Jeffery Deaver - A Maiden's Grave

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From Publishers Weekly
It's said that great minds think alike; apparently great thriller writers do too. Here's the second outstanding novel in as many months to see a busload of schoolchildren kidnapped by maniacs. The first was Mary Willis Walker's Under the Beetle's Cellar (Forecasts, June 12); Deaver's is equally gripping, with the added twist that these kids are deaf. In rural Kansas, an act of kindness launches a nightmare when Mrs. Harstrawn, along with hearing-impaired apprentice teacher Melanie Charrol, stops her busload of deaf schoolgirls at a car wreck, only to be taken hostage by Lou Handy and two other stone-cold killers who've just escaped from prison. Pursued by a state trooper, the captors race with their prey to an abandoned slaughterhouse. There, Arthur Potter, the FBI's foremost hostage negotiator, sets up a command post?but the nightmare intensifies when Handy releases one girl, then shoots her in the back just as she reaches the agent. After further brutalities, Melanie decides to rescue her students herself, tricking the killers with sign language games to convey her plan to her charges. Meanwhile, pressure mounts on Potter as the media get pushy, the local FBI stonewalls, Kansas State hostage rescue units try an end run to grab the glory and an assistant attorney general butts in. Deaver (Praying for Sleep) brilliantly conveys the tensions and deceit of hostage negotiations; he also proves a champion of the deaf, offering poetic insight into their world. Throughout, heartbreakingly real characters keep the wildly swerving plot from going off-track, even during the multiple-whammy twists that bring the novel, Deaver's best to date, to its spectacular finish. 200,000 first printing; $200,000 ad/promo; Literary Guild featured alternate; film rights to Interscope Communications; simultaneous Penguin Audiobook; author tour.
From Library Journal
A bus carrying eight deaf children and their teachers stops in the middle of the Kansas countryside, a car wreck directly ahead. Soon, three escaped killers rise out of the nearby cornfields and take children and teachers hostage. Pursued by the police, the convicts are forced to hole up in an abandoned slaughterhouse. There they threaten to shoot a child every hour until their demands are met. A 12-hour war of wits begins between FBI hostage expert Arthur Potter and the escapees' leader, Louis Jeremiah Handy. "I aim to get outta here…If it means I gotta shoot 'em dead as posts then that's the way it's gonna be," Handy boasts. Potter finds himself "in the middle of the week's media big bang," battling publicity-hungry politicians, trigger-happy cops, and the press as well as the unpredictable killers. This book by the best-selling author of Praying for Sleep (Viking, 1994) starts with a bang, and the tension never lets up. A topnotch thriller with an unexpected kicker at the end.

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SAC Peter Henderson was at the rear staging area, setting up the medical unit and coordinating with other troopers and agents coming into the area, particularly the BATF agents and U.S. marshals, on site because there'd been firearm violations and an escape from a federal prison. The SAC's bitter parting words still echoed in Potter's mind. Oh, there'll be something else. Don't you worry .

He said to LeBow, "Henry, while you're looking up our friend Roland Marks, check out Henderson too."

"Our Henderson?"

"Yep. I don't want it to interfere with working the incident but I need to know if he's got an agenda."

"Sure."

"Arthur," Budd said, "I was thinking, maybe we should get this fellow's mother here. Handy's, I mean. Or his father or brother or somebody."

It was LeBow who shook his head.

"What? I ask something stupid?" Budd asked.

The intelligence officer said, "Just watching too many movies, Captain. A priest or family member's the last person you want here."

"Why's that?"

Potter explained, "Nine times out of ten their family's part of the reason they're in trouble in the first place. And I've never known a priest to do anything more than rile up a taker." He was pleased to notice that Budd took this not as a chastisement but as information; he seemed to store it somewhere in his enthusiastic brain.

"Sir." Sheriff Dean Stillwell's voice floated to them on the breeze. He trooped up and mussed his moppish hair with his fingers. "Got one of my boys gonna make the run with that phone. Come over here, Stevie."

"Officer," Potter said, nodding, "what's your name?"

"Stephen Gates. I go by Stevie mostly." The officer was lanky and tall and would look right at home in white pinstripes, working on a chaw of tobacco out on the pitcher's mound.

"All right, Stevie. Put on that body armor and helmet. I'm going to tell them you're coming. You crawl up to that rise there. See it? By that old livestock pen. I want you to stay down and pitch the knapsack as far as you can toward the front door."

Tobe handed him the small olive-drab satchel. "What if I hit those rocks there, sir?"

"It's a special phone and the bag's padded," Potter said. "Besides, if you hit those rocks, you should get out of law enforcement and try out for the Royals. All right," he announced, "let's get this show on the road."

