listen, Charlie, the troopers're probably getting antsy by now. I want you to make the rounds, you and Dean. Calm ' em down. See about coffee. And for God's sake make sure their heads're down. Keep yours that way too."

"I'll come with you, Charlie," Angie said. "If it's okay with Arthur."

"Catch up with him, Angie. I want to talk to you for a moment."

"I'll meet you outside," she called, and pulled her chair closer to Potter.

"Angie, I need an ally," Potter said. "Someone inside."

She glanced at him. "Melanie?"

"Was that really just a fluke, what she did? Or can I count on some help?"

Angie thought for a minute. "When Melanie was a high-school student there, Laurent Clerc was an oralist school. Signing was forbidden."

"It was?"

"It was a mainstream school. But Melanie realized that was stifling her – which is what all educators are now coming to realize. What she did was to develop her own sign language, one that was very subtle – basically just using the fingers – so the teachers didn't notice it the way you'd see people signing in ASL. Her language spread through the school like wildfire."

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