Potter gripped the bullhorn and crawled to the top of the rise where he'd hailed Handy last time, sixty yards from the black windows of the slaughterhouse. He dropped onto his belly, caught his breath. Lifted the bullhorn to his lips. "This is Agent Potter again. We're sending a telephone in to you. One of our men is going to throw it as close to you as he can. This is not a trick. It's simply a cellular phone. Will you let our man approach?" Nothing.

"You men inside, can you hear me? We want to talk to you. Will you let our man approach?"

After an interminable pause a piece of yellow cloth waved in one window. It was probably a positive response; a "no" would presumably have been a bullet.

"When you come out to get the phone we will not shoot at you. You have my word on that." Again the yellow scrap.

Potter nodded to Gates. "Go on."

The trooper started toward the grassy rise, staying low. Still, Potter noted, a rifleman inside could easily hit him. The helmet was Kevlar but the transparent face mask was not.

Of the eighty people now surrounding the slaughterhouse, not a soul spoke. There was the hiss of the wind, a far-off truck horn. Occasionally the sound of the chugging engines of the big John Deere and Massey-Ferguson combines swam through the thick wheat. It was pleasant and it was unsettling. Gates scrabbled toward the rise. He made it and lay prone, looking up quickly, then down again. Until recently, throw phones were bulky and hard-wired to the negotiator's phone. Even the strongest officer could pitch them only thirty feet or so and often the cords got tangled. Cellular technology had revamped hostage negotiation.

Gates rolled from one clump of tall bluestem to another like a seasoned stuntman. He paused in a bunch of buffalo grass and goldenrod. Then kept going.

Okay, thought Potter. Throw it.

But the trooper didn't throw it.

Oates looked once more at the slaughterhouse then crawled over the knoll, past rotting posts and rails of livestock pens, and continued on, a good twenty yards. Even a bad marksman would have his pick of body parts from that range.

"What's he doing?" Potter whispered, irritated.

"I don't know, sir," Stillwell said. "I was real clear about what to do. I know he's pretty worried about those girls and wants to do everything right."

"Getting himself shot isn't doing anything right."

Oates continued toward the slaughterhouse.

Don't be a hero, Stevie, Potter thought. Though his concern was more than the man's getting killed or wounded. Unlike special forces and intelligence officers, cops aren't trained in anti-interrogation techniques. In the hands of somebody like Lou Handy, armed with only a knife or a safety pin, Oates'd spill everything he knew in two minutes, telling the location of every officer on the field, the fact that HRT wasn't expected for some hours, what types of guns the troopers had, anything else Handy might be curious to know.

Throw the damn phone!

Gates made it to a second rise and quickly looked up at the slaughterhouse door again then ducked. When there was no fire he squinted, drew back, and launched the phone in a low arc. It passed well over the rocks he'd been worried about and rolled to a stop only thirty feet from the arched brick doorway of the Webber amp; Stoltz plant.

"Excellent," Budd muttered, clapping Stillwell on the back. The sheriff smiled with cautious pride.

"Maybe it's a good omen," LeBow suggested.

Gates refused to present his back to the darkened windows of the slaughterhouse and eased backward into the grass until he was lost to sight.

"Now let's see who's the brave one," Potter mumbled.

"What do you mean?" Budd asked.

"I want to know who's the gutsiest and most impulsive of the three in there."

"Maybe they're drawing straws."

"No. My guess is that two of them wouldn't go out there for any money and the third can't wait. I want to see who that third one is. That's why I didn't ask for Handy specifically."

"I bet it's him, though," Budd said.

But it wasn't. The door opened and Shepard Wilcox walked out.

Potter studied him through the binoculars.

Taking a casual stroll. Looking around the field. Wilcox sauntered toward the phone. A pistol butt protruded from the middle of his belt. "Looks like a Glock," Potter said of the gun.

LeBow wrote down the information in a small notebook, the data to be transcribed when he returned to the command post. He then whispered, "Thinks he's the Marlboro man."

"Looks pretty confident," Budd said. "But I suppose he's got all the cards."

"He's got none of the cards," the negotiator said softly. "But either one'll give you all the confidence in the world."

Wilcox snagged the strap of the phone's backpack and gazed again at the line of police cars. He was grinning.

Budd laughed. "It's like -"

The crack of the gunshot echoed through the field and with a soft phump the bullet slapped into the ground ten feet from Wilcox. In an instant he had the pistol in his hand and was firing toward the trees where the shot had come from.

"No!" cried Potter, who leapt up and raced into the field. Through the bullhorn he turned to the cops behind the squad cars, all of whom had drawn their pistols or lifted shotguns and chambered rounds. "Hold your fire!" He waved his hands madly. Wilcox fired twice at Potter. The first shot vanished into the cloudy sky. The second split a rock a yard from Potter's feet.

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